【摘要】：奧斯卡金像獎(jiǎng)的評(píng)選作為影壇盛事備受世界矚目,從對(duì)好萊塢電影工業(yè)的單一神經(jīng)到如今成為世界電影產(chǎn)業(yè)的發(fā)展方向,其評(píng)選機(jī)制的運(yùn)行與藝術(shù)價(jià)值的考量已然成為世界范圍內(nèi)電影產(chǎn)業(yè)的風(fēng)向標(biāo),奧斯卡的藝術(shù)之光也盡其所能輻射到所有致力于電影產(chǎn)業(yè)發(fā)展的國(guó)度。奧斯卡金像獎(jiǎng)自設(shè)立以來(lái),最佳影片獎(jiǎng)無(wú)疑是諸多獎(jiǎng)項(xiàng)中是最具含金量的獎(jiǎng)項(xiàng)。從入圍初選到頒獎(jiǎng)之時(shí)的最佳與提名之分,提名中有重在參與的陪跑影片也有實(shí)力相當(dāng)?shù)膬?yōu)秀作品。經(jīng)過(guò)殘酷投票,新鮮出爐的最佳影片往往還是有口碑保障的。為了探究最佳影片的藝術(shù)魅力,對(duì)其藝術(shù)標(biāo)準(zhǔn)的深入分析。因此,我們立足于奧斯卡評(píng)選機(jī)制下最佳影片與提名影片的比較研究,進(jìn)行對(duì)比闡明奧斯卡最佳影片獨(dú)特的藝術(shù)價(jià)值、核心競(jìng)爭(zhēng)力和美學(xué)尺度。當(dāng)前國(guó)內(nèi)外學(xué)者對(duì)奧斯卡金像獎(jiǎng)的研究往往聚焦在獲獎(jiǎng)影片的分析,忽略提名影片的存在就容易出現(xiàn)研究過(guò)于片面化的問(wèn)題,于是大眾對(duì)奧斯卡藝術(shù)的理解滯于表面。深刻思辨奧斯卡藝術(shù)的精神內(nèi)蘊(yùn),具體而言就是更為系統(tǒng)化地審視最佳影片這一獎(jiǎng)項(xiàng)的評(píng)選。筆者圍繞奧斯卡評(píng)獎(jiǎng)機(jī)制,從影片內(nèi)在主題與外在表現(xiàn)形式作為對(duì)比重點(diǎn),并結(jié)合受眾在票房上的反饋對(duì)評(píng)獎(jiǎng)機(jī)制的運(yùn)行背景再作補(bǔ)充。筆者更希望在奧斯卡藝術(shù)精神的探索中對(duì)中國(guó)電影產(chǎn)業(yè)實(shí)現(xiàn)全球化的發(fā)展提供參考。我國(guó)電影市場(chǎng)日益繁榮,但繁榮背后真正的贏(yíng)家少之又少。本項(xiàng)研究對(duì)于提升中國(guó)電影質(zhì)量,增強(qiáng)國(guó)家文化軟實(shí)力提供了可行性策略。中國(guó)電影對(duì)商業(yè)利益大肆開(kāi)掘,很多作品習(xí)慣于對(duì)觀(guān)眾的淺表觀(guān)影進(jìn)行刺激,種種亂象導(dǎo)致中國(guó)電影的生態(tài)環(huán)境日趨惡劣。而奧斯卡的成功之道則是堅(jiān)守人文關(guān)懷,進(jìn)而實(shí)現(xiàn)商業(yè)與藝術(shù)并重,國(guó)產(chǎn)電影發(fā)展亟需借鑒其成功之道。第一部分:對(duì)奧斯卡金像獎(jiǎng)的評(píng)獎(jiǎng)機(jī)制進(jìn)行全方位的梳理,將其中各個(gè)評(píng)獎(jiǎng)環(huán)節(jié)以及人員構(gòu)成等多個(gè)方面來(lái)解讀奧斯卡金像獎(jiǎng),其中最佳影片與提名影片的對(duì)比則集中在提名與獲獎(jiǎng)的頻率上。第二部分:結(jié)合代表性作品進(jìn)行最佳影片與提名影片的比較,首先從最為明顯的影片的主題進(jìn)行對(duì)比,再結(jié)合影片的敘事、表演、鏡頭語(yǔ)言等其他方面進(jìn)行比較,該部分作為研究重點(diǎn)。第三部分:奧斯卡最佳影片與提名影片的票房比較,從商業(yè)價(jià)值的層面討論二者的差異性,再?gòu)氖鼙娊嵌葋?lái)分析最佳與提名的差距所在。第四部分:對(duì)奧斯卡金像獎(jiǎng)的提名機(jī)制進(jìn)行反思。獎(jiǎng)項(xiàng)的評(píng)選向來(lái)受到各方的影響,那么在獲獎(jiǎng)結(jié)果公布前后的受眾反應(yīng)、營(yíng)銷(xiāo)策略等來(lái)看評(píng)選機(jī)制的利與弊。第五部分:結(jié)語(yǔ)。
[Abstract]:The selection of the Academy Awards has attracted the attention of the world as a film event. From a single nerve to a single nerve in the Hollywood film industry, it has become the development direction of the world film industry. The operation of its selection mechanism and the consideration of its artistic value have become the vane of the film industry all over the world. The Oscar's light of art also radiates to all the countries devoted to the development of the film industry as much as it can. Best Picture has been the most prestigious of all awards since the Academy Awards were set up. From the shortlist to the award, the best and the nominated, the nominees are the most involved running films and the most powerful works. After a brutal vote, the best new film is often guaranteed word of mouth. In order to explore the artistic charm of the best film, the art standards of the in-depth analysis. Therefore, based on the comparative study of best picture and nominated film under the Oscar selection mechanism, we compare and clarify the unique artistic value, core competitiveness and aesthetic scale of Oscar best picture. At present, scholars at home and abroad tend to focus on the analysis of the Oscar awards, ignoring the existence of nominated films, it is easy to appear the problem of one-sided research, so the public understanding of the art of Oscar lags behind the surface. The spiritual connotation of deliberative Oscar art is to examine the award of best picture more systematically. The author focuses on the Oscar mechanism from the internal theme of the film and the external form of expression as the focus and combined with the audience feedback on the box office to supplement the operating background of the mechanism. The author hopes to provide reference for the development of globalization of Chinese film industry in the exploration of Oscar art spirit. China's film market is booming, but there are few real winners behind it. This study provides a feasible strategy for improving the quality of Chinese films and enhancing the soft power of national culture. The commercial interests of Chinese films are greatly explored, and many works are used to stimulate the audience's superficial view, which leads to the deterioration of the ecological environment of Chinese films. The way of Oscar's success is to stick to humanistic care, and then to realize both business and art, the development of domestic films needs to learn from its successful way. The first part: comb the mechanism of the Oscar awards in all directions, and interpret the Academy Awards from various aspects, such as the award evaluation links and the composition of the staff. The contrast between best picture and nominated film focuses on the frequency of nomination and award. The second part: combining the representative works to compare the best film and the nominated film, first from the most obvious film theme comparison, then combined with the film narrative, performance, lens language and other aspects of comparison, This part is the focus of the research. The third part: the box office comparison between Oscar best picture and nominated film, discusses the difference between them from the aspect of commercial value, and then analyzes the gap between best film and nomination from the perspective of audience. Part four: reflect on the nomination mechanism of Oscar. Award selection has always been affected by all parties, so the audience reaction before and after the announcement of the award results, marketing strategies and so on to see the advantages and disadvantages of the selection mechanism. Part V: conclusion.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J905

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相關(guān)期刊論文 前2條

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本文編號(hào)：2312941