【摘要】：自電影在中國誕生以來,在百年影史中,涌現(xiàn)出了眾多描繪母親的電影作品,21世紀前,電影中的母親形象被不同程度地被美化或者是丑化。解放前的電影中,由于在時代背景和社會倫理的影響下,呈現(xiàn)出傳統(tǒng)倫理載體的母親形象以及被侮辱和踐踏的“污點”式母親形象;解放后,由政治思想對文化藝術(shù)產(chǎn)生的影響和反射,電影中出現(xiàn)了“革命母親”、“妻母”、“圣母”等形象,這些影視作品中呈現(xiàn)出來的母親形象,反應(yīng)了在社會時代下男權(quán)思想對女性的全部要求,都不是母親形象的真實呈現(xiàn)。進入21世紀,雖然在男性導(dǎo)演的作品中,還殘留著具有“實用屬性”的母親形象,但隨著中國女性導(dǎo)演的崛起,她們通過電影對母親形象進行了真實的書寫,出現(xiàn)了“反抗型”、“工具型”、“孤獨型”、“迷茫型”、“類似型”等母親形象,呈現(xiàn)出多樣化的特點。編導(dǎo)們通過自身的女性視角,將母親形象真實生動的描繪出來,認同女性的自我價值,在反思女性倫理和顛覆男性霸權(quán)的同時表達了細膩的情感。21世紀以來中國女性導(dǎo)演作品中的母親形象充分反映了當代中國母親在生存狀況下的境遇,透露出她們真實的精神生活和情感世界。女性導(dǎo)演能在新的歷史維度呈現(xiàn)母親形象,與這些導(dǎo)演的個體成長歷程、女性主義思潮在中國的傳播、開放多元的社會環(huán)境及日益繁榮分化的電影市場等因素密切相關(guān)。21世紀女性導(dǎo)演以她們的藝術(shù)創(chuàng)作,改變了母親形象在銀幕空間的單一維度,母親形象在真實呈現(xiàn)的同時,也日趨多元,但也存在人物形象單薄、角色設(shè)置的狹隘和屈服于男權(quán)秩序的弊端。在未來發(fā)展中,女性導(dǎo)演要在豐富題材與推動提升商業(yè)水平上下功夫,以創(chuàng)作出更受市場歡迎的女性電影,創(chuàng)作更具深度的母親形象。
[Abstract]:Since the film was born in China, in the hundred years of film history, there have emerged many movies depicting the mother. Before the 21st century, the image of the mother in the film was beautified or uglified to varying degrees. In the film before liberation, under the influence of the background of the times and the social ethics, the image of mother as the carrier of traditional ethics and the image of "tainted" mother which was insulted and trampled; After liberation, by the influence and reflection of political thought on culture and art, the images of "revolutionary mother", "wife and mother" and "Virgin" appeared in the film and television works. It reflects all the demands of the patriarchal thought on women in the social era, and it is not the true representation of the image of the mother. In the 21st century, although there are still images of mothers with "practical attributes" in the works of male directors, with the rise of female directors in China, they have written the images of mothers through films. There are "resistance type", "tool type", "lonely type", "confused type", "similar type" and so on. Through their own female perspective, the editors depict the image of the mother vividly and identify with the self-worth of the woman. While reflecting on female ethics and subverting male hegemony, it expresses delicate feelings. The images of mothers in the works of Chinese female directors since the 21st century fully reflect the living conditions of contemporary Chinese mothers. Reveal their real spiritual life and emotional world. Female directors can present the image of mother in the new historical dimension, and the individual growth process of these directors, the spread of feminism in China, The open and pluralistic social environment and the increasingly prosperous and divided film market are closely related. With their artistic creation, the female directors in the 21st century have changed the single dimension of the image of mother in the screen space, and the image of the mother appears at the same time. It is becoming more and more diverse, but it also has the disadvantages of thin image, narrow character setting and submission to the male-dominated order. In the future, female directors will work hard to enrich the subject matter and promote the promotion of business, in order to create more popular female films and create deeper images of mothers.
【學(xué)位授予單位】：湖南工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J911

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