【摘要】： 青州龍興寺出土造像數(shù)量多、種類繁,雕造精美、彩繪富麗,是不可多得藝術(shù)珍品。這批造像的出土,為我們探索中國佛教藝術(shù)提供了豐富的資料。本文論述了青州龍興寺佛教造像的源流、造型特征、裝飾手法及其與周邊地區(qū)出土造像的關(guān)系四個(gè)方面內(nèi)容。 龍興寺的佛教造像風(fēng)格豐富多變,其中風(fēng)格獨(dú)特的東魏、北齊時(shí)期的作品廣受關(guān)注。北齊時(shí)期龍興寺造像區(qū)域性特征的形成,受到了諸多因素的影響,從佛教文化在這一時(shí)期的興盛狀況來看,青州佛教造像藝術(shù)的高度發(fā)展有其客觀原因。佛事活動的繁榮,使得青州龍興寺佛教造像部分承襲了北魏以來南朝造像的本土風(fēng)格,與此同時(shí),與古扶南國、獅子國等地的佛教文化交流也帶來了印度佛教造像的笈多式風(fēng)格。在上述因素的影響下,青州地區(qū)的工匠根據(jù)本地的審美傾向進(jìn)行創(chuàng)作,逐漸形成了具有區(qū)域性特征的青州風(fēng)格造像特征。本文論述的另一個(gè)重點(diǎn)是龍興寺造像的裝飾手法,在追溯了彩繪、貼金工藝源流的基礎(chǔ)上,探討了龍興寺造像中彩繪、貼金手法。龍興寺造像還與周邊諸城、博興、臨朐等地的出土造像有著緊密關(guān)聯(lián),了解這些地方出土造像之間的相互聯(lián)系,有利于我們?nèi)嬲J(rèn)識龍興寺造像的造型風(fēng)格特征和龍興寺造像的重要地位。
[Abstract]:Qingzhou Longxing Temple unearthed a large number of kinds, beautifully carved, colorful painting, is rare art treasures. The unearthed statues provide abundant information for us to explore Chinese Buddhist art. This paper discusses the origin, modeling characteristics, decoration techniques and the relationship between the Buddhist statues of Qingzhou Longxing Temple and the unearthed statues in the surrounding areas. The Buddhist statues of Longxing Temple are rich and varied in style, among which the works of the Eastern Wei Dynasty and Northern Qi Dynasty have attracted much attention. The formation of the regional features of the Longxing Temple in the Northern Qi Dynasty was influenced by many factors. From the perspective of the flourishing situation of Buddhist culture in this period, there are objective reasons for the high development of the Buddhist statue art in Qingzhou. The prosperity of Buddhist activities made the Buddhist statues of the Longxing Temple in Qingzhou inherit the local style of the statues of the Southern Dynasty since the Northern Wei Dynasty. Buddhist cultural exchanges in places such as the Lion Kingdom have also brought Gupta style to Indian Buddhist statues. Under the influence of the above factors, the artisans in Qingzhou area created according to the local aesthetic tendency, and gradually formed the regional characteristics of Qingzhou style. Another important point of this paper is the decoration technique of Longxing Monastery. On the basis of tracing back to the origin of painting and the process of gold affixing, this paper discusses the painting in the statue of Longxing Temple and the modus operandi of subsidizing gold. The statues of the Longxing Temple are also closely related to the unearthed statues in surrounding cities, Boxing, Linqu, etc., to understand the interrelationship between the statues unearthed in these places, It is helpful for us to understand the styling style of Longxing Temple and the important position of Longxing Temple.
【學(xué)位授予單位】：東南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2005
【分類號】：J314.2

【引證文獻(xiàn)】

相關(guān)期刊論文 前4條

1 馬月嬌;石建剛;;青州龍興寺背屏式造像色彩研究——以一件北魏至東魏時(shí)期背屏式三身石造像為例[J];絲綢之路;2013年02期

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相關(guān)碩士學(xué)位論文 前4條

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本文編號：2373704