本文關(guān)鍵詞：株洲市群豐鎮(zhèn)紅木家具藝術(shù)館室內(nèi)設(shè)計(jì)研究　出處：《湖南工業(yè)大學(xué)》2015年碩士論文　論文類(lèi)型：學(xué)位論文

  更多相關(guān)文章： 紅木家具 藝術(shù)館 空間 光影設(shè)計(jì)

【摘要】：21世紀(jì)是設(shè)計(jì)的革命時(shí)代,我們生活的周?chē)錆M著設(shè)計(jì),獨(dú)具匠心的構(gòu)思和想法都是經(jīng)過(guò)設(shè)計(jì)師們多次頭腦風(fēng)暴而迸發(fā)出來(lái)的無(wú)限能量。設(shè)計(jì)不緊緊講究的是功能上的滿足,精神上的滿足也同等重要。此次研究中以株洲市群豐鎮(zhèn)紅木家具藝術(shù)館為例,將紅木文化內(nèi)涵與藝術(shù)館自身兼顧銷(xiāo)售以及展示功能相結(jié)合,圍繞綠色設(shè)計(jì),重視對(duì)自然環(huán)境的保護(hù),根據(jù)場(chǎng)地現(xiàn)狀,以自然和諧、人文關(guān)懷、安全低耗的設(shè)計(jì)理念為指導(dǎo)思想,創(chuàng)設(shè)出有利身心健康的藝術(shù)館室內(nèi)環(huán)境。本案將以科學(xué)機(jī)能為基調(diào),以藝術(shù)為表現(xiàn)形式,將打造成一個(gè)物質(zhì)與精神并重的室內(nèi)人機(jī)環(huán)境。以生態(tài)環(huán)保的設(shè)計(jì)理念塑造空間,追求返璞歸真、自然舒適的態(tài)度,研究創(chuàng)作紅木家具藝術(shù)館室內(nèi)設(shè)計(jì)為展廳、賣(mài)場(chǎng)一體化的設(shè)計(jì)空間,提供更加合理的設(shè)計(jì)角度以及設(shè)計(jì)元素,為消費(fèi)者和業(yè)主提供更高質(zhì)量的展示與銷(xiāo)售平臺(tái),提升人們對(duì)紅木文化的認(rèn)識(shí)和品味,引導(dǎo)顧客消費(fèi)、游客參觀,達(dá)到展示空間的最優(yōu)化。紅木文化的源遠(yuǎn)流長(zhǎng)需要很好的傳承和發(fā)展,更不能將其扭曲和重新定義。“石木水靜”則是紅木家具藝術(shù)館的設(shè)計(jì)主題,以自然生態(tài)原始本色來(lái)打造藝術(shù)空間,來(lái)表達(dá)“靜”“禪”“空”的意境。根據(jù)紅木家具木質(zhì)活性美、造型古典美、結(jié)構(gòu)自然美、技藝人文美等特色將藝術(shù)館室內(nèi)設(shè)計(jì)打造以依靠綠色設(shè)計(jì)為基礎(chǔ),將典雅、質(zhì)樸、低調(diào)的紅木文化表現(xiàn)于設(shè)計(jì)本身,以現(xiàn)代中式為主軸線,圍繞大自然中水、石、木三元素展開(kāi)設(shè)計(jì)。更深刻的闡述紅木文化特性和文化本質(zhì),最大化的宣揚(yáng)紅木文化,以最質(zhì)樸的態(tài)度來(lái)烘托設(shè)計(jì)對(duì)象,使得室內(nèi)設(shè)計(jì)更深入和更具有針對(duì)性。
[Abstract]:In 21th century is the revolutionary era of design, we live around full of design. Ingenious ideas and ideas are through the designers brainstorming and burst out of the infinite energy. Design is not tightly focused on functional satisfaction. The spirit of satisfaction is equally important. In this study, Zhuzhou Qunfeng town mahogany furniture art museum as an example, the cultural connotation of mahogany and the museum itself sales and display functions are combined, around green design. Attach importance to the protection of the natural environment, according to the current situation of the site, with the natural harmony, humanistic care, safety and low consumption of the design concept as the guiding ideology. Create an indoor environment conducive to physical and mental health. This case will be based on scientific functions, art as the form of expression. Will create a material and spiritual equal emphasis on indoor man-machine environment, with the design concept of ecological environmental protection to shape the space, the pursuit of nature, natural and comfortable attitude, research and creation of mahogany furniture art museum interior design for the exhibition hall. The integrated design space provides a more reasonable design angle and design elements to provide consumers and owners with a higher quality display and sales platform to enhance people's understanding and taste of mahogany culture. Guide customer consumption, visitors visit, to achieve the optimal display space. The long history of mahogany culture needs a good inheritance and development. It can not be distorted and redefined. "static stone water" is the design theme of mahogany furniture art museum, to create the art space with the natural ecological primitive color. To express the "static", "Zen" "empty" artistic conception. According to the mahogany furniture wood active beauty, the shape classical beauty, the structure natural beauty, the craft humanities beauty and so on characteristic will create the art museum interior design to rely on the green design as the foundation. Elegant, simple, low-key mahogany culture in the design itself, modern Chinese as the main axis, around the nature of water, stone, wood three elements of the design, more profound elaboration of mahogany cultural characteristics and cultural essence. Maximize the promotion of mahogany culture, with the most simple attitude to contrast the design object, make the interior design more in-depth and more targeted.
【學(xué)位授予單位】：湖南工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：TU247

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