發(fā)布時(shí)間：2018-08-12 16:38

【摘要】：自19世紀(jì)末期的工業(yè)革命以來,傳統(tǒng)能源在工業(yè)發(fā)展的進(jìn)程中受到巨大的挑戰(zhàn)。其中,尤為重要的是二氧化碳的過量排放致使生態(tài)環(huán)境極端失調(diào),面臨崩潰的邊緣。地球上的資源不是取之不盡、用之不竭的。據(jù)科學(xué)家推算,已探明的石油、天然氣、煤炭的儲量分別只能夠維持40、60、100年左右的正常消耗。這些數(shù)據(jù)表明,如果不采取適當(dāng)?shù)拇胧?不久的將來,很多重要的資源將會枯竭。基于此,“低碳”經(jīng)濟(jì)模式已經(jīng)成為人類的第一選擇。博物館是先人智慧結(jié)晶的展示場所,對展示空間環(huán)境的要求比較苛刻,再加上每天不間斷的運(yùn)營,所消耗的能源和產(chǎn)生的二氧化碳無比巨大。受全球低碳經(jīng)濟(jì)的影響,博物館產(chǎn)業(yè)產(chǎn)生了適應(yīng)經(jīng)濟(jì)發(fā)展的新的變化,開始轉(zhuǎn)向節(jié)能減排的方式發(fā)展。本文共包括五個(gè)章節(jié),第一章首先對低碳設(shè)計(jì)概念以及低碳設(shè)計(jì)可行性進(jìn)行闡述。其次探究和總結(jié)了低碳設(shè)計(jì)方法。第二章初步分析總結(jié)國內(nèi)外關(guān)于博物館展示設(shè)計(jì)的研究以及存在的問題,總結(jié)博物館展示的設(shè)計(jì)原則:藝術(shù)原則、人——機(jī)功能學(xué)原則、整體性原則、協(xié)調(diào)與平衡原理。第三章首先分析并闡述博物館展示的低碳性設(shè)計(jì)的概念;其次分析博物館展示低碳化技術(shù)體系包括低碳設(shè)計(jì)、低碳能源、低碳施工和低碳材料;最后分析了博物館設(shè)計(jì)的流程,以及如何將低碳設(shè)計(jì)理念融入到博物館展示設(shè)計(jì)的流程中。第四章是論文寫作的“點(diǎn)睛”章節(jié),論述圍繞展示道具及展具、空間規(guī)劃、展示照明及虛擬現(xiàn)實(shí)技術(shù)四個(gè)方面展開。同時(shí)結(jié)合大量的案例及圖片講解。第五章表述未來低碳博物館,包括關(guān)注人的空間體驗(yàn)、陳展-建筑-環(huán)境的一體化設(shè)計(jì)和低碳設(shè)計(jì)與科技的結(jié)合展望。第六章為本論文的總結(jié),包括研究成果和主要新見解。
[Abstract]:Since the Industrial Revolution in the late 19th century, traditional energy has been challenged enormously in the process of industrial development. Especially, the excessive emissions of carbon dioxide have led to extreme imbalances in the ecological environment and are facing the brink of collapse. However, the reserves of coal can only maintain normal consumption for 40,60,100 years or so. These data show that many important resources will be exhausted in the near future if proper measures are not taken. Due to the impact of the global low-carbon economy, the museum industry has undergone new changes to adapt to the economic development and began to shift to energy-saving and emission reduction. This paper consists of five chapters. The first chapter is the first chapter. Secondly, it explores and summarizes the low-carbon design methods. Chapter 2 analyzes and summarizes the domestic and foreign research on museum display design and the existing problems, and summarizes the design principles of Museum display: artistic principles, human-machine functional principles, integrity principles, coordination. Chapter 3 firstly analyzes and expounds the concept of low-carbon design in Museum exhibition; secondly analyzes the low-carbon technology system of Museum exhibition, including low-carbon design, low-carbon energy, low-carbon construction and low-carbon materials; finally analyzes the process of Museum design, and how to incorporate the concept of low-carbon design into museum exhibition design Chapter 4 is the "highlight" chapter of the paper, which focuses on the display of props and exhibits, space planning, display lighting and virtual reality technology. At the same time, a large number of cases and pictures are illustrated. Chapter 5 describes the future low-carbon museum, including attention to human space experience, exhibition-architecture-environment. Chapter 6 is the summary of this paper, including research results and main new ideas.
【學(xué)位授予單位】：天津理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J525.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 侯偉佳;王偉光;;低碳設(shè)計(jì)在室內(nèi)藝術(shù)設(shè)計(jì)中的應(yīng)用[J];中國輕工教育;2012年03期

2 張浩;博物館展示陳列中的采光照明生態(tài)設(shè)計(jì)探討[J];中國博物館;2001年04期

，

本文編號：2179643