本文選題：蘇童　切入點：敘事原型　出處：《安徽大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：蘇童小說以變見長,"變,,體現(xiàn)在包羅萬象的寫作對象與變幻飄逸的創(chuàng)作風(fēng)格上。原型作為辨識蘇童小說的顯著標(biāo)志,承擔(dān)起對其風(fēng)格進行統(tǒng)一定性的責(zé)任,并在固定的語言符號使用習(xí)慣中不斷拆解原型內(nèi)涵、意義,以期賦予原型新的理解與闡釋。蘇童在文本中試圖調(diào)和原型舊與新的對立,尋求新舊之間的平衡點,使因循守舊的原型煥發(fā)新生機。但蘇童式原型并不是為了一味迎合20世紀(jì)80年代西方原型批評理論東漸熱潮的出現(xiàn)而產(chǎn)生,他借助戲仿的藝術(shù)表現(xiàn)形式,在摒棄原型被簡單套用之弊病的基礎(chǔ)上,實現(xiàn)對小說風(fēng)格的創(chuàng)新、豐富與超越。帶有抒情性質(zhì)的原型經(jīng)常出現(xiàn)在小說文本中,層出不窮的故事的敘述使原型具有可變化的物質(zhì)載體,并在故事情節(jié)的層層編織中被逐漸剝離與整合,呈現(xiàn)出明顯的發(fā)展演變軌跡,使研究具有可操作性。其次,作家的成長經(jīng)歷與閱讀經(jīng)驗是其創(chuàng)作的基礎(chǔ)來源,這一現(xiàn)象廣泛存在于當(dāng)代文學(xué)作品中。與其他作家運用原型進行創(chuàng)作的心態(tài)不同,蘇童對原型創(chuàng)作抱有一以貫之的態(tài)度,這些原型存在明顯的類型特征,又兼具個性化的內(nèi)涵指向,形成了具有規(guī)模性、獨創(chuàng)性的原型創(chuàng)作現(xiàn)象。原型的個性是本文研究的重點,它是區(qū)別蘇童與其他作家創(chuàng)作傾向、創(chuàng)作風(fēng)格的標(biāo)志,多角度多維度的戲仿為當(dāng)代文學(xué)借助原型創(chuàng)作指明了新的發(fā)展方向。因此,本文從蘇童小說敘事角度出發(fā),深入小說文本,試圖對敘事原型的存在與創(chuàng)新進行闡釋,探索原型與作家、作品之間的關(guān)系,并重新衡量原型對蘇童小說及文學(xué)史的價值與意義。本文從引言、正文、結(jié)語三部分對蘇童小說戲仿敘事原型的現(xiàn)象及意義進行論述。引言部分主要介紹蘇童的創(chuàng)作經(jīng)歷及其小說的研究現(xiàn)狀。正文共分為四章,第一章從內(nèi)在和外在兩個層面對敘事原型出現(xiàn)在蘇童小說中的緣由進行歷史與現(xiàn)實的追溯,首先從內(nèi)在的想象思維方式和外在的戲仿表現(xiàn)形式,對敘事原型進行歷史演變進程的客觀性研究,其次結(jié)合外在的市場環(huán)境和內(nèi)在的生活經(jīng)歷、閱讀經(jīng)驗等,對其進行現(xiàn)實可能性的探求。第二章結(jié)合具體文本對蘇童小說中出現(xiàn)的敘事原型進行系統(tǒng)化梳理與分析,分別以人物、空間、時間為戲仿文本的中心,著重探討蘇童在技術(shù)層面對敘事原型的發(fā)展與創(chuàng)新,從而說明蘇童有意通過戲仿敘事原型的創(chuàng)作方法,在小說中建構(gòu)獨一無二的藝術(shù)世界,以此彰顯蘇童獨具特色的文學(xué)風(fēng)格。第三章從具有通用文學(xué)性質(zhì)的母題展開,對弒父母題、放逐母題等帶有西方文化色彩的母題,以及漂泊母題、虛無母題等帶有中國文化痕跡的母題,進行全方位的挖掘與論述,目的在于表明蘇童小說最為顯著的審美傾向和創(chuàng)作目的。第四章依據(jù)前文對敘事原型存在于文本的緣由、表現(xiàn)、意義的研究,論述敘事原型的戲仿對自我與作品的超越。結(jié)語部分主要對蘇童戲仿敘事原型進行總結(jié),對蘇童的文學(xué)地位與文學(xué)價值作出評判。
[Abstract]:Su Tong's novel to become known, "change, reflected in the style of writing and changing the object cover and contain everything elegant creation. Marked as prototype identification of Su Tong's novels, assume the unity of its qualitative style of responsibility, and in the language symbol fixed habits continue dismantling prototype connotation, significance, in order to give the prototype of the new understanding and explanation in the text. Su Tong tried to reconcile the prototype of the old and new confrontation, seek the balance between the old and the new, the old prototype full of new vitality. But Su Tong type prototype is not to cater to the 1980s Western archetypal criticism eastward boom emergence, he used the parody of artistic expression based on the prototype form, is simply abandon the ills of, achieve innovation of novel style, rich and beyond. With the lyrical nature prototype often appear in the small said in the text, layer Endless stories to make the prototype with material carrier can be changed, and the story is woven layers gradually stripping and integration, showing the evolution of significant development, the research is feasible. Secondly, the growth experience and the experience of reading is the basis of a writer for the source. The phenomenon widely exists in the contemporary literature. The creation and other writers use the prototype mentality is different, Su Tong holds the attitude to One principle runs through it all. prototype creation, these types of prototype has obvious characteristics, but also personalized connotation, has formed the scale of the original prototype creation phenomenon. The prototype of the personality is the focus of this study it is the difference between Su Tong and other writers tend to sign, writing style, parody in multi angle to the contemporary literary creation by the prototype pointed out the development direction of the new so. This paper, from the perspective of Su Tong's narrative, goes deep into the novel, trying to explain the existence and innovation of narrative prototype, prototype and explore the relationship between the writers, works, and re evaluate the value and significance of the prototype of Su Tong's novels and literary history. This article from the introduction, text, conclusion of three parts of the Su Tong phenomenon parody narrative prototype the novel and the meaning of this paper. The introduction part mainly introduces the research status of Su Tong's novels and creative experience. The text is divided into four chapters, the first chapter traced from the internal and external two aspects of narrative archetypes in Su Tong's novels appeared in the reason of history and reality, first of all from the internal and external way of thinking imagination parody forms, the objectivity of study of historical evolution of the narrative prototype, followed by the combination of external market environment and internal life experience, reading experience, the To explore the possibility of reality. The second chapter of the text system combing with the analysis of narrative archetypes in Su Tong's novels, respectively to the characters, space, time to parody text center, focuses on the development and innovation of Su Tong in the face of narrative archetype in the technical layer, which indicates that Su Tong intended to parody narrative prototype creation method. The construction of the one and only the art world in the novel, in order to highlight Su Tong's unique literary style. The third chapter is from the general nature of the literary motif of his parents, title, etc. with the Western cultural motif exile motif of color, and the wandering motif, motif motif with Chinese cultural traces of nothingness, and discuss the full range of mining the purpose is to show the aesthetic tendency, and the purpose of creation was the Su Tong novel. The fourth chapter based on the preamble to the narrative archetype in text edge From the study of expression and meaning, it discusses the parody of narrative Archetype on the transcendence of self and works. In the epilogue, we summarize Su Tong's Parody prototype and evaluate Su Tong's literary status and literary value.

【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.42

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