現代數碼版畫獨特的藝術形態(tài)與價值
發(fā)布時間：2019-04-24 19:25
【摘要】： 無論在傳統上,還是在革新方面,版畫藝術自身的版種分支的復雜性自然而然地導致了版畫領域里觀念的廣泛性以及選材、風格和制作方法上的多樣性。20世紀末期以來,人們一已趨向于探導新的藝術審美觀,而新的審美觀的建立通常離不開材料和技術的創(chuàng)新。有些版畫家采用傳統獨特的版畫媒介表現他們的創(chuàng)作理念。例如:銅版、木版和石版等等。還有些人則開始利用新興的工具和材料進行實驗、探索。目前,版畫藝術家可利用的媒介很多,像大型印刷機、電動工具、合成版加版畫紙、滾筒印刷和彩色油墨以及計算機媒介等等。更多的工業(yè)技術的進步把版畫藝術家引向了實驗、發(fā)明的時代,但是,并不是所有的實驗都集中在材料和技術上。 版畫家和其他藝術家一樣在不斷的尋找對比的方法,其中之一就是把加工過的版畫材料組合在一起加以比較。石版、絲網、腐蝕凸版或宣紙貼印等版畫通常需要制作成一個單一版面,現代版畫家已經突破了舊的傳統觀念和技術的束縛。在版畫制作過程中除了使用新材料、工具和技術之外,還發(fā)明了一種稱為獨幅版畫的獨特版畫。四十年前許多畫展不允許展出這種版畫作品。照相制版的加工過程在歐美已經存在了三十年,最近計算機又成了繪制版畫形象的工具,而且計算機還能從藝術史料上、報刊雜志、攝影藝術、商業(yè)廣告藝術以及與之有關的領域里提取素材,加以合成。 分析、評論當代所有新生的數碼藝術要遠遠超出這本書的局限,因為不同風格的藝術形式在競相發(fā)展,新的繪畫風格在不斷形成、演變。我們不能設想某一單一的風格,能夠永遠主導未來版畫藝術的發(fā)展方向。在中國新興版畫發(fā)展的六十余年的歷史中,對外版畫交流是其中的一項重要的活動內容。中外版畫家通過交流互相學習,取長補短,可以促進版畫藝術的共同提高,繁榮世界的版畫藝術。中國新興版畫的倡導者魯迅先生從一開始就十分重視中外版畫交流的重要意義。當時他對外國版畫的介紹便是不遺余力,而且他的視野也是全方位的,世界各國的優(yōu)秀版畫作品都是他引進的對象。今天,隨著計算機圖形處理技術和多媒體的廣泛應用,歐美等國的當代數碼技術的應用領域在不斷的擴大,并且已經逐步深入到藝術創(chuàng)作的活動當中,并取得了初步的成功。今天,數碼版畫的引進和創(chuàng)新是現代科技與版畫藝術的又一次很好的結合,是科學技術在當今社會創(chuàng)造的新的藝術形式。它為版畫藝術又增添了新的活力,并延伸了版畫藝術的概念,體現了版畫藝術在新時代的無比包容性。但同時,數碼版畫當前還是以一種新事物的姿態(tài)出現在大家面前。本篇論文正是通過理性地辯證剖析當代數碼版畫作品的色彩紛呈、種類繁多的藝術形態(tài)來展現數碼版畫其存在的可能和特殊的藝術價值。
[Abstract]:In both tradition and innovation, the complexity of printmaking's own branch has naturally led to a wide range of ideas and diversity in material selection, style and production methods in the field of printmaking. Since the end of the 20th century, the complexity of its own branch has naturally led to a wide range of ideas and diversity in material selection, style and production methods in the field of printmaking. People have tended to explore new artistic aesthetics, and the establishment of new aesthetics usually depends on the innovation of materials and technology. Some printmakers use traditional and unique print media to express their creative ideas. For example: copper plate, wood plate and stone plate and so on. Others began to experiment and explore with emerging tools and materials. At present, there are many media available to print artists, such as large printing press, electric tools, synthetic plate plus printing paper, roller printing and color ink, computer media and so on. More advances in industrial technology have led printmaking artists to the era of experiments, inventions, but not all experiments focus on materials and technology. Printmakers, like other artists, are constantly looking for ways to compare, one of which is the combination of processed print materials. Lithography, silk screens, etched letterpress, or xanthan printing often require a single layout, and modern printmakers have broken through the constraints of old traditional concepts and techniques. In addition to the use of new materials, tools and techniques in print making, a unique print called a single print has been invented. Forty years ago, many art exhibitions did not allow such prints to be exhibited. The process of making photographic plates has been in existence in Europe and the United States for 30 years. Recently, computers have become tools for drawing printmaking images. Moreover, computers can also be used from the historical materials of art, newspapers and magazines, and the art of photography. Commercial advertising art and related fields to extract and synthesize materials. Analyzing and commenting on all contemporary new digital art goes far beyond the limits of this book, because different styles of art are competing for development, and new painting styles are constantly forming and evolving. We can not imagine a single style, can always dominate the direction of future print art. In the 60-year history of China's emerging printmaking, foreign printmaking exchange is one of the important activities. Chinese and foreign printmaking artists learn from each other and learn from each other, can promote the common improvement of printmaking art, and prosper the world's printmaking art. Mr. Lu Xun, an advocate of China's emerging printmaking, has attached great importance to the exchange between Chinese and foreign printmaking from the beginning. At that time, his introduction to foreign printmaking is spare no effort, and his vision is also all-round, the world's excellent prints are the object of his introduction. Today, with the wide application of computer graphics processing technology and multimedia, the application field of contemporary digital technology in Europe and America and other countries is expanding continuously, and has been gradually deepened into the activities of artistic creation, and has achieved initial success. Today, the introduction and innovation of digital printmaking is another very good combination of modern science and technology and printmaking art, and it is a new artistic form created by science and technology in today's society. It adds new vitality to print art, extends the concept of print art, and embodies the incomparable inclusiveness of print art in the new era. But at the same time, digital printing is still a new thing in front of everyone. This paper is through the rational dialectical analysis of contemporary digital printmaking works colorful, a wide range of artistic forms to show the existence of digital printing and its special artistic value.
【學位授予單位】：東北師范大學
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：J217
本文編號：2464718
[Abstract]:In both tradition and innovation, the complexity of printmaking's own branch has naturally led to a wide range of ideas and diversity in material selection, style and production methods in the field of printmaking. Since the end of the 20th century, the complexity of its own branch has naturally led to a wide range of ideas and diversity in material selection, style and production methods in the field of printmaking. People have tended to explore new artistic aesthetics, and the establishment of new aesthetics usually depends on the innovation of materials and technology. Some printmakers use traditional and unique print media to express their creative ideas. For example: copper plate, wood plate and stone plate and so on. Others began to experiment and explore with emerging tools and materials. At present, there are many media available to print artists, such as large printing press, electric tools, synthetic plate plus printing paper, roller printing and color ink, computer media and so on. More advances in industrial technology have led printmaking artists to the era of experiments, inventions, but not all experiments focus on materials and technology. Printmakers, like other artists, are constantly looking for ways to compare, one of which is the combination of processed print materials. Lithography, silk screens, etched letterpress, or xanthan printing often require a single layout, and modern printmakers have broken through the constraints of old traditional concepts and techniques. In addition to the use of new materials, tools and techniques in print making, a unique print called a single print has been invented. Forty years ago, many art exhibitions did not allow such prints to be exhibited. The process of making photographic plates has been in existence in Europe and the United States for 30 years. Recently, computers have become tools for drawing printmaking images. Moreover, computers can also be used from the historical materials of art, newspapers and magazines, and the art of photography. Commercial advertising art and related fields to extract and synthesize materials. Analyzing and commenting on all contemporary new digital art goes far beyond the limits of this book, because different styles of art are competing for development, and new painting styles are constantly forming and evolving. We can not imagine a single style, can always dominate the direction of future print art. In the 60-year history of China's emerging printmaking, foreign printmaking exchange is one of the important activities. Chinese and foreign printmaking artists learn from each other and learn from each other, can promote the common improvement of printmaking art, and prosper the world's printmaking art. Mr. Lu Xun, an advocate of China's emerging printmaking, has attached great importance to the exchange between Chinese and foreign printmaking from the beginning. At that time, his introduction to foreign printmaking is spare no effort, and his vision is also all-round, the world's excellent prints are the object of his introduction. Today, with the wide application of computer graphics processing technology and multimedia, the application field of contemporary digital technology in Europe and America and other countries is expanding continuously, and has been gradually deepened into the activities of artistic creation, and has achieved initial success. Today, the introduction and innovation of digital printmaking is another very good combination of modern science and technology and printmaking art, and it is a new artistic form created by science and technology in today's society. It adds new vitality to print art, extends the concept of print art, and embodies the incomparable inclusiveness of print art in the new era. But at the same time, digital printing is still a new thing in front of everyone. This paper is through the rational dialectical analysis of contemporary digital printmaking works colorful, a wide range of artistic forms to show the existence of digital printing and its special artistic value.
【學位授予單位】：東北師范大學
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：J217
【引證文獻】
相關期刊論文 前3條
1 梁嘉;;開放·融合——當代多元文化視角下的版畫教學趨向[J];美術大觀;2011年11期
2 梁嘉;;版新 新版——當代高校版畫教學的創(chuàng)新研究[J];美術教育研究;2011年12期
3 王琪斐;;版畫藝術中的色彩語言分析[J];社科縱橫;2012年09期
，本文編號：2464718
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