【摘要】：在全球一體化、文化交流頻繁的信息時(shí)代,園林作品在吸納外國元素的同時(shí)漸漸地迷失了自己,導(dǎo)致園林作品喪失其地域特征。西方文化對(duì)重慶園林的影響來源于近代,那時(shí)的重慶園林不僅吸納國外的先進(jìn)技術(shù)和造園理念,同時(shí)也保持著自己獨(dú)有地域風(fēng)味,是最為精彩紛呈的時(shí)期。因此,對(duì)重慶近代園林進(jìn)行調(diào)研分析,可以歸納出具有重慶園林特色的普適性語言規(guī)則,為重慶園林在園林學(xué)科里能夠獨(dú)樹一幟提供理論支持,為往后重慶園林的設(shè)計(jì)提供借鑒。本論文借用語言學(xué)的方法,通過對(duì)園林作品進(jìn)行上下文分析、詞法分析、句法分析,總結(jié)出重慶園林設(shè)計(jì)語言的典型語言要素。論文主要包括四個(gè)大部分:首先介紹了重慶開埠時(shí)期(1891-1911)、辛亥革命時(shí)期(1911-1929)、建市發(fā)展時(shí)期(1929-1936)、抗日戰(zhàn)爭(zhēng)時(shí)期(1936-1949)四個(gè)時(shí)期的經(jīng)濟(jì)、政治、文化和該時(shí)期典型園林作品;其次對(duì)設(shè)計(jì)語言進(jìn)行論述,建構(gòu)出符合重慶的設(shè)計(jì)語言構(gòu)架;再次,結(jié)合建構(gòu)的語言框架,對(duì)重慶各時(shí)期近代園林的設(shè)計(jì)特征進(jìn)行量化,將詞匯、句法提煉出來;最后是將各個(gè)時(shí)期典型的詞匯、句法二次提煉出來,成為重慶近代園林設(shè)計(jì)語言,并分析其對(duì)現(xiàn)代園林的啟示。本論文選擇對(duì)1891-1949年重慶近代園林設(shè)計(jì)語言進(jìn)行研究,取得以下結(jié)果。(1)典型詞匯有中西合璧的新式建筑、石室、花架、旱橋、防空洞、攢尖飛檐六角亭、運(yùn)動(dòng)場(chǎng)、石桌凳、石碑、石雕塑、Y字形臺(tái)階、運(yùn)動(dòng)場(chǎng)、植物園、動(dòng)物園、自然景石、花壇、自然水景、分散的水景、青石板、鵝卵石、石混鋪裝、綠化形成的夾景、斜撐出墻的種植形式、黃葛樹、銀杏、香樟、茶花、紫藤等。(2)園林場(chǎng)地位置大多位于山頂,但官邸別墅園林大多位于山谷;景區(qū)平面布局主要以適應(yīng)地形線的線性布局和點(diǎn)狀布局為主,局部位置會(huì)有隱性的景觀軸線。景區(qū)縱向布局表現(xiàn)適應(yīng)高差的功能分層線,主要體現(xiàn)在公共園林里。視線結(jié)構(gòu)表現(xiàn)為俯視與仰視的多角度視線變換,借景于山、江、城,視線的不斷開合;游覽路線以自然形態(tài)的套環(huán)式園路,平行式園路為主;結(jié)構(gòu)特征為“園中園”微縮形態(tài)的傳統(tǒng)園林以及“洋為中用”的西方園林的融合。(3)時(shí)代背景下人文情懷、政治主張下的人文關(guān)懷、對(duì)自然山水景觀的模仿、西方元素的融合、傳統(tǒng)園林手法的延續(xù)是影響重慶近代園林設(shè)計(jì)語言形成的主要原因。
[Abstract]:In the information age of global integration and frequent cultural exchange, garden works gradually lost themselves while absorbing foreign elements, resulting in the loss of their regional characteristics. The influence of western culture on Chongqing gardens came from modern times. At that time, Chongqing gardens not only absorbed foreign advanced technology and gardening ideas, but also maintained their own unique regional flavor, which was the most splendid period. Therefore, through the investigation and analysis of modern gardens in Chongqing, we can conclude the universal language rules with the characteristics of Chongqing gardens, and provide theoretical support for Chongqing gardens to be unique in the field of landscape architecture. For the future design of Chongqing garden to provide reference. By using the linguistic method, this paper summarizes the typical language elements of Chongqing landscape design language through context analysis, lexical analysis and syntactic analysis of garden works. The thesis mainly includes four major parts: firstly, it introduces the economy and politics of the four periods of Chongqing opening port period (1891-1911), 1911 revolution period (1911-1929), establishing city development period (1929-1936), anti-Japanese war period (1936-1949). Culture and typical garden works of this period; Secondly, it discusses the design language and constructs the design language frame in accordance with Chongqing. Thirdly, it quantifies the design characteristics of modern gardens in Chongqing in different periods, abstracts the vocabulary and syntax. Finally, the typical words and syntax of each period are extracted twice and become the modern garden design language of Chongqing, and the enlightenment to modern garden is analyzed. This paper chooses to study the modern garden design language of Chongqing from 1891-1949, and obtains the following results. (1) the typical words include modern buildings, stone rooms, flower shelves, bridges, air-raid shelters, hexagonal pavilions, sports fields, etc. Stone tables and benches, stone tablets, stone sculptures, Y-shaped steps, sports fields, botanical gardens, zoos, natural scenery, flower beds, natural waterscape, scattered water features, bluestone, cobblestone, stone mixed pavement, green landscape, The planting form of oblique propping out wall, yellow kudzu tree, ginkgo biloba, camphor, wisteria, etc. (2) most of the garden sites are located at the top of the mountain, but the villa garden is mostly located in the valley; The main layout of the scenic area is the linear layout and the point layout which adapt to the terrain line, and the local location will have the recessive landscape axis. The vertical layout of scenic spots is mainly reflected in public gardens. The structure of line of sight is the change of multi-angle line of sight from overlooking and looking up, with the view of mountain, river, city, and the continuous opening and closing of the sight, the tour route is the natural form of the loop type garden road, the parallel type garden road is the main; The structure is characterized by the combination of the traditional garden with the miniature form of "garden in the garden" and the western garden of "making use of foreign countries". (3) the humanistic feelings under the background of the times, the humanistic concern under the political proposition, and the imitation of the natural landscape. The integration of western elements and the continuation of traditional garden techniques are the main factors influencing the formation of modern garden design language in Chongqing.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TU986

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本文編號(hào)：2388358