本文選題：粉壁理石 + 中國傳統(tǒng)園林��； 參考：《西安建筑科技大學(xué)》2015年碩士論文

【摘要】：中國傳統(tǒng)園林一直是遵循自然山水園的道路發(fā)展,形成了獨(dú)具民族特色的園林體系。中國園林中“無石不園”的說法,也說明了置石這一造景元素在中國傳統(tǒng)園林中的重要地位和作用。本文研究的粉壁理石景觀是中國傳統(tǒng)園林里常見的一種置石造景手法,是“以粉壁為紙,以石為繪”的體現(xiàn),它的尺度較小,空間形式靈活多變,更富有中國園林深層次的造園思想和文化內(nèi)涵,是對(duì)傳統(tǒng)園林精髓的濃縮。本文是首次較為詳細(xì)的研究粉壁理石景觀,補(bǔ)充和深化了中國傳統(tǒng)園林的研究內(nèi)容,尤其彌補(bǔ)了對(duì)粉壁理石這一景觀造景方面研究的不足,啟發(fā)現(xiàn)代園林中對(duì)小環(huán)境的營造設(shè)計(jì),具有一定的理論和現(xiàn)實(shí)指導(dǎo)意義。論文首先研究粉壁理石的歷史發(fā)展背景、相關(guān)概念及其在園林中運(yùn)用的基礎(chǔ)理論。分析粉壁理石景觀的構(gòu)成要素,主要是墻、山石、植物以及其他要素,具體分析他們的存在形式;其次在基礎(chǔ)理論研究的前提上,根據(jù)實(shí)例來分析歸納粉壁理石景觀在傳統(tǒng)園林中的造景方式為主景、障景、框景、隔景、對(duì)景、添景等;再次,深入的探討粉壁理石景觀在造景過程中運(yùn)用的置石手法,與其他要素的結(jié)合,根據(jù)不同的置石特點(diǎn)找出造景常用的石種,分析石頭所對(duì)應(yīng)的中國畫皴法;最后,筆者通過結(jié)合蘇州博物館新館、華清池“山水唐音”及重慶博物館的典型案例,分析粉壁理石在現(xiàn)代園林創(chuàng)作中的應(yīng)用,以及它隨時(shí)代變化發(fā)展出來的創(chuàng)新性探索,這也是對(duì)中國傳統(tǒng)園林文化精髓的傳承和再創(chuàng)造,并且歸納出粉壁理石景觀在現(xiàn)代園林中的應(yīng)用意義及適用場所。論文的研究是希望粉壁理石景觀能夠在現(xiàn)代園林造景中發(fā)展應(yīng)用,為豐富細(xì)部景觀設(shè)計(jì)提供一些引導(dǎo)和啟發(fā)。
[Abstract]:Chinese traditional garden has been following the development of natural landscape garden, forming a unique national characteristics of the garden system. The statement of "no stone without garden" in Chinese gardens also explains the important position and function of stone setting element in Chinese traditional gardens. The stone landscape studied in this paper is a common technique of stone construction in Chinese traditional gardens. It is the embodiment of "taking the powder wall as the paper and taking the stone as the painting". Its scale is small, and the space form is flexible and changeable. The deeper thoughts and cultural connotations of Chinese gardens are the essence of traditional gardens. This paper is the first time to study the stone landscape in detail, which complements and deepens the research contents of traditional Chinese gardens, especially makes up for the lack of research on the landscape of the stone. It is of theoretical and practical significance to enlighten the design of small environment in modern garden. This paper first studies the historical development background, the related concepts and the basic theory of the application in the garden. Analyze the elements of stone landscape, mainly wall, gables, plants and other elements, and analyze their forms of existence; secondly, on the premise of basic theoretical research, Based on the analysis of examples, this paper analyzes and sums up the methods of making stone landscape in traditional gardens as main view, obstacle view, frame view, separate view, contrast view, additional view, etc. Thirdly, the author deeply discusses the stone setting techniques used in the process of making the landscape of pink wall stone. Combined with other elements, according to the different characteristics of stone to find out the common stone landscape, analysis of the stone corresponding to the Chinese painting chapping method; finally, the author through the new museum in Suzhou, The typical case of Hua Qing Chi "Landscape Tang Yin" and Chongqing Museum is analyzed. The application of pink wall stone in modern garden creation and its innovative exploration developed with the times are analyzed. This is also the inheritance and re-creation of the essence of Chinese traditional garden culture, and summarizes the application significance and applicable place of stone landscape in modern garden. The research of this paper is to hope that the powdery stone landscape can be developed and applied in modern landscape architecture, and provide some guidance and inspiration for the rich detail landscape design.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：TU986.1

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本文編號(hào)：1997743