本文關(guān)鍵詞： 動(dòng)漫 “變體” 性別 “雌雄同體” 女性主義　出處：《陜西師范大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：本文以部分觀眾喜愛的《亂馬1/2》、《分裂武女神》、《我和她的XXX》、《灼眼的夏娜》、《肯普法》、《男變女》、《青春草莓蛋》、《魔法Kiss》等十幾部動(dòng)漫作品中的主人公為研究對(duì)象,他(她)們都是通過虛構(gòu)性想象創(chuàng)造出來的“雌雄同體”、“男女互換”、“身份互換”的人物“變體”,作者從影視文本的解讀中研究這些人物角色的性別特點(diǎn),分析創(chuàng)作者和觀眾對(duì)自我身份和性別的認(rèn)知以及渴望轉(zhuǎn)變?yōu)楫惣荷矸莺托詣e的心理形成原因。 通過這樣的分析,一方面,找出由于男女性別身份差異性體現(xiàn)出來的不同心理、動(dòng)作、表情、語言,挖掘出相關(guān)的趣味點(diǎn),進(jìn)行全新的解讀。另一方面,從動(dòng)漫作品里這些“男女變體”的角色中引申開去,做一次關(guān)于男女性別認(rèn)知的社會(huì)問卷調(diào)查,將影視文本的解讀與社會(huì)實(shí)踐調(diào)查的數(shù)據(jù)分析結(jié)合在一起,重新認(rèn)識(shí)社會(huì)生活中存在的一系列自覺和不自覺的“性別分配”,找出一些有趣的現(xiàn)象,分析形成這些現(xiàn)象的社會(huì)條件與性別個(gè)體的主觀原因。本文與以往的性別研究和女性主義學(xué)術(shù)研究的不同點(diǎn)在于,它的著重點(diǎn)不是去挖掘影視文學(xué)文本中或者社會(huì)生活中的男女不平等現(xiàn)象,為某一方性別的利益訴求找尋理論依據(jù),而是通過解讀這一系列的影視文本,了解男女兩性的社會(huì)現(xiàn)狀。本文對(duì)動(dòng)漫作品中這一系列“身份”和“性別”處于游離狀態(tài)的形象進(jìn)行社會(huì)性別分析,并不是為了發(fā)起兩性之間的戰(zhàn)爭,更不是為了強(qiáng)調(diào)“女性至上”,而是為了讓受眾站在異己身份的立場和角度,重新認(rèn)識(shí)異性和自己,從而達(dá)到真正貼近女性和男性的心靈世界,聆聽他(她)們真實(shí)的心聲的目的。
[Abstract]:In this paper, some of the audience's favorite "disorderly Horse 1/2", "split Goddess", "me and her XXX", "Shana", "Kempufa", "male to female", "Young Strawberry Egg". "Magic Kiss" and other more than a dozen anime works of the protagonist for the study object, he (she) are created through fictitious imagination "androgynous", "men and women exchange." The author studies the gender characteristics of these characters from the interpretation of the film and television texts. This paper analyzes the causes of the creators and viewers' cognition of self identity and gender and the psychological formation of the desire to transform into dissident identity and gender. Through this analysis, on the one hand, to find out because of the gender identity differences between men and women reflected in different psychology, action, expression, language, dig out the relevant points of interest, for a new interpretation. On the other hand. From the animation works of these "male and female variants" role in the extension, do a gender cognition of men and women on the social questionnaire, the interpretation of film and television text and social practice survey data analysis together. Reunderstand the existence of a series of consciously and unconsciously "gender distribution" in social life, and find out some interesting phenomena. This paper analyzes the social conditions of these phenomena and the subjective causes of gender individuals. The difference between this paper and previous gender studies and feminist academic studies is that. Its focus is not to explore the film and television literature or social life in the inequality between men and women, for the interests of one side of the gender demand for theoretical basis, but through the interpretation of this series of film and television texts. Understand the social status of men and women. This article on the animation works in this series of "identity" and "gender" in the image of the dissociated state of gender analysis, is not to start a war between the sexes. Even more, it is not to emphasize "female supremacy", but to let the audience stand in the position and angle of dissident identity, to re-understand the opposite sex and oneself, so as to reach the true close to the spiritual world of women and men. The purpose of listening to their true feelings.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J218.7

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本文編號(hào)：1459099