文學地理學視域下的周大新小說研究
本文選題:周大新小說 切入點:文學地理學 出處:《信陽師范學院》2017年碩士論文 論文類型:學位論文
【摘要】:周大新是從南陽盆地走出來的著名作家,南陽盆地文化不僅為周大新的文學創(chuàng)作提供了豐富的素材,更影響了他的價值理念、審美氣質(zhì)與藝術個性,“南陽盆地”這個先在的文化符號在周大新的文學世界里隨處可見,他小說中對南陽盆地自然景觀、人文景觀的細致描繪,對盆地里人和事的精彩呈現(xiàn),無不灌注著濃重的盆地文化氣息,滲透著作家深厚的人文關懷與深邃的理性思考。因此,作為客觀地理空間的“南陽盆地”經(jīng)過作家的審美觀照,已經(jīng)積淀、升華為周大新文學世界的精神家園。文學地理學是一門融合文學與地理學研究、以文學為本位、以文學空間研究為重心的新興交叉學科,也是一種思考問題的角度;谥艽笮挛膶W創(chuàng)作與“南陽盆地”的深度關聯(lián),論文選取文學地理學的研究視閾,探討周大新小說與“南陽盆地”這一特定文學空間的精神聯(lián)系,以期揭示作家意識深處的心靈圖景,并從空間維度探尋周大新文學世界的別樣風貌。除引言與結語外,論文的主體部分由四部分構成:第一部分,從宏觀角度闡釋空間地理、地域文化與文學創(chuàng)作之間相互影響、相互制約的多維互動關系。具體到周大新本人,十八年的盆地生活經(jīng)驗潛移默化地構建了作家的文化心理和精神氣質(zhì),這是他文學創(chuàng)作的基礎和前提。第二部分,對周大新小說文本中極其豐富的物質(zhì)文化景觀和非物質(zhì)文化景觀進行細致的梳理和描述,探尋這些文化符號的思想意蘊與藝術功能。人物是小說的核心要素,第三部分著重探析了周大新小說所塑造的豐富多彩、性格迥異的人物形象與南陽盆地文化之間的內(nèi)在聯(lián)系。鮮明的個性是優(yōu)秀作家的重要標志,第四部分重點分析了南陽盆地文化與周大新藝術個性的生成。從地域文化景觀呈現(xiàn)到人物形象塑造,再到作家藝術個性的生成,都與“南陽盆地”所賦予周大新的地域文化經(jīng)驗密切相關,南陽盆地的地理環(huán)境和人文環(huán)境對作家的創(chuàng)作影響根深蒂固,進而成為影響和制約他文學世界的潛在力量和精神原型。
[Abstract]:Zhou Daxin was a famous writer from Nanyang basin. Nanyang basin culture not only provided abundant material for Zhou Daxin's literary creation, but also influenced his value idea. Aesthetic temperament and artistic personality, "Nanyang Basin", a pre-existing cultural symbol, can be seen everywhere in Zhou Daxin's literary world. In his novels, the detailed depiction of the natural and humanistic landscapes of the Nanyang Basin, the wonderful presentation of people and things in the basin, As an objective geographical space, "Nanyang Basin" has accumulated through the aesthetic view of the writer, which is permeated by the deep cultural atmosphere of the basin, the profound humanistic concern and the profound rational thinking of the writer, so, as an objective geographical space, the "Nanyang Basin" has accumulated through the aesthetic view of the writer. Literary geography is a new interdisciplinary subject that combines literary and geographical studies, takes literature as the standard and focuses on the study of literary space, and becomes the spiritual home of Zhou Daxin's literary world. Based on the deep connection between Zhou Daxin's literary creation and Nanyang Basin, this paper selects the visual threshold of literary geography and discusses the spiritual connection between Zhou Daxin's novels and Nanyang Basin. The purpose of this paper is to reveal the spiritual picture in the depth of the writer's consciousness, and to explore the different styles and features of Zhou Daxin's literary world from the dimension of space. Besides the introduction and the conclusion, the main part of the thesis consists of four parts: the first part explains the spatial geography from the macroscopic angle. The multi-dimensional interaction between regional culture and literary creation. Specifically, Zhou Daxin's 18 years of life experience in the basin has constructed the writer's cultural psychology and spiritual temperament. This is the foundation and premise of his literary creation. The second part is a detailed analysis and description of the extremely rich material and cultural landscape and immaterial cultural landscape in Zhou Daxin's novels. Exploring the ideological meaning and artistic function of these cultural symbols. Characters are the core elements of the novel. The third part focuses on the rich and colorful novels created by Zhou Daxin. The inner relationship between the characters with different characters and the culture of Nanyang Basin. A distinctive personality is an important symbol of an excellent writer. The 4th part focuses on the formation of Nanyang Basin culture and Zhou Daxin's artistic personality, from the regional cultural landscape to the creation of characters, and then to the generation of writers' artistic personality. Both are closely related to Zhou Daxin's regional cultural experience given to him by Nanyang Basin. The geographical and cultural environment of Nanyang Basin has a deep-rooted influence on the writers' creation. Then it becomes the potential force and spiritual archetypal to influence and restrict his literary world.
【學位授予單位】:信陽師范學院
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:I207.42
【參考文獻】
相關期刊論文 前10條
1 沈文慧;;有意味的形式:周大新長篇新作《曲終人在》的敘事藝術分析[J];當代作家評論;2016年05期
2 沈文慧;;根植于鄉(xiāng)土大地與現(xiàn)實生活的文學書寫——周大新長篇小說的思想內(nèi)涵與文化精神[J];信陽師范學院學報(哲學社會科學版);2015年03期
3 鄒陽;;探索與突破——論周大新盆地系列小說的創(chuàng)作[J];安康學院學報;2013年04期
4 李炎超;;周大新鄉(xiāng)土小說的神秘敘事[J];小說評論;2013年03期
5 鄒建軍;;關于文學發(fā)生的地理基因問題[J];世界文學評論;2012年01期
6 曾大興;;建設與文學史學科雙峰并峙的文學地理學科——文學地理學的昨天、今天和明天[J];江西社會科學;2012年01期
7 謝春紅;;論南陽作家群作品鮮明的地域特色[J];中州大學學報;2011年04期
8 周大新;;長在中原十八年(散文)[J];黨建;2011年03期
9 李豐仙;黃國景;;凝眸鄉(xiāng)村的詩意想象——周大新鄉(xiāng)土小說探微[J];西安石油大學學報(社會科學版);2010年02期
10 趙明河;;周大新和他的鄉(xiāng)土中國[J];人民教育;2010年08期
相關碩士學位論文 前6條
1 馬敏敏;論周大新鄉(xiāng)土小說中的神秘敘事[D];山東師范大學;2015年
2 孫楠;論周大新小說的民間性[D];山東師范大學;2014年
3 李雨濃;論周大新鄉(xiāng)土小說的文化意蘊[D];山東師范大學;2012年
4 楊琛;周大新鄉(xiāng)土小說研究[D];廣西師范學院;2011年
5 郭小強;周大新小說敘事話語研究[D];福建師范大學;2009年
6 李丹宇;論周大新小說的民俗意蘊[D];華東師范大學;2006年
,本文編號:1583807
本文鏈接:http://sikaile.net/wenyilunwen/huanjingshejilunwen/1583807.html