【摘要】：作為當(dāng)代美國最具影響力的后現(xiàn)代派作家之一,德里羅以及他的作品得到了實(shí)質(zhì)性的認(rèn)可。他的創(chuàng)作主要關(guān)注晚期資本主義,針對晚期資本主義的代表性現(xiàn)象消費(fèi)主義和恐怖主義進(jìn)行批判。而他百科全書式的著作《地下世界》,跨越美國二十世紀(jì)后半頁的歷史,討論的就是后現(xiàn)代社會中過度消費(fèi)所帶來的災(zāi)難性的惡果,和消費(fèi)對人們的內(nèi)心體驗(yàn)、藝術(shù)創(chuàng)作及環(huán)境所產(chǎn)生的廣泛影響。本文主要包括五個(gè)部分,以小說主要人物的種族背景,藝術(shù)創(chuàng)作和人們對待環(huán)境的態(tài)度為分析對象,旨在分析這部作品中,種族主體性、藝術(shù)主體性以及生態(tài)主體性是如何被逐步消解和建構(gòu),探討了在消費(fèi)社會中人們該如何在享受物質(zhì)豐裕的情況下正確對待過度消費(fèi)所帶來的消極影響,人們該如何尋求歸屬感和整個(gè)世界范圍內(nèi)的共存。
[Abstract]:As one of the most influential post-modernist writers in contemporary America, Derrio and his works have received substantial recognition. His works mainly focus on late capitalism and criticize the representative phenomenon of late capitalism, consumerism and terrorism. And his encyclopedia of the Underground World, which spans the second half of the 20th century in the United States, discusses the disastrous consequences of over-consumption in post-modern societies and the inner experience of consumption on people. The extensive influence of artistic creation and environment. This article mainly consists of five parts, the main characters of the novel race background, artistic creation and people's attitude towards the environment as the object of analysis, in order to analyze the work, racial subjectivity, How artistic subjectivity and ecological subjectivity are gradually dispelled and constructed, and discusses how people should correctly treat the negative influence of excessive consumption under the condition of enjoying material abundance in the consumer society. How should people seek a sense of belonging and coexistence throughout the world.
【學(xué)位授予單位】：中國礦業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I712.074

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本文編號：2450069