【摘要】：建筑雕刻是一門綜合藝術(shù),是民族傳統(tǒng)工藝,建筑雕刻古樸精美,風(fēng)格各異,是我國民族民間藝術(shù)遺產(chǎn)中不可多得的一部分,決定著它具有美的獨(dú)特性和表現(xiàn)性。建筑雕刻它賦予了建筑造型以生動的形象,并融于整體建筑之中。在民居建筑中,最具特色的要數(shù)屋頂、梁頭、柱礎(chǔ)、門墩、窗子上的雕刻,房屋上雕刻著花鳥、山水、人物,吉祥圖案,等這些圖案具有一定的意義。建筑雕刻以形體的造型來反映生活、再現(xiàn)生活。因此,民間建筑雕刻這種特有的最直接的表現(xiàn)性,決定了它的崇高的審美價值。民間建筑雕刻記載著地方的傳統(tǒng)文化,反映地方的社會的發(fā)展和生活變遷的過程,隨著時代的變遷,文化的發(fā)展,民間建筑雕刻審美也發(fā)生著演變,在人們追求高品質(zhì)生活和現(xiàn)代化居住的環(huán)境下,社會的發(fā)張很快,民族民間具有特色的民居文化,建筑雕刻逐漸退色,很多優(yōu)秀的傳統(tǒng)民居建筑不能適應(yīng)當(dāng)前社會的發(fā)展,云南是少數(shù)民族大省,玉溪少數(shù)民族眾多,玉溪民間建筑雕刻有濃重的地方色彩,它是地域文化發(fā)展的產(chǎn)物,是人類藝術(shù)意志的體現(xiàn)。玉溪民間建筑雕刻集中在云南的中部地區(qū),以前的民間建筑留下來的比較豐富,比較集中,具有較高的歷史價值、文化價值、藝術(shù)價值。在形式、內(nèi)容、象征、造型風(fēng)格與全國其它地區(qū)的建筑雕刻還是有很多區(qū)別,雕刻的材料都產(chǎn)自本土的木材、石材等,與全國其他地域的材質(zhì)還是大不一樣,好多建筑雕刻技藝術(shù)都是師傅口頭相傳下來的,沒有書本記載,建筑雕刻是人類對建筑物上的的部件加工改造創(chuàng)作出來的物質(zhì)產(chǎn)物,有獨(dú)特的文化特色,它的產(chǎn)生和使用是玉溪勞動人民智慧的結(jié)晶。隨著時代的變遷,傳承發(fā)展地域文化,合理第吸收古代文化的精華、破舊立新、不斷革新民間建筑雕刻理論系統(tǒng),更新思想理論,立足源遠(yuǎn)流傳的中國傳統(tǒng)民間文化,更深層次地認(rèn)識少數(shù)民族地區(qū)的建筑雕刻文化,是人們對建筑環(huán)境的心理訴求和審美要求的建筑環(huán)境的表現(xiàn)方式,從中獲得更新的靈感和創(chuàng)意,啟迪創(chuàng)新的思維,更好的促進(jìn)民族傳統(tǒng)的發(fā)展和繼承,吸收地域文化及時代特征在現(xiàn)代建筑雕刻中的得到運(yùn)用和體現(xiàn)。
[Abstract]:Architectural carving is a comprehensive art, is a national traditional craft, architectural carving is simple and exquisite, different styles, is a rare part of our national folk art heritage, determines its unique beauty and performance. Architecture engraving it gives the architectural shape vivid image, and melts in the whole building. In residential architecture, the most characteristic is roof, beam head, column foundation, door pier, window carving, house engraving flowers and birds, landscape, characters, auspicious patterns, and so on these patterns have a certain significance. Architectural carving to the shape of the shape to reflect life, reproduction of life. Therefore, the unique and most direct expression of folk architecture sculpture determines its high aesthetic value. Folk architecture engraving records the local traditional culture, reflects the local social development and the process of life change. With the change of the times and the development of culture, the aesthetic of the folk architecture carving has also evolved. In the environment of people's pursuit of high-quality living and modern living, the development of the society is very rapid, the folk and ethnic folk culture of residential buildings, architectural carving gradually fade, many excellent traditional residential buildings can not adapt to the current social development. Yunnan is a large province of ethnic minorities, there are many ethnic minorities in Yuxi, Yuxi folk architecture carving has a strong local color, it is the product of the development of regional culture, is the embodiment of the will of human art. The carving of Yuxi folk architecture is concentrated in the central part of Yunnan. The previous folk architecture remains rich and concentrated, and has high historical value, cultural value and artistic value. In form, content, symbolism, and styling, there are still many differences between architectural carving in other parts of the country and other parts of the country. The engraving materials are made from native wood, stone, and so on, and are still very different from the materials of other parts of the country. Many architectural carving techniques and arts are passed down orally by the master, and there is no book record. Architectural carving is a material product created by the processing and transformation of the components on the building, with unique cultural characteristics. Its production and use is the crystallization of the wisdom of the working people in Yuxi. With the change of the times, inheriting and developing regional culture, rationally absorbing the essence of ancient culture, breaking the old and building new, constantly renovating the theoretical system of folk architecture carving, renewing the ideological theory, based on the ancient Chinese traditional folk culture, A deeper understanding of the architectural sculpture culture in ethnic minority areas is a way of expressing people's psychological and aesthetic demands for the architectural environment, from which they can obtain updated inspiration and creativity and enlighten innovative thinking. Better promote the development and inheritance of national tradition, absorb the regional culture and the characteristics of the times in modern architecture carving to be used and reflected.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J305

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本文編號：2455307