【摘要】：漢代燈具是我國燈具發(fā)展的初始階段，也是我國燈具第一個(gè)鼎盛時(shí)期。而漢代雕塑性燈具無論是在中國燈具史，還是中國雕塑史上都有著重要的作用。它的成就主要體現(xiàn)為功能卓越、結(jié)構(gòu)合理、造型生動(dòng)，一方面繼承了中國古代精巧的制作工藝，另一方面融入了當(dāng)時(shí)的時(shí)代特征和民族精神，體現(xiàn)出質(zhì)樸、渾厚的藝術(shù)風(fēng)格和漢代人民的智慧結(jié)晶。燈具不僅在造型樣式上較前代豐富，，在功能與內(nèi)涵上也更勝一籌，使得漢代燈具的藝術(shù)面貌有較強(qiáng)的時(shí)代感與現(xiàn)實(shí)性，更具人情化，并向著日常生活用具和工藝藝術(shù)品方向發(fā)展。 本文主要從四大部分詳細(xì)介紹與剖析漢代雕塑性燈具，首先，介紹燈具的起源。目前學(xué)術(shù)界普遍認(rèn)可的燈具起源于春秋晚期與戰(zhàn)國早期，并列出考古資料對(duì)其加以論證，以及漢代燈具為什么會(huì)興盛的歷史背景；其次，說明燈具的材質(zhì)。漢代以青銅與陶作為雕塑性燈具的主要材質(zhì)，以及這些材質(zhì)工藝裝飾的發(fā)明與運(yùn)用；第三，本文收集大量的文章、圖片與考古資料并依據(jù)前人的研究成果，從考古學(xué)的角度詳細(xì)闡述與分析漢代雕塑性燈具的類型；最后，深入探討雕塑性燈具的功能、造型和結(jié)構(gòu)之美。漢代雕塑性燈具將功能性與藝術(shù)性完美結(jié)合的觀念對(duì)后世燈具的發(fā)展有著深遠(yuǎn)的影響，同時(shí)對(duì)于中國實(shí)用性雕塑的發(fā)展有著重要的作用。
文內(nèi)圖片：
圖片說明：江蘇邗江出土的錯(cuò)銀銅牛燈
[Abstract]:Han Dynasty lamps and lanterns is the initial stage of the development of lamps and lanterns in China, and it is also the first heyday of lamps and lanterns in China. The sculptural lamps and lanterns of Han Dynasty played an important role in both the history of Chinese lamps and lanterns and the history of Chinese sculptures. Its achievements are mainly reflected in excellent function, reasonable structure and vivid style. on the one hand, it inherits the exquisite production technology of ancient China, on the other hand, it integrates the characteristics of the times and the national spirit at that time, and embodies the simple and thick artistic style and the wisdom crystallization of the people of Han Dynasty. Lamps and lanterns are not only richer in modeling style, but also better in function and connotation, which makes the artistic appearance of lamps and lanterns in Han Dynasty have a strong sense of the times and reality, more humanized, and develops towards the direction of daily living utensils and handicraft works of art. This paper mainly introduces and analyzes the Han Dynasty carved plastic lamps and lanterns in detail from four parts. First of all, it introduces the origin of lamps and lanterns. At present, the lamps and lanterns generally recognized by academic circles originated from the late Spring and Autumn period and the early warring States period, and listed the archaeological data to demonstrate them, as well as the historical background of why the lamps and lanterns flourished in the Han Dynasty. Secondly, the materials of the lamps and lanterns are explained. Bronze and pottery were used as the main materials of sculptural lamps and lanterns in Han Dynasty, as well as the invention and application of these materials. Thirdly, this paper collected a large number of articles, pictures and archaeological data, and according to the previous research results, elaborated and analyzed the types of sculptural lamps and lanterns in Han Dynasty in detail from the point of view of archaeology; finally, the function, modeling and structural beauty of sculptural lamps and lanterns were discussed in depth. The concept of the perfect combination of functionality and artistry of sculptural lamps and lanterns in Han Dynasty had a profound impact on the development of lamps and lanterns in later generations, and played an important role in the development of practical sculptures in China.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J309.2

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本文編號(hào)：2511818