本文選題：中國畫　切入點(diǎn)：動畫片　出處：《武漢理工大學(xué)》2008年碩士論文

【摘要】： 中國文化博大精深,歷經(jīng)千載,魅力依然,在世界藝術(shù)之林永放燦爛奪目的光輝。其中中國畫,是中華民族優(yōu)秀傳統(tǒng)文化中的一塊瑰寶,是祖先留給我們極為珍貴的文化遺產(chǎn),它是我們藝術(shù)創(chuàng)作中最為常見的藝術(shù)表現(xiàn)形式之一,也為我國動畫藝術(shù)的創(chuàng)作與發(fā)展提供了得天獨(dú)厚的優(yōu)越條件,尤其在“民族性”方面為我們提供了極其豐富的表現(xiàn)內(nèi)容與形式。 動畫是一門綜合藝術(shù),民族傳統(tǒng)文化是這門綜合藝術(shù)成長的最佳土壤。作為一門藝術(shù),把民族傳統(tǒng)文化融入其中,是其不斷創(chuàng)新的動力源泉與實(shí)踐基礎(chǔ),同時(shí)動畫藝術(shù)也可以從民族傳統(tǒng)文化的精髓中不斷得到滋養(yǎng)與有益的補(bǔ)充。在動畫片的設(shè)計(jì)中,文化的民族性是其內(nèi)核與靈魂的最終展現(xiàn),以本民族文化為支撐的動畫創(chuàng)作應(yīng)該是我國動畫藝術(shù)創(chuàng)作的主流。 隨著改革開放以及國外動畫片的大量涌入,中國動畫片市場再次面臨嚴(yán)峻的挑戰(zhàn)。國外動畫片在中國年輕一代人心目中及生活中的滲透力和影響力是不容回避的社會現(xiàn)實(shí);然而縱觀中國動畫片市場,自20世紀(jì)60、80年代出現(xiàn)中國動畫發(fā)展史上最輝煌的歷史時(shí)期以后,至今一片沉寂,難得再有深入人心的國產(chǎn)動畫大片的誕生。 本課題即是在這種時(shí)代背景下提出的,綜合運(yùn)用分析法、比較法、例證法、歸納法等研究方法,以研究中國傳統(tǒng)文化中的中國畫為切入點(diǎn),從純繪畫藝術(shù)的角度探討中國畫與中國動畫片設(shè)計(jì)之間的聯(lián)系和影響,把民族傳統(tǒng)繪畫與當(dāng)代中國動畫的設(shè)計(jì)相聯(lián)系,把傳統(tǒng)與現(xiàn)代相聯(lián)系,承前啟后,繼往開來,弘揚(yáng)民族優(yōu)秀傳統(tǒng)文化,促進(jìn)中國動漫產(chǎn)業(yè)的健康快速發(fā)展,樹立新時(shí)期中國動畫片的新形象,為我國動畫順利走向國際、提高中國動畫片在世界中的影響力,提供一條可借鑒的成功之路;同時(shí)探尋中國動畫的藝術(shù)創(chuàng)作規(guī)律、研究民族動畫的創(chuàng)新性、在實(shí)際操作中的運(yùn)用性,滿足現(xiàn)代人們精神文化生活的需求,更將關(guān)系到國家未來的主人翁——少年兒童的健康成長與文化教育問題,因此本課題可以上升到一種文化戰(zhàn)略的高度,具有十分重要的現(xiàn)實(shí)意義。
[Abstract]:China culture broad and profound, after thousands of years, charming in the art of the world Yongfang dazzling brilliance. The China painting, is a treasure of the excellent traditional culture of the Chinese nation, is our ancestors left the most precious cultural heritage, it is one of the most common manifestations of our art in artistic creation. It has provided favorable conditions for the creation of the richly endowed by nature and the development of Chinese animation art, especially in the "nationality" has provided the extremely rich performance content and the form for us.
The animation is a comprehensive art, traditional culture is the best soil for growth and development of this comprehensive art. As an art, traditional national culture which is the source of power and the practical basis of continuous innovation, and animation art can also be nourished with the beneficial supplement from the traditional culture of the essence. In the cartoon design, national culture is the core and soul of the final show, to the national culture as the support of animation creation should be the mainstream of China's animation art creation.
Along with the reform and opening up, the influx of foreign animation, Chinese cartoon market once again facing severe challenges. China foreign animation penetration in the minds of the younger generation and the life and influence is an unavoidable social reality; however, Chinese animation market, since twentieth Century after the 60,80 appeared in the most glorious history of the development of China animation the historical period, has a quiet, unique and animated film's birth.
This project is put forward under this background, the integrated use of analysis, comparison, exemplification, induction and other methods, to study the China in traditional culture China painting as the starting point, to explore the relationship and influence between Chinese painting and Chinese animation design from pure painting art angle, the design of the national the traditional painting and contemporary China animation related to traditional and modern, the past and the future, to promote the traditional culture, promote the rapid development of animation industry China health, establish a new image of Chinese animation in the new period, China successfully into the international animation, cartoon China improve the influence in the world, providing a a useful way to success; at the same time to explore the Chinese animation law of artistic creation, innovation of national animation, used in the actual operation, to meet the spirit of modern people The demand for life is more related to the future masters of the country -- the healthy growth and cultural education of young children. Therefore, this topic can rise to a height of cultural strategy and has very important practical significance.

【學(xué)位授予單位】：武漢理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：J954;J218.7

【引證文獻(xiàn)】

相關(guān)期刊論文 前3條

1 丁艷;;從符號的呈現(xiàn)到情感的演繹——淺析中國傳統(tǒng)文化對動畫創(chuàng)作的影響[J];芒種;2013年09期

2 殷琳;;中國傳統(tǒng)藝術(shù)造型元素在動畫角色設(shè)計(jì)中的應(yīng)用[J];藝術(shù)科技;2013年05期

3 程俊;;淺談中國動畫角色造型應(yīng)帶有中國式“符號”[J];無線互聯(lián)科技;2013年09期

相關(guān)博士學(xué)位論文 前1條

1 謝曉昱;科學(xué)與藝術(shù)的聯(lián)姻：水墨動畫研究[D];上海大學(xué);2011年

相關(guān)碩士學(xué)位論文 前2條

1 丁艷;中國傳統(tǒng)文化的現(xiàn)代演繹[D];中央美術(shù)學(xué)院;2009年

2 梁志成;《三個(gè)和尚》的動畫節(jié)奏研究[D];西安理工大學(xué);2010年

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本文編號：1666549