【摘要】：正非洲傳統(tǒng)木雕不需草圖的直接雕刻,拋卻任何概念與理論的束縛,其創(chuàng)作的沖動并非來自觀察或是因循,而更像是一場藝術(shù)家與材料的精彩邂逅。在每一刀痕之間似乎都可望見創(chuàng)作者陶醉在過程中完全回歸自然、純粹忘我的表情,感受到他們手執(zhí)利刃時擴散出的無比堅強意志與毫不妥協(xié)的精神。一、依木造型不需要草圖的直接雕刻,
[Abstract]:The traditional wood carving in Africa does not need the direct engraving of sketches, abandoning the shackles of any concept and theory, and its impulse to create is not from observation or follow, but more like a wonderful encounter between an artist and a material. Between each knife mark, it seems that the creator can be seen completely returning to nature in the process, pure selfless expression, feeling the extremely strong will and unyielding spirit that they spread when they hold the sharp blade in their hands. First, according to wood modeling, there is no need for direct engraving of sketches.
【作者單位】： 南京藝術(shù)學(xué)院高職院;
【分類號】：J314.2

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