【摘要】：本文以《牡丹亭》愛情描寫詞語為研究對(duì)象,對(duì)其進(jìn)行界定分類,并將語言詞匯與心理文化結(jié)合起來,探討愛情描寫詞語背后所反映的社會(huì)文化、思想意識(shí)。 《牡丹亭》是明代傳奇劇本的經(jīng)典之作,對(duì)它的研究大多集中在文學(xué)、美學(xué)和戲曲學(xué)角度。從語言學(xué)角度進(jìn)行研究的很少。它是一部愛情主題的作品,愛情描寫也比較集中。把愛情描寫詞語作為一種主題類詞進(jìn)行專門研究的以前沒有人做過。因此,選擇了《牡丹亭》愛情描寫詞語作為研究對(duì)象。 我們將愛情描寫詞語進(jìn)行了廣義的界定。將愛情描寫詞語從原文中切分,并依據(jù)界定義將其分為以下五類：環(huán)境景物類、人物形象類、稱謂類、動(dòng)作類、心理類。每一類詞語按照內(nèi)容或者詞語發(fā)出者的性別、情感傾向等再進(jìn)行分類,并對(duì)部分詞語釋義或說明,然后統(tǒng)計(jì)數(shù)量,計(jì)算其所占比例,分析它所反映出來的特點(diǎn),并試圖從社會(huì)文化、思想意識(shí)的方面對(duì)此做出解釋。在研究過程中使用了分類、統(tǒng)計(jì)、比較、分析等方法。 環(huán)境景物類按描寫內(nèi)容分類,發(fā)現(xiàn)有景物選取類型相對(duì)集中和景物色彩有陰柔喻意這兩個(gè)特點(diǎn)。我們?cè)噲D分析它們?cè)趥鹘y(tǒng)文化中的共性,以及與西方文化中愛情取景的迥異性,反映出當(dāng)時(shí)社會(huì)的普遍愛情感覺偏向柔弱溫和的特點(diǎn)。人物形象類,從男女兩個(gè)角度分別研究,并按照各自內(nèi)容分類。發(fā)現(xiàn)女性形象的描寫詞語比男性多,而且女性的外貌和男性的成就品性更受關(guān)注。我們?cè)噲D從男女的戀愛審美觀、擇偶觀方面對(duì)此做出解釋,并與當(dāng)代的擇偶觀對(duì)比,發(fā)現(xiàn)了一些共性。稱謂類,以戀愛關(guān)系的發(fā)展階段分類,并分析各階段中男性和女性對(duì)稱謂語的使用情況及使用心理,最后通過稱謂語的變化,分析男女戀愛的階段特征。動(dòng)作類,按照動(dòng)作抽象與否、動(dòng)作發(fā)出的主要部位進(jìn)行分類,通過與前人的研究成果對(duì)比,發(fā)現(xiàn)抽象動(dòng)作詞語偏多,男女的愛情動(dòng)作描寫側(cè)重方面不同等特點(diǎn),并試圖分析當(dāng)時(shí)社會(huì)對(duì)愛情特別是性愛的普遍觀點(diǎn),以及男女對(duì)于性愛的不同態(tài)度。心理類,按照心理感受的情緒傾向,分為積極、消極和中性三類。發(fā)現(xiàn)消極傾向詞語明顯偏多,而且女性的消極心理詞語比男性多這兩個(gè)特點(diǎn)。試圖通過與西方心理學(xué)的愛情研究理論成果對(duì)比,從社會(huì)文化、女性和男性的思想意識(shí)角度對(duì)此分析解釋。
[Abstract]:This paper takes the words of love description in Peony Pavilion as the object of study, defines and classifies them, and combines language vocabulary with psychological culture, and probes into the social culture and ideology reflected behind the words of love description. Peony Pavilion is a classic play of the Ming Dynasty, and most of its studies focus on literature, aesthetics and drama. Little research has been done from a linguistic point of view. It is a love-themed work, love description is also more concentrated. No one has done a special study of love description as a subject word before. Therefore, I choose the words of love description in Peony Pavilion as the object of study. We define the words of love description in a broad sense. This paper divides the words of love description from the original text and divides them into the following five categories according to the definition of the boundary: environmental scene, character image, appellation, action and psychology. Each category of words is classified according to the gender, emotional tendency, etc. Of the content or the issuer of the word, and some words are interpreted or explained, then the quantity is counted, the proportion of the words is calculated, and the characteristics it reflects are analyzed. And try to explain this from the aspect of social culture and ideology. Classification, statistics, comparison, analysis and other methods are used in the research process. According to the description content, it is found that there are two characteristics: the relative concentration of the selection type of the scene and the feminine meaning of the color of the scene. We try to analyze their commonness in traditional culture and their different views from those in western culture, which reflects the weak and gentle feeling of love in the society at that time. The characters are studied from the angle of men and women, and classified according to their contents. It is found that female images are more descriptive than men, and that women's appearance and male achievement are of more concern. We try to explain this from the point of view of love aesthetics and mate selection of men and women, and find some commonalities in comparison with contemporary views on mate selection. The category of appellation is classified according to the stage of development of the relationship of love, and the use and psychology of the symmetrical predicate in each stage are analyzed. Finally, through the change of the appellation, the characteristics of the stage of love between men and women are analyzed. According to the action abstract or not, the main parts of the action are classified. By comparing with the previous research results, it is found that there are more abstract action words, and the love action description of men and women is not equal in terms of emphasis. It also tries to analyze the general views of love, especially sex, and the different attitudes of men and women to sex. Psychological, according to the emotional tendency of psychological feelings, divided into three categories: positive, negative and neutral. It is found that there are more negative predisposition words and more negative psychological words in women than in men. This paper attempts to analyze and explain this from the angle of social culture, women's and men's ideology by comparing with the theoretical achievements of love research in western psychology.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：H131

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

1 江巨榮;二十世紀(jì)《牡丹亭》研究概述[J];上海戲劇;1999年10期

2 楊洋;;心理學(xué)視野中的愛情內(nèi)涵及結(jié)構(gòu)述要[J];社會(huì)心理科學(xué);2011年07期

3 肖嵐;田照軍;;《湯顯祖戲曲集》雙音詞語音構(gòu)詞法探微[J];語文學(xué)刊;2006年01期

4 袁小麗;張晶;劉寒秋;;對(duì)依賴型人格障礙的臨床分析[J];中國醫(yī)藥指南;2011年28期

5 孔祥榮,王曉燕,曹桂英;547名大學(xué)生戀愛心理的調(diào)查分析[J];中國健康教育;1997年09期

相關(guān)碩士學(xué)位論文 前7條

1 劉云;《紅樓夢(mèng)》心理詞語研究[D];西南大學(xué);2011年

2 楊歡;中英詩歌比喻對(duì)比[D];西南大學(xué);2011年

3 王娟;中國人愛情的心理結(jié)構(gòu)及其影響因素[D];華中師范大學(xué);2006年

4 溫靜;《醒世姻緣傳》行為動(dòng)詞研究[D];西南大學(xué);2007年

5 幸亮;《水滸傳》男性描寫詞語研究[D];西南大學(xué);2008年

6 程建偉;《牡丹亭》與《紫釵記》形容詞研究[D];西南大學(xué);2010年

7 劉彤;《鏡花緣》女性描寫詞語研究[D];西南大學(xué);2010年

，

本文編號(hào)：2414753