本文關(guān)鍵詞：現(xiàn)代繪畫中的夢境表現(xiàn)及其對水彩畫創(chuàng)作的啟示　出處：《西安美術(shù)學(xué)院》2015年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 超現(xiàn)實(shí)主義 夢境 潛意識 水彩

【摘要】：本文通過對國內(nèi)外夢境題材的相關(guān)作品進(jìn)行具體分析，，研究夢境題材對水彩畫創(chuàng)作的意義。第一部分介紹夢境在精神分析學(xué)說中的含義，以及它在繪畫中是怎樣呈現(xiàn)的——特別是西方的超現(xiàn)實(shí)主義繪畫，對西方超現(xiàn)實(shí)主義畫家作品的具體特征和思想觀念進(jìn)行了深入分析。第二部分主要從產(chǎn)生背景和代表畫家對中國的夢境題材繪畫進(jìn)行分析，結(jié)合西方夢境題材繪畫創(chuàng)作實(shí)踐相比較，呈現(xiàn)出中國夢境繪畫還不夠成熟，同時顯現(xiàn)出中國夢境題材繪畫具有自己歷史文化的特色。第三部分主要是從自身創(chuàng)作進(jìn)行分析夢境給自身的水彩畫創(chuàng)作帶來的創(chuàng)作靈感，以及怎樣將這種意識形態(tài)更好的與水彩特有的屬性相結(jié)合。通過對超現(xiàn)實(shí)主義夢境題材繪畫的理論分析，進(jìn)一步指導(dǎo)自己的夢境題材創(chuàng)作。
[Abstract]:In this paper, through the specific analysis of the related works of dreams at home and abroad, the significance of the theme of dream to the creation of watercolor painting is studied. The first part introduces the meaning of dreamland in psychoanalysis and how it appears in painting, especially in Western surrealism painting, and analyzes the specific characteristics and ideas of Western surrealist painters. The second part mainly carries on the analysis from the background and the China representative painter dream theme painting, combining the Western dream theme painting creation practice of comparison, showing the China dream of painting is not mature enough, which showed the Chinese dream theme painting has its own historical and cultural characteristics. The third part is mainly from the creation of their own analysis of dreams to create inspiration for their own watercolor creation, and how to better combine this ideology with the unique attributes of watercolor. Through the theoretical analysis of the surrealism dream subject painting, further guide his dream creation.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J215

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 郭泳儒;;超現(xiàn)實(shí)主義對中國油畫的影響[J];和田師范�？茖W(xué)校學(xué)報;2006年05期

2 陳堅(jiān);;對當(dāng)代中國水彩畫藝術(shù)問題的思考[J];美術(shù);2010年06期

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