發(fā)布時間：2018-04-28 22:23

  本文選題：超人 + 超級英雄��； 參考：《河南大學(xué)》2012年碩士論文

【摘要】：超人（Superman），由杰瑞·西格爾（Jerry Siegel）和喬·舒斯特（Joe Shuster）共同創(chuàng)作，1938年6月在美國國家聯(lián)合出版公司(前DC漫畫公司)旗下的《動作漫畫》（Action Comics）雜志上開始連載，并在多個媒體上迅速流行開來。經(jīng)過70余年不懈地發(fā)展，超人同圣誕老人、米老鼠、福爾摩斯一樣，已經(jīng)成為世界大眾文化領(lǐng)域中的一個奇觀。超人在動漫世界和現(xiàn)實生活中都具有巨大的影響力。 動漫世界中，超人被廣泛認為是“第一位超級英雄”，對“超級英雄”這一類型的動漫形象做出了定義。不僅如此，超人揭開了美國漫畫史上“黃金時代”的帷幕，也同他的前輩，通俗雜志中的英雄角色，劃清了界限。 現(xiàn)實生活中，美國VH1電視臺進行的“兩百位最偉大大眾文化偶像”評選中，超人位居第二。除此之外，默罕默德·阿里、沙奎爾·奧尼爾、尼古拉斯·凱奇等體育及影視界明星將超人視為偶像，美國總統(tǒng)奧巴馬也多次或是以超人的形象，或是以超人的動作出現(xiàn)在宣傳品當(dāng)中。 以超人為代表的超級英雄取代通俗小說英雄，是美國大眾文化隨社會和時代發(fā)展而不斷交替的真實寫照。當(dāng)西部邊疆開拓逐步進入尾聲，城市生活開始興起時，代表著西部邊疆開拓文化的泰山、柯南、薩維奇等通俗小說中的英雄無法解決新時代城市化生活中出現(xiàn)的威脅與難題。作為對時代、社會生活的回應(yīng),以超人為代表的漫畫超級英雄誕生了。超人是第一位漫畫超級英雄，是美國傳統(tǒng)和歷史相結(jié)合的產(chǎn)物�？v觀他逐步成為全球著名大眾文化偶像的過程，不難發(fā)現(xiàn)美國傳統(tǒng)宗教文化、移民文化、價值觀和社會心理等因素共同發(fā)揮作用的痕跡。 超人自誕生以來，其故事以及相關(guān)大眾文化產(chǎn)品被不同國家，有著不同文化背景的受眾所熟知和接受。相比之下，我國動漫領(lǐng)域尚未出現(xiàn)能夠在影響力上和超人相媲美的動漫形象。超人對中國動漫角色形象建設(shè)有著重要的借鑒意義。有鑒于此，通過認真分析超人由普通漫畫英雄到著名大眾文化偶像的過程，，并將中國動漫中常見的神話人物同以超人為代表的超級英雄進行比分析，找出中國動漫超級英雄形象建設(shè)的不足之處，借鑒日本和美國等動漫強國的創(chuàng)作技巧、理念以及營銷手法，以期對中國動漫形象建設(shè)有所裨益。
[Abstract]:Superman, co-authored by Jerry Siegeland Joe Shuster, was published in June 1938 in Action comics, a magazine owned by the National Co-Publishing Company (formerly DC Comics). And quickly became popular in multiple media. After more than 70 years of unremitting development, Superman, like Santa Claus, Mickey Mouse and Sherlock Holmes, has become a wonder in the field of mass culture in the world. Superman in the animation world and real life has a huge impact. In the animation world, Superman is widely regarded as "the first superhero". Not only that, Superman opened the "Golden Age" of American comic history and drew a line with his predecessor, the hero of popular magazine. In real life, Superman ranks second in the selection of 200 of the greatest popular cultural idols by VH1. In addition to this, sports and film stars like Muhammad Ali, Shaquille O'Neill, Nicholas Cage and other sports and film stars regard Superman as an icon, and US President Barack Obama has repeatedly or in the image of Superman. Or appear in the propaganda as superhuman action. Superhero, represented by Superman, replaces the hero in popular novels, which is a true portrayal of American popular culture alternating with the development of society and times. When the development of the western frontier came to an end and the city life began to rise, the heroes in popular novels such as Tarzan, Conan, Savage and other popular novels could not solve the threats and problems in the urbanization life in the new era. As a response to the times and social life, superheroes, represented by Superman, were born. Superman was the first comic superhero, a combination of American tradition and history. Throughout his process of becoming a world famous popular culture icon, it is not difficult to find the trace of American traditional religious culture, immigrant culture, values and social psychology and so on. Since Superman was born, his stories and related popular cultural products have been well known and accepted by audiences with different cultural backgrounds in different countries. In contrast, China's animation field has not yet appeared in the impact and Superman comparable animation image. Superman has important reference significance to Chinese animation character image construction. In view of this, by carefully analyzing the process of Superman from ordinary comic hero to famous popular cultural idol, and comparing the common mythical characters in Chinese animation with superheroes represented by Superman, To find out the shortcomings of Chinese animation superhero image construction, draw lessons from Japan and the United States and other animation power creative skills, ideas and marketing techniques, in order to build the image of China's animation benefits.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：G112

【參考文獻】

相關(guān)期刊論文 前5條

1 嵇晨

本文編號：1817152