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青海湟中民間木雕的藝術(shù)特點(diǎn)及文化語意

發(fā)布時(shí)間:2019-03-29 18:15
【摘要】:正湟中民間木雕藝術(shù)是青海漢藏人民歷經(jīng)千百年精心澆灌盛放的藝術(shù)之花,經(jīng)過明清以來的歷史演變,形成自己獨(dú)特的發(fā)展軌跡和藝術(shù)風(fēng)格。通過這些民間木雕藝術(shù)品,不僅可以體會(huì)到湟中民間木雕藝人的心理追求,反映河湟民間社會(huì)的心靈世界,還可以挖掘出河湟民間木雕藝術(shù)更深層的意義和內(nèi)涵。湟中木雕是青海河湟民間藝術(shù)的重要
[Abstract]:The folk wood carving art in Zhenghuang is the flower of art which has been carefully irrigated and bloomed by Qinghai Han and Tibetan people for thousands of years. After the historical evolution since the Ming and Qing dynasties, the folk wood carving art has formed its own unique development track and artistic style. Through these folk woodcarving works, we can not only realize the psychological pursuit of folk woodcarving artists in Huangzhong, reflect the spiritual world of Hehuang civil society, but also dig out the deeper meaning and connotation of the folk woodcarving art in Hehuang. Huangzhong Wood carving is an important Folk Art in Qinghai Rive
【作者單位】: 陜西師范大學(xué)美術(shù)學(xué)院;云南民族大學(xué)藝術(shù)學(xué)院;
【基金】:陜西師范大學(xué)優(yōu)秀博士論文資助項(xiàng)目“青海民族雕塑藝術(shù)歷史考察”研究成果之一,項(xiàng)目編號(hào)X2013YB09
【分類號(hào)】:J314.2

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相關(guān)碩士學(xué)位論文 前1條

1 陳夢(mèng)媚;青海湟中銀銅器鍛造工藝及工匠群體研究[D];清華大學(xué);2015年

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