本文選題：幽默 + 《男人幫》��； 參考：《長春理工大學(xué)》2014年碩士論文

【摘要】：如今,各種題材的電視劇充斥著人們的生活,可以說成為了人們茶余飯后不可或缺的一道零食。筆者比較喜歡話題性電視劇,因為故事結(jié)局總是開放性的,能給觀眾更多的思考空間。趙寶剛的作品一直以來深受廣大觀眾的歡迎。其中,《男人幫》這部劇是他的代表作之一。在他大部分的作品里,幽默搞笑的臺詞占有相當重要的位置,給人以輕松的感受。然而,在幽默和笑聲背后,最終讓人感受到的是情真意切的人生哲理。 目前,對于電視劇當中的幽默語言的研究還比較少,也不是很全面,大部分都基于斯珀伯和威爾遜提出的關(guān)聯(lián)理論,和格賴斯的會話含義理論以及合作原則。本文以維索爾倫的順應(yīng)論為理論框架,對《男人幫》中的幽默臺詞和幽默表現(xiàn)方式進行順應(yīng)性分析,具體分析劇中人物在生成幽默過程當中所選擇的語言和策略。首先,從語言結(jié)構(gòu)順應(yīng)角度出發(fā),詳細分析了劇中人物在語音、詞匯、句式和超句四個層面所選擇的幽默語言和策略。其次,從語境關(guān)系順應(yīng)角度(交際語境),細致分析了劇中人物在順應(yīng)心理世界(個性、情緒、動機、愿望、信仰)、社交世界(場合、人際關(guān)系、文化、職業(yè))和物理世界(時間和空間)的情況下所選擇幽默語言和方式。最后,本文得出幽默的產(chǎn)生是劇中人物在順應(yīng)某種語言結(jié)構(gòu)和某種交際語境的情況下,做出的恰當?shù)恼Z言選擇的結(jié)果。本文是在中文語料基礎(chǔ)上的一次實際應(yīng)用,檢驗并證明了順應(yīng)論對幽默的強大解釋力,尤其是對電視劇中的幽默臺詞,從而使本文有助于我們對電視劇的情節(jié)和人物的理解和剖析,更有助于我們生活中的實際交際。
[Abstract]:Nowadays, TV dramas of all kinds are full of people's lives, and can be said to be an indispensable snack after a meal. I prefer topic TV series, because the end of the story is always open, can give the audience more room to think. Zhao Baogang's works have always been well received by the general audience. Among them, the Men's Gang is one of his masterpieces. In most of his works, humorous and funny lines occupy a very important place, giving people a relaxed feeling. However, behind humor and laughter, the ultimate feeling is the true philosophy of life. At present, the research on humorous language in TV series is relatively few and not very comprehensive. Most of them are based on the relevance theory proposed by Sperber and Wilson, the conversational implicature theory and the cooperative principle of Grice. This paper, based on the adaptation theory of Withollen, analyzes the humorous lines and ways of expression of humor in the Men's Gang, and analyzes the language and strategies chosen by the characters in the process of producing humor. Firstly, from the perspective of linguistic structure adaptation, this paper analyzes in detail the humorous language and strategies chosen by the characters at the four levels of pronunciation, vocabulary, sentence structure and supersentence. Secondly, from the perspective of contextual relationship adaptation (communicative context), this paper analyzes the characters' adaptation to the psychological world (personality, emotion, motivation, desire, belief, social world) (occasion, interpersonal relationship, culture). Occupation) and the physical world (time and space) in the context of the choice of humorous language and way. Finally, it is concluded that the generation of humor is the result of appropriate language choices made by the characters in accordance with a certain linguistic structure and a certain communicative context. This paper is a practical application on the basis of Chinese corpus, which tests and proves the powerful explanatory power of adaptation theory to humor, especially the humorous lines in TV dramas. Thus, this paper is helpful to our understanding and analysis of the plot and characters of TV series, and to the actual communication in our daily life.
【學(xué)位授予單位】：長春理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：H136

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