【摘要】：20世紀(jì)80年代以來,中國社會(huì)市場(chǎng)經(jīng)濟(jì)迅速發(fā)展,城市化進(jìn)程突飛猛進(jìn),這一變化為城市文學(xué)書寫與研究奠定了基礎(chǔ)。一大批上海文學(xué)作品與電影圖像、廣告媒體、文化產(chǎn)業(yè)等一起建構(gòu)90年代上海想象,形成一種90年代中產(chǎn)階級(jí)的文化想象與書寫風(fēng)潮。本論文以“90年代上海想象”為主要研究對(duì)象,以文化政治學(xué)的立場(chǎng)著重分析和探究90年代上海想象的特性,探究中產(chǎn)階級(jí)的文化想象與書寫。論文緒論部分闡述論題的選題意義、研究現(xiàn)狀以及本論文的研究創(chuàng)新點(diǎn)。正文部分將分三章論述： 第一章論述文化語境與中產(chǎn)階級(jí)文化想象及其關(guān)系。90年代城市化進(jìn)程日益加劇,市場(chǎng)主義意識(shí)形態(tài)取代國家權(quán)威政治意識(shí)形態(tài),消費(fèi)主義文化興盛促使新富人階層誕生。一大批上海文學(xué)作品與電影、繪畫、音樂等視覺藝術(shù)一起闡釋中產(chǎn)階級(jí)文化想象。90年代中產(chǎn)階級(jí)不再是一個(gè)單純的概念,而是一個(gè)具有社會(huì)認(rèn)同感的階級(jí),階級(jí)群體在小說、報(bào)刊等媒介作用下形成一個(gè)政治文化想象共同體。消費(fèi)主義文化的興盛促使90年代中產(chǎn)階級(jí)更加追求時(shí)尚消費(fèi)、品牌消費(fèi),在這種對(duì)物質(zhì)的過分追求中卻逐漸迷失了個(gè)性,不得不選擇妥協(xié)忍讓的守成姿態(tài)。90年代上海想象與自20年代以來的上海想象有了新的表述與突破,書寫者們更加傾心于中產(chǎn)階級(jí)的文化想象與書寫。 第二章闡述90年代上海想象的呈現(xiàn)方式,探尋中產(chǎn)階級(jí)的文化認(rèn)同。階級(jí)的形成與社會(huì)和文化認(rèn)同方面的性別、種族等范疇密切相關(guān)。論文將從中產(chǎn)階級(jí)社會(huì)性別想象、城市想象和生活想象三個(gè)維度建構(gòu)90年代上海想象,尋求中產(chǎn)階級(jí)文化的社會(huì)認(rèn)同感。 第三章探討90年代上海想象的中產(chǎn)階級(jí)文化想象方式。以90年代上海文學(xué)作品為例,用懷舊方式,以輝煌的歷史證明其文化淵源；用回避方式,抹去血腥的、殘酷的上海形象,為中產(chǎn)階級(jí)營造一個(gè)精致、優(yōu)雅的上海；用“他者”建構(gòu)方式,在西方發(fā)達(dá)國家為代表的中產(chǎn)階級(jí)文化中建構(gòu)一種“他者”眼中的中國的中產(chǎn)階級(jí)文化想象。 結(jié)語部分闡釋中產(chǎn)階級(jí)合法性敘事與文化價(jià)值訴求。90年代上海想象符合中產(chǎn)階級(jí)審美趣味,追尋中產(chǎn)階級(jí)歷史意識(shí),為中產(chǎn)階級(jí)合法性敘事和表達(dá)自身的文化價(jià)值訴求提供了載體。緩解了群體的集體身份認(rèn)同焦慮,引起了其他社會(huì)階層對(duì)中產(chǎn)階級(jí)生活方式及其文化的關(guān)注和思考,揭示了現(xiàn)代社會(huì)背后所隱藏的深層次的文化矛盾。
[Abstract]:Since the 1980s, China's social market economy has developed rapidly and the process of urbanization has advanced by leaps and bounds. This change has laid a foundation for the writing and research of urban literature. A large number of Shanghai literary works and film images, advertising media, cultural industry and so on together construct the 1990s Shanghai imagination, forming a kind of middle-class cultural imagination and writing trend in the 1990s. This thesis takes Shanghai Imagination in the 1990s as the main research object, analyzes and explores the characteristics of Shanghai Imagination in the 1990s from the standpoint of cultural politics, and probes into the cultural imagination and writing of the middle class. The introduction part of the thesis expounds the significance of the topic, the status quo of the research and the innovation of this paper. The text will be divided into three chapters: the first chapter discusses the cultural context and the middle class cultural imagination and its relationship. The culture of consumerism flourished and promoted the birth of the new rich class. A large number of Shanghai literary works, together with visual arts such as movies, paintings, music, etc, explain the cultural imagination of the middle class. In the 1990s, the middle class was no longer a simple concept, but a class with a sense of social identity. The class group was in the novel. Under the action of the media such as newspapers and periodicals, a political and cultural imagination community is formed. The flourishing culture of consumerism prompted the middle class to pursue fashion consumption and brand consumption in the 1990s, but gradually lost their individuality in this kind of excessive pursuit of material. The imagination of Shanghai in the 1990s and the imagination in Shanghai since the 1920s have made a new statement and breakthrough, and the writers are more interested in the cultural imagination and writing of the middle class. The second chapter expounds the presentation of Shanghai's imagination in the 1990's and explores the cultural identity of the middle class. Class formation is closely related to gender and race in social and cultural identity. This paper will construct the social identity of the middle class culture from the three dimensions of middle class social gender imagination, city imagination and life imagination. The third chapter discusses the middle-class cultural imagination of Shanghai in 1990 s. Taking Shanghai literary works of the 1990s as an example, using nostalgia and brilliant history to prove its cultural origin, erasing the bloody and cruel image of Shanghai by avoiding it, creating a delicate and elegant Shanghai for the middle class. In the middle class culture represented by western developed countries, we construct a kind of middle class cultural imagination of China in the eyes of other people. The conclusion part explains the narrative of middle class legitimacy and the demand of cultural value. The imagination of Shanghai in the 1990s accords with the aesthetic taste of the middle class and pursues the historical consciousness of the middle class. It provides a carrier for the middle class to narrate its legitimacy and to express its own cultural values. It alleviates the collective identity anxiety of the group, causes other social strata to pay close attention to the middle class life style and its culture, and reveals the deep cultural contradiction hidden behind the modern society.
【學(xué)位授予單位】：湖北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：I206.7

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