本文選題：寧夏六盤山區(qū)　切入點：回族　出處：《揚州大學》2012年碩士論文

【摘要】：本文以寧夏六盤山區(qū)回族“山花兒”民歌歌詞為研究對象,運用田野調(diào)查和文本分析的研究方法,以542首“山花兒”歌詞為語料,對“山花兒”歌詞的修辭特色和語言風格進行了專門地研究。 論文開始先簡單交待了寧夏六盤山區(qū)的地形地貌、人文歷史和民族宗教,然后介紹了“山花兒”名稱的由來及其發(fā)展與傳播的情況。本文還對收集到的542首“山花兒’從內(nèi)容上做了類的劃分,把“山花兒”分為愛情“花兒”和時代“花兒”。通過對“山花兒”歌詞文本的研讀和分析,發(fā)現(xiàn)“山花兒”在語音、詞語、句式、修辭格和語言風格等方面,都有其獨特之處。論文就這五個方面重點對寧夏“山花兒”歌詞修辭作了詳盡的研究和闡述。 “山花兒”的語音修辭特色主要體現(xiàn)在節(jié)奏、押韻和襯字三個方面�！吧交▋骸惫�(jié)奏的劃分一定要把單、雙音節(jié)交替的句尾與其句身分開,節(jié)拍多為兩節(jié)拍、三節(jié)拍,有時有兩節(jié)拍和三節(jié)拍混合的；“山花兒”押韻的類型有六種,通過對這六種押韻類型的分析,不難看出,“山花兒”有虛詞入韻和押復韻的特點；“山花兒”歌詞對襯字的使用相當頻繁,根據(jù)襯字在句子中的位置將它分為句中襯字和句尾襯字。這些襯字的添加要遵循三個規(guī)律：一句話的字數(shù)不夠七個,要加襯字；突出雙字尾或三字尾,要加襯字；節(jié)奏不對稱,要加襯字。 “山花兒”的詞語修辭主要是方言詞的大量使用。通過對不同詞性方言詞的整理歸納,可以看出方言詞能夠很好地表現(xiàn)當?shù)氐奈幕厣兔褡屣L格。 “山花兒”的句式修辭,以反問句、設(shè)問句、主動句和主語省略句為例進行分析,重點論述了主動句中“把”字句的使用情況。寧夏“山花兒”中“把”字句的使用主要有三種形式：“把”字引出受事,“把”字放到主語前以及“把”字的省略。這些句式的使用,起到了深化感情、強調(diào)重點和加強語氣的作用,也使得“山花兒”鄉(xiāng)土氣息更加濃厚。 其后又分析了“山花兒”歌詞中使用最為普遍也最有特色的六種修辭格——比喻、借代、用典、摹擬、夸張和通感。這些傳統(tǒng)修辭手法的運用,自由靈活,不拘一格,清新活潑又妙趣橫生,表現(xiàn)了“山花兒”歌手獨特非凡的語言才能。 最后,本文通過語音、詞語、句式和修辭格的使用等方面所表現(xiàn)出來的特點,探析了寧夏“山花兒”豪放粗獷和通俗樸實的語言風格,發(fā)現(xiàn)這些語言風格的形成與當?shù)氐赜蛭幕�、民族文化和宗教文化�?lián)系密切。
[Abstract]:This paper takes the lyrics of the folk songs of the Hui nationality "Mountain Flower" in Liupanshan District of Ningxia as the research object, using the research methods of field investigation and text analysis, taking 542 lyrics of "Mountain Flower" as the corpus. This paper makes a special study on the rhetorical features and language style of the lyrics of Mountain Flower. The paper begins with a brief account of the topography, human history, and ethnic religion in the Liupan Mountains of Ningxia. Then it introduces the origin, development and dissemination of the name "Mountain Flower". This paper divides "Mountain Flower" into Love "Flower" and Times "Flower". Through reading and analyzing the lyric text of "Mountain Flower", it is found that "Mountain Flower" is in the aspects of pronunciation, words, sentence pattern, rhetorical figure and language style, etc. This paper makes a detailed study and elaboration on the rhetoric of the lyrics of "Mountain Flower" in Ningxia. The phonetic rhetorical features of "Mountain Flower" are mainly embodied in three aspects: rhythm, rhyme and sansline. Sometimes there are two and three rhythms mixed; there are six rhyme types of "Mountain Flower", and by analyzing these six rhyme types, It is not difficult to see that "Mountain Flower" has the characteristics of rhyme and rhyme of function words. According to its position in a sentence, the word is divided into two parts: one is lined in a sentence and the other is lined at the end of a sentence. There are three rules to be followed in the addition of these words: the number of words in a sentence is less than seven, the word should be lined, the double or three-character is highlighted, the word is lined; the rhythm is not symmetrical. You should have the words lined up. The rhetoric of "Mountain Flower" is mainly the extensive use of local words, and through the arrangement and induction of different parts of speech, it can be seen that dialect words can well express the local cultural characteristics and national style. The rhetorical figures of "Mountain and Flower" are analyzed by examples of rhetorical questions, question sentences, active sentences and subject omissions. This paper mainly discusses the use of "Ba" sentence in active sentence. There are three main forms of "Ba" sentence in Ningxia "Mountain Flower": "Ba" word leads to suffering, "put" word before subject and omit "Ba" word. The use of these sentence patterns, Played the role of deepening feelings, emphasis and tone of emphasis, but also make the "mountain flowers" more local flavor. Then it analyzes the six most common and characteristic figures of speech used in the lyrics of "the Mountain Flower"-metaphor, metonymy, allusions, imitation, exaggeration and synesthesia. The use of these traditional rhetorical devices is free, flexible and informal. Fresh and lively and interesting, the performance of the "Mountain Flower" singer's unique and extraordinary language talent. Finally, through the characteristics of the use of pronunciation, words, sentence patterns and figures of speech, this paper probes into the bold and plain language style of Ningxia "Mountain Flower". It is found that the formation of these language styles is closely related to local regional culture, ethnic culture and religious culture.
【學位授予單位】：揚州大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I207.22;H15;H146

【參考文獻】

相關(guān)期刊論文 前1條

1 王一敏;“把”字句的語用結(jié)構(gòu)分析[J];上海師范大學學報(哲學社會科學版);1993年01期

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本文編號：1676984