本文選題：《紅樓夢》 + 詩詞　； 參考：《中南民族大學(xué)》2012年碩士論文

【摘要】：《紅樓夢》自誕生之日起，就以其獨特的藝術(shù)風(fēng)格和精湛的語言魅力而受到世人的矚目，其中又以貫穿全書的兩百余首詩詞聯(lián)語最為引人入勝。然而，《紅樓夢》研究源遠(yuǎn)流長，對其語言的研究卻一直作為文學(xué)研究的附庸，，停留在文藝批判的角度。對其詩詞聯(lián)語的研究也是以考證、索引、文本解讀為主，很少能從語言本體入手，利用現(xiàn)代語言學(xué)理論來發(fā)掘其獨特的魅力。 超常搭配作為在上世紀(jì)末興起的一個理論方法，因為其獨特的觀察視角，為我們解決一些傳統(tǒng)語言學(xué)難題開辟了另條一捷徑。在這一理論的審視下，許多讓人尷尬的傳統(tǒng)語言學(xué)問題，得以迎刃而解。 本文主要是針對貫穿紅樓夢全書的207首詩詞聯(lián)語所涉及到的超常搭配問題，包括：韻、平仄、對仗以及部分語法方面的超常搭配。學(xué)科輻射到語言學(xué)大類中的傳統(tǒng)文字學(xué)、音韻學(xué)、訓(xùn)詁學(xué)以及現(xiàn)代語言學(xué)研究范疇中的修辭學(xué)等各個方向。力圖通過不同角度的考量，從超常搭配這個全新的視角對紅樓夢詩詞聯(lián)語做一個純語言學(xué)方面的探究，以求窺測曹氏嫻熟的語言文字運用能力，并掌握近代漢語在雍乾時期的發(fā)展概貌。 全文共分為五個部分，緒言主要是講開題的理論依據(jù)以及意義；第一章主要概述《紅樓夢》語言以及詩詞聯(lián)語的研究歷史和現(xiàn)狀；第二章詳細(xì)闡釋了超常搭配理論的內(nèi)涵以及研究成果并分析了詩詞（主要是近體詩）的超常搭配分布；第三章針對《紅樓夢》中的二百余首詩詞聯(lián)語，從音韻、平仄、對仗以及語法方面，分析了其超常搭配的分布情況；第四章主要是闡述了《紅樓夢》詩詞聯(lián)語超常搭配的創(chuàng)作原因；結(jié)論部分對全文作了簡單的總結(jié)并指出了本文研究的局限和不足。
[Abstract]:Since its birth, A Dream of Red Mansions has attracted the attention of the world for its unique artistic style and exquisite language charm. However, the study of "A Dream of Red Mansions" has a long history, but the study of its language has always been regarded as an appendage of literary research, staying in the angle of literary criticism. The study of his poems and poems is mainly on textual research, index and text interpretation, and seldom can he explore its unique charm by using modern linguistic theories. As a theoretical method, supernormal collocation emerged at the end of last century, because of its unique observation angle, it opens up another shortcut for us to solve some traditional linguistic problems. Under the examination of this theory, many embarrassing traditional linguistic problems can be solved. This paper focuses on the extraordinary collocation of 207 poems and verses in the book of Dream of Red Mansions, including: rhyme, equality, antithesis and some grammatical supernormal collocations. Disciplines radiate into the broad categories of linguistics, such as traditional philology, phonology, exegetics and rhetoric in the field of modern linguistics. Through the consideration of different angles, this paper tries to make a pure linguistic inquiry into the combination of poems and poems of the Red Mansions from the perspective of supernormal collocation, in order to explore Cao's skillful ability in the use of language and writing. And master the development of modern Chinese in the Yongqian period. The thesis is divided into five parts, the preface is mainly about the theoretical basis and significance of the topic, the first chapter mainly summarizes the history and present situation of the study on the language of "Dream of Red Mansions" and the combination of poetry and ci. The second chapter explains the connotation of the theory of supernormal collocation and the research results, and analyzes the distribution of supernormal collocation of poems (mainly modern poetry). Chapter three focuses on the more than 200 poems in A Dream of Red Mansions, from the perspective of rhyme and rhyme. On the aspect of grammar, the author analyzes the distribution of the abnormal collocation, the fourth chapter mainly expounds the creative reasons of the supernormal collocation of the poems and poems in A Dream of Red Mansions; The conclusion makes a brief summary and points out the limitations and shortcomings of this paper.
【學(xué)位授予單位】：中南民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：H15

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本文編號：2020835