本文選題：耽美　切入點(diǎn)：同人女　出處：《中央民族大學(xué)》2013年碩士論文

【摘要】：耽美文化是由日本傳入的一種新興的亞文化形式。這種亞文化以同人女群體為文化主體,以男子之間的戀愛為主要內(nèi)容,有漫畫、動(dòng)漫、小說(shuō)、廣播劇等多種表現(xiàn)形式。目前,耽美文化主要流行于80后、90后人群中,并且其影響力正在隨著網(wǎng)絡(luò)和信息技術(shù)的發(fā)展而不斷擴(kuò)大。本文以耽美文化和同人女群體為主要研究對(duì)象,用人類學(xué)的視角和研究方法對(duì)其進(jìn)行觀察和分析,旨在真實(shí)的描述耽美文化和同人女群體在社會(huì)場(chǎng)景中的活動(dòng)情況,并期望透過(guò)耽美文化看到更廣闊的的文化領(lǐng)域以及現(xiàn)代人的特質(zhì)。 論文總共分為五章。第一章主要有三方面的內(nèi)容。第一,概述論文的選題緣由。第二,簡(jiǎn)要回顧與論文主題相關(guān)的研究,從流行文化、審美、女性人類學(xué)、認(rèn)同等方面為論文討論提供理論支持。第三,簡(jiǎn)要介紹研究方法。本次田野工作仍以參與觀察和訪談為主要研究方法,但由于耽美文化和同人女群體大多以網(wǎng)絡(luò)世界為主要活動(dòng)領(lǐng)域,所以會(huì)針對(duì)這一特性做一些調(diào)整,以網(wǎng)絡(luò)為突破口,再進(jìn)一步搜集個(gè)案資料,進(jìn)行深入訪談。 第二章是對(duì)目前活躍于中國(guó)大陸耽美文化和同人女群體的一個(gè)總體描述。首先簡(jiǎn)要介紹同人女群體的由來(lái)、發(fā)展歷程,并根據(jù)已有文獻(xiàn)資料和本次調(diào)查的田野工作資料總結(jié)了中國(guó)同人女群體的特征。其次,根據(jù)耽美文化的具體表現(xiàn)形式梳理同人女群體內(nèi)部的分類情況,并通過(guò)田野材料說(shuō)明各分支群體之間關(guān)系。最后,用個(gè)案展示同人女在日常生活中的群體活動(dòng),從而體現(xiàn)生活中的耽美文化。 第三章主要討論同人女群體與大眾文化、同性戀群體之間的關(guān)系,以具體個(gè)案來(lái)體現(xiàn)耽美文化與其他文化之間的交流與矛盾。第四章則以同人女群體的認(rèn)同觀念為主要闡述對(duì)象,包括同人女對(duì)耽美文化的認(rèn)同和同人女的自我認(rèn)同兩方面。田野調(diào)查資料表明,同人女對(duì)耽美文化的認(rèn)同主要來(lái)自于對(duì)唯美風(fēng)格的喜愛以及對(duì)傳統(tǒng)戀愛觀念、性別觀念的不認(rèn)同；而對(duì)同人女群體的認(rèn)同則來(lái)源于共同的愛好和與其他文化群體之間的差異與隔閡。 第五章基于以上討論總結(jié)了同人女群體的共性與個(gè)性,從不同角度解讀耽美文化和同人女群體的真實(shí)面貌。此外,還探討了由耽美文化引發(fā)的對(duì)現(xiàn)代社會(huì)的思考,以及同人女群體研究對(duì)現(xiàn)代社群研究的啟示。
[Abstract]:Danmei culture is a new subculture form introduced from Japan. This subculture takes the female group as the cultural main body and the love between men as the main content. There are many forms of expression, such as comics, anime, novels, radio dramas and so on. At present, there are many forms of expression, such as comics, anime, novels, radio dramas, etc. At present, Danmei culture is popular in the post-80s and post-90s population, and its influence is expanding with the development of network and information technology. It is observed and analyzed from the perspective of anthropology and research methods in order to truly describe the activities of the people and women in the social scene. And hope to see the broader cultural field and the characteristics of modern people through the American culture. The thesis is divided into five chapters. The first chapter mainly includes three aspects. First, it summarizes the reason why the thesis is selected. Secondly, it briefly reviews the research related to the theme of the thesis, from pop culture, aesthetics, female anthropology, Identification and other aspects provide theoretical support for the discussion of the paper. Thirdly, a brief introduction of the research methods. The field work still takes the participation observation and interview as the main research methods. However, because most of the culture and women of the same people take the network world as the main activity field, they will make some adjustments in view of this characteristic, take the network as the breakthrough point, further collect the case information and conduct in-depth interviews. The second chapter is a general description of the culture and women groups active in mainland China. According to the existing literature and field work data, this paper summarizes the characteristics of Chinese women with people. Secondly, according to the specific forms of the culture of Tanmei, the classification of women groups is sorted out. Finally, the paper shows the group activities of women in daily life by case study, so as to reflect the aesthetic culture of life. The third chapter mainly discusses the relationship between the women and the mass culture, the gay community. The fourth chapter takes the concept of identity with women as the main object of elaboration, which is based on the specific cases to reflect the exchange and contradiction between the American culture and other cultures, and the fourth chapter takes the concept of identity with women as the main object of elaboration. The field investigation shows that the identity of the two women mainly comes from the love of aesthetic style and the traditional concept of love. The gender concept does not agree, while the identity of the same women comes from the common preferences and differences and estrangement with other cultural groups. The fifth chapter sums up the commonness and individuality of the same woman group based on the above discussion, and interprets the real appearance of the same woman group from different angles. In addition, it also discusses the reflection on modern society caused by the Tang Mei culture. And the enlightenment of the study of women groups to modern community research.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：C913.1;C913.68

【參考文獻(xiàn)】

相關(guān)期刊論文 前8條

1 于敏;;從伯克的認(rèn)同說(shuō)看耽美小說(shuō)的流行[J];安徽文學(xué)(下半月);2009年08期

2 葛志遠(yuǎn);龐明杰;蔡為;梁青;;我國(guó)“耽美文化”的網(wǎng)絡(luò)傳播淺析[J];經(jīng)濟(jì)視角(下);2009年09期

3 葉俊杰;埃里克森的認(rèn)同概念與心理歷史學(xué)[J];麗水師專學(xué)報(bào);1995年03期

4 肖銳;;哈貝馬斯交往行為理論視域中的自我認(rèn)同[J];前沿;2009年02期

5 都睿;任敏;;解讀“同人女”文學(xué)創(chuàng)作群體及其社會(huì)文化根源[J];沈陽(yáng)農(nóng)業(yè)大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2010年02期

6 鄭丹丹;吳迪;;耽美現(xiàn)象背后的女性訴求——對(duì)耽美作品及同人女的考察[J];浙江學(xué)刊;2009年06期

7 廖楓模;;日本民族的傳統(tǒng)審美意識(shí)[J];中山大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);1993年03期

8 夏建中;當(dāng)代流行文化研究:概念、歷史與理論[J];中國(guó)社會(huì)科學(xué);2000年05期

相關(guān)碩士學(xué)位論文 前1條

1 阮瑤娜;“同人女”群體的倫理困境研究[D];浙江大學(xué);2008年

，

本文編號(hào)：1666993