【摘要】：造型是通過對物質(zhì)材料的塑造傳播人文魅力的特殊語言,它永遠是藝術學科對美的不竭探索,本文主要闡述的是漢代玉器中獸狀龍紋的造型之美,并探索其對現(xiàn)代設計的影響。龍這一形象十分具有中國特色,在華夏的歷史長河中,許多帝王將相、歷史事件、工藝美術、語言文學均與龍有關,龍造型在中國的歷代政治、文化、宗教、藝術等領域都扮演著相當重要的角色,龍這一形象毋庸置疑地成為中華文明最具象征性的符號。特定的人文環(huán)境賦予每一個時代獨特的美學思想,縱觀歷史,龍成為活躍在各類器物上的經(jīng)典題材。說到器物,就不得不提到玉器,中國的玉器文化從新石器時代就開始非�；钴S了,歷經(jīng)八千年從未中斷,其生命力隨著文明長河的延伸而更加旺盛。本文通過對漢代玉器中的獸狀龍紋造型的剖析,采用分專題研究、比較研究等藝術學的研究方法為主體,以歷史文獻研究方法為支撐,查閱了大量考古學、歷史學、民俗學、設計學等學科的文獻資料作為輔助,在此基礎上拓展造型內(nèi)涵,以找到其藝術內(nèi)涵的特殊性與規(guī)律性,把整篇文章構(gòu)架為緒論,漢代玉器中龍的象征,漢代玉器中獸狀龍紋造型的形成及其特點,獸狀龍紋造型對現(xiàn)代設計的啟示四大部分來進行研究。通過對漢代獸狀龍紋造型的分析,揭示獸狀龍紋造型的風格特征、藝術審美要素及其蘊含的精神,探討其對現(xiàn)代設計的影響是本文的目標。全文通過對獸狀龍紋造型的解析,提出只有在繼承和發(fā)揚中國民族文化的基礎上吸收外來文化,才能創(chuàng)造出民族性與時代性相結(jié)合的藝術,從而推動中國民族藝術的發(fā)展進程。也強調(diào)了將中華民族的傳統(tǒng)藝術精髓融入現(xiàn)代設計,使傳統(tǒng)元素與現(xiàn)代設計相結(jié)合,在繼承中創(chuàng)新的重要性。
[Abstract]:Modeling is a special language that propagates humanistic charm through the molding of material. It is always an inexhaustible exploration of beauty in art discipline. This paper mainly expounds the beauty of animal dragon pattern in jade ware of Han Dynasty, and explores its influence on modern design. In the long history of China, many emperors and generals, historical events, arts and crafts, language and literature are all related to the dragon, and the dragon shape has been related to the politics, culture and religion of all dynasties in China. Art and other fields play a very important role, the image of dragon undoubtedly become the most symbolic symbol of Chinese civilization. The specific humanistic environment gives each age a unique aesthetic thought. Throughout history, dragon has become a classic theme active in all kinds of utensils. When it comes to utensils, we have to mention jade articles. Chinese jade culture has been very active since the Neolithic Age. After eight thousand years, its vitality has become more vigorous with the extension of civilization. Based on the analysis of the animal dragon pattern in the jade ware of the Han Dynasty, this paper adopts the research methods of art such as thematic study, comparative study and so on as the main body, with the historical literature research method as the support, and looks up a large number of archaeology, history, folklore, and so on. The literature of design science and other subjects as a supplement, on this basis to expand the connotation of modeling, in order to find its artistic connotation of particularity and regularity, the structure of the whole article as the introduction, the symbol of the dragon in the jade ware of the Han Dynasty, The formation and characteristics of animal dragon pattern in jade ware of Han Dynasty, and the enlightenment of animal dragon pattern to modern design are studied in this paper. Through the analysis of the animal dragon pattern in Han Dynasty, it is the aim of this paper to reveal the style characteristics of the animal dragon pattern, the aesthetic elements of art and the spirit contained in it, and to discuss its influence on the modern design. Through the analysis of the animal dragon pattern, this paper puts forward that only by absorbing the foreign culture on the basis of inheriting and developing the Chinese national culture, can the art of combining the nationality with the times be created, and thus promote the development of the Chinese national art. It also emphasizes the importance of integrating the essence of Chinese traditional art into modern design, combining traditional elements with modern design, and innovating in inheritance.
【學位授予單位】：河北科技大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：K876.8

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本文編號：2449112