【摘要】：“物件”從字面而言，可以直譯為成件的或者能以件數(shù)的物品。文中所提及的“物件”多為由人在生產(chǎn)生活過程中所制造出的物品，以此類“物件”為題材的雕塑作品稱為“物件”雕塑。 文章通過了解“物件”雕塑在中國產(chǎn)生的時代背景，從分析藝術(shù)家以“物件”作為題材進行創(chuàng)作的內(nèi)在追求、創(chuàng)作手法和意義等方面研究中國當(dāng)代雕塑中的“物件”雕塑。其中著重從“物件”本身的實用性、隱喻性等角度，結(jié)合物化社會中“物件”私人情感與公共性的交織，探討這一雕塑題材在中國當(dāng)代雕塑中產(chǎn)生的原因及意義。試圖了解雕塑家如何以挪用、改造、重塑等手法來展現(xiàn)“物件”的時代性和符號性，從而表達個人情感與藝術(shù)觀念。以此類雕塑為切入點，分析“物件”雕塑對中國當(dāng)代雕塑的創(chuàng)作題材、形式語言和觀念表達所產(chǎn)生的意義。
[Abstract]:Objects can literally be translated into pieces or can be numbered. The "objects" mentioned in the paper are mostly made by people in the process of production and life, and the sculptures with this kind of "objects" as the subject matter are called "objects" sculptures. Through understanding the background of the emergence of "object" sculpture in China, this paper studies the "object" sculpture in contemporary Chinese sculpture from the aspects of the intrinsic pursuit, creation technique and significance of artists' creation of "object" as the subject matter. From the angle of practicality, metaphorical and so on, this paper discusses the cause and significance of this sculpture theme in contemporary Chinese sculpture from the angle of practicality, metaphorical and so on, combined with the interweaving of private emotion and publicity of object in materialized society. This paper tries to understand how sculptors show the time and symbol of "objects" by means of embezzlement, reconstruction, and so on, so as to express their personal feelings and artistic ideas. Taking this kind of sculpture as the starting point, this paper analyzes the significance of "object" sculpture to the creation theme, form language and concept expression of Chinese contemporary sculpture.
【學(xué)位授予單位】：中國美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J305

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相關(guān)期刊論文 前1條

1 郭繼鋒;;現(xiàn)成物介入雕塑的幾種方式[J];西北美術(shù);2008年04期

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本文編號：2442324