奧斯卡評獎機制下最佳影片與提名影片比較研究
發(fā)布時間：2018-11-05 18:17
【摘要】：奧斯卡金像獎的評選作為影壇盛事備受世界矚目,從對好萊塢電影工業(yè)的單一神經(jīng)到如今成為世界電影產(chǎn)業(yè)的發(fā)展方向,其評選機制的運行與藝術價值的考量已然成為世界范圍內電影產(chǎn)業(yè)的風向標,奧斯卡的藝術之光也盡其所能輻射到所有致力于電影產(chǎn)業(yè)發(fā)展的國度。奧斯卡金像獎自設立以來,最佳影片獎無疑是諸多獎項中是最具含金量的獎項。從入圍初選到頒獎之時的最佳與提名之分,提名中有重在參與的陪跑影片也有實力相當?shù)膬?yōu)秀作品。經(jīng)過殘酷投票,新鮮出爐的最佳影片往往還是有口碑保障的。為了探究最佳影片的藝術魅力,對其藝術標準的深入分析。因此,我們立足于奧斯卡評選機制下最佳影片與提名影片的比較研究,進行對比闡明奧斯卡最佳影片獨特的藝術價值、核心競爭力和美學尺度。當前國內外學者對奧斯卡金像獎的研究往往聚焦在獲獎影片的分析,忽略提名影片的存在就容易出現(xiàn)研究過于片面化的問題,于是大眾對奧斯卡藝術的理解滯于表面。深刻思辨奧斯卡藝術的精神內蘊,具體而言就是更為系統(tǒng)化地審視最佳影片這一獎項的評選。筆者圍繞奧斯卡評獎機制,從影片內在主題與外在表現(xiàn)形式作為對比重點,并結合受眾在票房上的反饋對評獎機制的運行背景再作補充。筆者更希望在奧斯卡藝術精神的探索中對中國電影產(chǎn)業(yè)實現(xiàn)全球化的發(fā)展提供參考。我國電影市場日益繁榮,但繁榮背后真正的贏家少之又少。本項研究對于提升中國電影質量,增強國家文化軟實力提供了可行性策略。中國電影對商業(yè)利益大肆開掘,很多作品習慣于對觀眾的淺表觀影進行刺激,種種亂象導致中國電影的生態(tài)環(huán)境日趨惡劣。而奧斯卡的成功之道則是堅守人文關懷,進而實現(xiàn)商業(yè)與藝術并重,國產(chǎn)電影發(fā)展亟需借鑒其成功之道。第一部分:對奧斯卡金像獎的評獎機制進行全方位的梳理,將其中各個評獎環(huán)節(jié)以及人員構成等多個方面來解讀奧斯卡金像獎,其中最佳影片與提名影片的對比則集中在提名與獲獎的頻率上。第二部分:結合代表性作品進行最佳影片與提名影片的比較,首先從最為明顯的影片的主題進行對比,再結合影片的敘事、表演、鏡頭語言等其他方面進行比較,該部分作為研究重點。第三部分:奧斯卡最佳影片與提名影片的票房比較,從商業(yè)價值的層面討論二者的差異性,再從受眾角度來分析最佳與提名的差距所在。第四部分:對奧斯卡金像獎的提名機制進行反思。獎項的評選向來受到各方的影響,那么在獲獎結果公布前后的受眾反應、營銷策略等來看評選機制的利與弊。第五部分:結語。
[Abstract]:The selection of the Academy Awards has attracted the attention of the world as a film event. From a single nerve to a single nerve in the Hollywood film industry, it has become the development direction of the world film industry. The operation of its selection mechanism and the consideration of its artistic value have become the vane of the film industry all over the world. The Oscar's light of art also radiates to all the countries devoted to the development of the film industry as much as it can. Best Picture has been the most prestigious of all awards since the Academy Awards were set up. From the shortlist to the award, the best and the nominated, the nominees are the most involved running films and the most powerful works. After a brutal vote, the best new film is often guaranteed word of mouth. In order to explore the artistic charm of the best film, the art standards of the in-depth analysis. Therefore, based on the comparative study of best picture and nominated film under the Oscar selection mechanism, we compare and clarify the unique artistic value, core competitiveness and aesthetic scale of Oscar best picture. At present, scholars at home and abroad tend to focus on the analysis of the Oscar awards, ignoring the existence of nominated films, it is easy to appear the problem of one-sided research, so the public understanding of the art of Oscar lags behind the surface. The spiritual connotation of deliberative Oscar art is to examine the award of best picture more systematically. The author focuses on the Oscar mechanism from the internal theme of the film and the external form of expression as the focus and combined with the audience feedback on the box office to supplement the operating background of the mechanism. The author hopes to provide reference for the development of globalization of Chinese film industry in the exploration of Oscar art spirit. China's film market is booming, but there are few real winners behind it. This study provides a feasible strategy for improving the quality of Chinese films and enhancing the soft power of national culture. The commercial interests of Chinese films are greatly explored, and many works are used to stimulate the audience's superficial view, which leads to the deterioration of the ecological environment of Chinese films. The way of Oscar's success is to stick to humanistic care, and then to realize both business and art, the development of domestic films needs to learn from its successful way. The first part: comb the mechanism of the Oscar awards in all directions, and interpret the Academy Awards from various aspects, such as the award evaluation links and the composition of the staff. The contrast between best picture and nominated film focuses on the frequency of nomination and award. The second part: combining the representative works to compare the best film and the nominated film, first from the most obvious film theme comparison, then combined with the film narrative, performance, lens language and other aspects of comparison, This part is the focus of the research. The third part: the box office comparison between Oscar best picture and nominated film, discusses the difference between them from the aspect of commercial value, and then analyzes the gap between best film and nomination from the perspective of audience. Part four: reflect on the nomination mechanism of Oscar. Award selection has always been affected by all parties, so the audience reaction before and after the announcement of the award results, marketing strategies and so on to see the advantages and disadvantages of the selection mechanism. Part V: conclusion.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J905
本文編號：2312940
[Abstract]:The selection of the Academy Awards has attracted the attention of the world as a film event. From a single nerve to a single nerve in the Hollywood film industry, it has become the development direction of the world film industry. The operation of its selection mechanism and the consideration of its artistic value have become the vane of the film industry all over the world. The Oscar's light of art also radiates to all the countries devoted to the development of the film industry as much as it can. Best Picture has been the most prestigious of all awards since the Academy Awards were set up. From the shortlist to the award, the best and the nominated, the nominees are the most involved running films and the most powerful works. After a brutal vote, the best new film is often guaranteed word of mouth. In order to explore the artistic charm of the best film, the art standards of the in-depth analysis. Therefore, based on the comparative study of best picture and nominated film under the Oscar selection mechanism, we compare and clarify the unique artistic value, core competitiveness and aesthetic scale of Oscar best picture. At present, scholars at home and abroad tend to focus on the analysis of the Oscar awards, ignoring the existence of nominated films, it is easy to appear the problem of one-sided research, so the public understanding of the art of Oscar lags behind the surface. The spiritual connotation of deliberative Oscar art is to examine the award of best picture more systematically. The author focuses on the Oscar mechanism from the internal theme of the film and the external form of expression as the focus and combined with the audience feedback on the box office to supplement the operating background of the mechanism. The author hopes to provide reference for the development of globalization of Chinese film industry in the exploration of Oscar art spirit. China's film market is booming, but there are few real winners behind it. This study provides a feasible strategy for improving the quality of Chinese films and enhancing the soft power of national culture. The commercial interests of Chinese films are greatly explored, and many works are used to stimulate the audience's superficial view, which leads to the deterioration of the ecological environment of Chinese films. The way of Oscar's success is to stick to humanistic care, and then to realize both business and art, the development of domestic films needs to learn from its successful way. The first part: comb the mechanism of the Oscar awards in all directions, and interpret the Academy Awards from various aspects, such as the award evaluation links and the composition of the staff. The contrast between best picture and nominated film focuses on the frequency of nomination and award. The second part: combining the representative works to compare the best film and the nominated film, first from the most obvious film theme comparison, then combined with the film narrative, performance, lens language and other aspects of comparison, This part is the focus of the research. The third part: the box office comparison between Oscar best picture and nominated film, discusses the difference between them from the aspect of commercial value, and then analyzes the gap between best film and nomination from the perspective of audience. Part four: reflect on the nomination mechanism of Oscar. Award selection has always been affected by all parties, so the audience reaction before and after the announcement of the award results, marketing strategies and so on to see the advantages and disadvantages of the selection mechanism. Part V: conclusion.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J905
【參考文獻】
相關期刊論文 前2條
1 王丹丹;;奧斯卡藝術中的低碳敘事美學[J];青年記者;2015年08期
2 蘇月奐;;奧斯卡影像的表意形式構圖[J];青年記者;2014年02期
，本文編號：2312940
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