本文選題：《楚辭聽直》　切入點(diǎn)：黃文煥　出處：《河北大學(xué)》2017年碩士論文

【摘要】：《楚辭聽直》是明代學(xué)者黃文煥的嘔心瀝血之作。他因黨爭(zhēng)之禍而含冤入獄,偶讀楚辭,有感于屈原的人生遭遇,所以要為屈原和他自己聽直。他在聽直的過程中,為我們塑造了一個(gè)不同于前人的豐富的屈原形象。他指出屈原忠君愛國(guó)是為了盡他的宗國(guó)宗臣之義,強(qiáng)調(diào)了特殊身份對(duì)屈原行為選擇的巨大影響。在對(duì)歷史人物和傳統(tǒng)思想上的認(rèn)識(shí)上,他認(rèn)為屈原肯定女性的政治才能,否定女色禍國(guó)的傳統(tǒng)觀念;既能看到圣賢所作出的功績(jī),同時(shí)也指出了他們的不足,屈原形象中多了幾分理性思辨精神。他同情屈原,對(duì)屈原所處的社會(huì)環(huán)境則尤為關(guān)心,揭露了陰險(xiǎn)狡詐的小人和昏庸麻木的國(guó)君對(duì)屈原的迫害,悲劇的屈原形象也由此而產(chǎn)生。黃文煥尊騷最至,他嚴(yán)選篇目并更定篇次。在篇目的選擇和篇次的更定上,則多依據(jù)屈原作品中反映的時(shí)間和作品的文意來進(jìn)行。他對(duì)楚辭藝術(shù)特色的理解也很獨(dú)到。首先,他延續(xù)了前人詩騷并舉的評(píng)價(jià)方法,并詳細(xì)指出詩六義“風(fēng)雅頌賦比興”在楚辭中的運(yùn)用情況。其次,他認(rèn)為屈原善于用重復(fù)的藝術(shù)手法,字復(fù)而旨殊,有似復(fù)非復(fù)之妙。而后世賦家字復(fù)而旨亦復(fù),手法拙劣,遠(yuǎn)遜于屈原。最后,他否定了楚辭錯(cuò)簡(jiǎn)之說,認(rèn)為楚辭井然有序。他認(rèn)為這是屈原有意破除直板之弊,使文章富于變幻,并用插敘、倒敘、補(bǔ)敘等手法來解釋。此外,《楚辭聽直》的注釋也別具特色,它略于訓(xùn)詁,重結(jié)構(gòu)梳理;知人論世,重文本內(nèi)證。
[Abstract]:Listening to Chu ci is the painstaking work of Huang Wenhuan, a scholar in Ming Dynasty.He was wrongly imprisoned because of the party dispute. He read Chu ci occasionally, feeling qu Yuan's life experience, so he should listen to qu Yuan and himself.In the process of listening straight, he created a rich image of qu Yuan different from his predecessors.He pointed out that qu Yuan was loyal to the emperor in order to do his duty, and emphasized the great influence of special status on qu Yuan's behavior choice.In his understanding of historical figures and traditional ideas, he believed that qu Yuan affirmed the political talent of women and negated the traditional idea of women as a disaster to the country; he could not only see the achievements made by the sages, but also point out their shortcomings.Qu Yuan image more than a bit of rational speculative spirit.He sympathized with qu Yuan and paid more attention to the social environment in which qu Yuan lived. He exposed the persecution of qu Yuan by sinister and crafty villains and the dull and numb monarch, and the tragic image of qu Yuan also came into being.Huang Wen-hwan was the most sought-after, he carefully selected the content and decided the order of the article.In the selection of the content and the order of the article, it is mostly based on the time reflected in qu Yuan's works and the literary meaning of the work.His understanding of the artistic characteristics of Chu ci is also very unique.First of all, he continued the evaluation method of previous poems, and pointed out in detail the application of "Feng Ya Song Fu Bi Xing" in Chu ci.Second, he thinks qu Yuan is good at using repetitive artistic techniques.And later Fu family word and also complex, poor technique, far inferior to qu Yuan.In the end, he denied the theory that Chu ci was wrong, and thought that Chu ci was orderly.He thought that this was qu Yuan's intention to break up the straight-board problem, to make the article rich in changes, and to explain it by means of narration, flashback, restatement and so on.In addition, the notes of listening to the songs of Chu also have their own characteristics, which are slightly more exegesis, more structure, better understanding of the world and more evidence in the text.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.22

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本文編號(hào)：1710742