本文關(guān)鍵詞：談中國(guó)當(dāng)代文化環(huán)境對(duì)版畫(huà)表現(xiàn)形式的影響　出處：《沈陽(yáng)大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

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【摘要】：中國(guó)當(dāng)代版畫(huà)藝術(shù)在版畫(huà)的歷史長(zhǎng)河中如一葉扁舟,探索前行。在當(dāng)代的文化環(huán)境中,版畫(huà)藝術(shù)作為一種藝術(shù)形式,其表現(xiàn)形式也在與時(shí)俱進(jìn)。版畫(huà)藝術(shù)在當(dāng)代是以觀念和技術(shù)的復(fù)合,它不再是承載著印刷技術(shù)功能型手段,也不再是在視覺(jué)上愉悅觀賞者的視覺(jué)神經(jīng),而是致力于轉(zhuǎn)變?yōu)橐环N另類的精神載體。當(dāng)代的版畫(huà)表現(xiàn)形式在一方面受到了當(dāng)代科技發(fā)展的影響,促使著版畫(huà)技術(shù)和表現(xiàn)形式的一次革新,從而完成了對(duì)傳統(tǒng)意義上版畫(huà)的超越;另一方面來(lái)講中國(guó)當(dāng)代版畫(huà)表現(xiàn)形式受到了當(dāng)代文化觀念的影響,當(dāng)代的版畫(huà)藝術(shù)家思維上發(fā)生了變化,促使著版畫(huà)的概念從傳統(tǒng)意義上解放出來(lái),作品中也呈現(xiàn)了多樣化的特征,版畫(huà)內(nèi)涵和表現(xiàn)形式也得到了歷史性的飛躍,但不管怎么樣的轉(zhuǎn)變還是立足于版畫(huà)本體精神之上。本文立足于中國(guó)當(dāng)代文化,以此來(lái)探討中國(guó)當(dāng)代版畫(huà)的表現(xiàn)形式是如何受到當(dāng)代文化影響的。在經(jīng)歷了從民國(guó)至今的社會(huì)變革和文化洗禮下,中國(guó)版畫(huà)發(fā)展的表現(xiàn)形式幾經(jīng)轉(zhuǎn)換,中國(guó)當(dāng)代版畫(huà)已經(jīng)初步具備了新時(shí)代版畫(huà)應(yīng)該具有的特質(zhì)。在多元化的文化背景下,多元化的意義不再是概念性的,而是對(duì)過(guò)去傳統(tǒng)的超越。文化的交流和傳播在當(dāng)代變得更加的便捷,版畫(huà)的形式應(yīng)如何追尋,成為了當(dāng)下我們應(yīng)該思考的問(wèn)題。思維和技術(shù)在一定程度上決定著版畫(huà)的表現(xiàn)形式與創(chuàng)作該朝什么方向發(fā)展,版畫(huà)的創(chuàng)作觀念和技術(shù)影響著版畫(huà),在把握藝術(shù)規(guī)律的基礎(chǔ)上當(dāng)代版畫(huà)的作品也會(huì)最隨之升華�？萍嫉目缭叫园l(fā)展對(duì)當(dāng)代版畫(huà)的影響至關(guān)重要,新技術(shù)、新材料媒介的創(chuàng)新型應(yīng)用,促使著版畫(huà)與當(dāng)代藝術(shù)更好的融合,特別是數(shù)碼版畫(huà)的出現(xiàn),它展示出了時(shí)代的特征。當(dāng)代版畫(huà)要實(shí)現(xiàn)對(duì)傳統(tǒng)的超越就要求版畫(huà)家們的思維上的轉(zhuǎn)變,這樣才能展示出中國(guó)當(dāng)代版畫(huà)獨(dú)特的形式美感。當(dāng)代的版畫(huà)應(yīng)該培養(yǎng)觀賞者的審美趣味,拓展版畫(huà)反面的人才,提高版畫(huà)作品的質(zhì)量,這樣版畫(huà)的當(dāng)代精神才能得到延伸。版畫(huà)進(jìn)入當(dāng)代,就要具備當(dāng)代的品格、當(dāng)代的人文關(guān)懷,這樣中國(guó)當(dāng)代的版畫(huà)才能立于當(dāng)代之林中,不時(shí)代所被淘汰。
[Abstract]:Chinese contemporary printmaking art in the history of printmaking like a leaf flat boat, explore ahead. In the contemporary cultural environment, printmaking art as an art form. Printmaking art is the combination of concept and technology, it is no longer a functional means of carrying printing technology, nor is it the visual nerve of visual pleasure to the viewer. On the one hand, the expression of contemporary printmaking is influenced by the development of contemporary science and technology, and it promotes a revolution of printmaking technology and expression form. In order to complete the traditional sense of print beyond; On the other hand, the expression of Chinese contemporary printmaking has been influenced by contemporary cultural concepts, and the contemporary printmaking artists have changed their thinking, which urges the concept of printmaking to be liberated from the traditional sense. The works also show a variety of characteristics, the connotation and form of print has also been a historic leap, but no matter how the transformation or based on the spirit of printmaking Noumenon. This paper is based on Chinese contemporary culture. In order to explore how the expression of contemporary Chinese print is affected by contemporary culture. After the social change and cultural baptism from the Republic of China to the present, the expression of the development of Chinese print has been changed several times. Chinese contemporary printmaking has initially possessed the characteristics of new era printmaking. In the pluralistic cultural background, the meaning of diversification is no longer conceptual. It is the transcendence of the tradition of the past. The communication and dissemination of culture becomes more convenient in the contemporary era. How to pursue the form of printmaking. Thinking and technology to a certain extent determine the form of expression and creation of printmaking should be in the direction of development, printmaking concept and technology affect the printmaking. On the basis of grasping the law of art, the works of contemporary printmaking will also sublimate. The leapfrogging development of science and technology is of great importance to the influence of contemporary printmaking, and the innovative application of new technology and new material media. To promote the better integration of printmaking and contemporary art, especially the emergence of digital printmaking, it shows the characteristics of the times. If contemporary prints want to achieve the transcendence to the traditional, they need to change their thinking. In this way, the unique aesthetic sense of Chinese contemporary print can be displayed. Contemporary printmaking should cultivate the aesthetic taste of the viewer, expand the talents of the negative side of the print, and improve the quality of the printmaking works. Only in this way can the contemporary spirit of printmaking be extended. In order to enter the contemporary era, we must have the contemporary character, the contemporary humanistic concern, so that the Chinese contemporary printmaking can stand in the contemporary forest and not be eliminated by the times.
【學(xué)位授予單位】：沈陽(yáng)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J217

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