本文選題：民間藝術(shù) + 環(huán)境藝術(shù)設(shè)計(jì)��； 參考：《南京林業(yè)大學(xué)》2008年碩士論文

【摘要】： 當(dāng)今的藝術(shù)設(shè)計(jì)已進(jìn)入文化設(shè)計(jì)時(shí)代,作為藝術(shù)設(shè)計(jì)的重要門(mén)類(lèi),現(xiàn)代環(huán)境藝術(shù)設(shè)計(jì)的民族性是其文化性的集中體現(xiàn)。而當(dāng)我們提及民族性時(shí),不能不提及民間藝術(shù)這一生在民間、長(zhǎng)在民間、最終也必將回歸民間的藝術(shù)形式。民間藝術(shù)作為傳統(tǒng)藝術(shù)最典型的代表,是一種獨(dú)特的藝術(shù)范疇,其造型與色彩所呈現(xiàn)出的獨(dú)特藝術(shù)魅力,曾經(jīng)被人們所關(guān)注,并被歷代優(yōu)秀的藝術(shù)家所借鑒,而其內(nèi)在的文化內(nèi)涵,更是現(xiàn)代設(shè)計(jì)的重要思想淵源,分析并挖掘民間藝術(shù)內(nèi)在精神,傳承其造型與色彩觀念,實(shí)現(xiàn)真正的與現(xiàn)代環(huán)境共生,是本文研究目的所在。 本文就中國(guó)現(xiàn)代環(huán)境藝術(shù)設(shè)計(jì)在民間藝術(shù)形式中向民族文化精神的借鑒,提出“再開(kāi)發(fā)”,首先從民間藝術(shù)著手,探討其面臨的嚴(yán)峻現(xiàn)狀及消失的趨勢(shì)并分析原因所在,為了剖析民間藝術(shù)的現(xiàn)實(shí)應(yīng)用價(jià)值,對(duì)其特征及藝術(shù)創(chuàng)作手法都進(jìn)行了深入討論;其次分析現(xiàn)代環(huán)境藝術(shù)設(shè)計(jì)的總體回歸趨勢(shì),由此論述其價(jià)值需求,通過(guò)與民間藝術(shù)的關(guān)聯(lián),結(jié)合一定的案例,總結(jié)歸納出具體的傳承與再開(kāi)發(fā)手段,從題材、造型等表層形式的民族性特征的直接應(yīng)用,到圖像元素形、色、質(zhì)重組的間接應(yīng)用,再到深層美學(xué)意蘊(yùn)的民族性精神借鑒乃至觀念手法的剖析,強(qiáng)調(diào)在理解和傳承民間藝術(shù)“美的形式”以及這種形式所折射出的精神文化內(nèi)涵的基礎(chǔ)上,力求找到二者的契合點(diǎn),并分門(mén)別類(lèi)根據(jù)環(huán)境藝術(shù)設(shè)計(jì)各組成要素列舉一些設(shè)計(jì)應(yīng)用構(gòu)思,為探討從民間藝術(shù)中進(jìn)行環(huán)境藝術(shù)設(shè)計(jì)再開(kāi)發(fā)提供可行性思路。
[Abstract]:Nowadays, art design has entered the era of cultural design. As an important category of art design, the nationality of modern environmental art design is the concentrated embodiment of its cultural character. When we mention the nationality, we can not fail to mention the folk art in the life of the folk, growing up in the folk, and will eventually return to the folk art form. As the most typical representative of traditional art, folk art is a kind of unique artistic category. The unique artistic charm of its shape and color has been paid attention to by people, and has been used for reference by outstanding artists of all dynasties. And its inherent cultural connotation is an important ideological origin of modern design. The purpose of this paper is to analyze and excavate the inner spirit of folk art, to inherit its concept of shape and color, and to realize the real symbiosis with modern environment. Based on the reference of Chinese modern environmental art design to the national culture spirit in the folk art form, this paper puts forward the "re-development". Firstly, it discusses the grim situation and the disappearing trend of folk art, and analyzes the reasons. In order to analyze the practical application value of folk art, the characteristics and artistic creation techniques of folk art are discussed in depth. Secondly, the general returning trend of modern environmental art design is analyzed, and its value demand is discussed through the connection with folk art. Combined with certain cases, the specific means of inheritance and redevelopment are summed up, from the direct application of the national characteristics of surface forms, such as subject matter and modeling, to the indirect application of image element shape, color and quality recombination. Then to the deep aesthetic implication of the national spirit reference and even the analysis of the concept, emphasizing on the understanding and inheritance of folk art "the form of beauty" and the spiritual and cultural connotation reflected by this form, trying to find a joint point between the two. According to the elements of environmental art design, some design and application ideas are listed, which provides a feasible way to explore the re-development of environmental art design from folk art.
【學(xué)位授予單位】：南京林業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類(lèi)號(hào)】：J50

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 仝剛;淺析陶瓷裝飾元素在現(xiàn)代室內(nèi)設(shè)計(jì)中的應(yīng)用[D];景德鎮(zhèn)陶瓷學(xué)院;2012年

2 魏曉娟;藍(lán)印花布紋樣的應(yīng)用研究[D];浙江農(nóng)林大學(xué);2012年

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本文編號(hào)：2099631