中國(guó)當(dāng)代雕塑中的超現(xiàn)實(shí)主義語(yǔ)言特征
發(fā)布時(shí)間:2018-12-10 09:58
【摘要】:在中國(guó),對(duì)超現(xiàn)實(shí)主義的介紹雖然早已有之,但學(xué)術(shù)界對(duì)于中國(guó)當(dāng)代雕塑中出現(xiàn)超現(xiàn)實(shí)主義形式的作品鮮有研究。改革開放之前的中國(guó)雕塑主要承襲法蘇現(xiàn)實(shí)主義模式,創(chuàng)作方式單一且?guī)в谐淌交膬A向!85新潮”時(shí)期受外來(lái)藝術(shù)思想的沖擊,一些觀念性與顛覆性較強(qiáng)的雕塑作品出現(xiàn),其中不免看到一些受超現(xiàn)實(shí)主義影響的雕塑作品。因此,本論文就部分中國(guó)當(dāng)代雕塑中呈現(xiàn)出的超現(xiàn)實(shí)主義意味這一現(xiàn)象展開討論,重點(diǎn)研究當(dāng)代雕塑家作品中的超現(xiàn)實(shí)主義形式語(yǔ)言特征,以及這種現(xiàn)象形成的原因,探討超現(xiàn)實(shí)主義在中國(guó)當(dāng)代雕塑中的傳播與演變。文章首先是對(duì)西方超現(xiàn)實(shí)主義進(jìn)行簡(jiǎn)要的敘述,結(jié)合達(dá)利與賈科梅蒂的作品分析超現(xiàn)實(shí)雕塑的特點(diǎn);進(jìn)而根據(jù)時(shí)代背景分析中國(guó)雕塑家如何借助超現(xiàn)實(shí)主義語(yǔ)言方式進(jìn)行表達(dá);然后結(jié)合代表性的藝術(shù)家的雕塑作品從流淌狀態(tài)的呈現(xiàn)、抽象有機(jī)的形態(tài)、異質(zhì)元素的組合、形體自身的變異這四個(gè)主要方式來(lái)論述超現(xiàn)實(shí)主義形式語(yǔ)言在中國(guó)當(dāng)代雕塑中的運(yùn)用;最后闡述一下超現(xiàn)實(shí)主義形式語(yǔ)言對(duì)我雕塑創(chuàng)作的啟示。本文將全面系統(tǒng)的論述中國(guó)當(dāng)代雕塑家作品中的超現(xiàn)實(shí)主義語(yǔ)言特征,結(jié)合時(shí)代背景,文化教育背景分析成因,針對(duì)代表性藝術(shù)家作品中的形式語(yǔ)言特征進(jìn)行分析與歸納,探討他們的創(chuàng)作理念與特色。超現(xiàn)實(shí)主義的理論與實(shí)踐對(duì)后世有著極其深遠(yuǎn)的影響,盡管今天沒(méi)有任何雕塑藝術(shù)家宣稱自己作品屬于超現(xiàn)實(shí)主義,但仍然可以在一些優(yōu)秀的雕塑作品中看到帶有超現(xiàn)實(shí)主義意味的形式語(yǔ)言。毫無(wú)疑問(wèn),超現(xiàn)實(shí)主義為中國(guó)當(dāng)代雕塑家提供了豐富的想象空間,他們借助超現(xiàn)實(shí)主義的表現(xiàn)形式,創(chuàng)作出震撼心靈且符合時(shí)代特色的視覺(jué)形象。超現(xiàn)實(shí)主義構(gòu)思手法對(duì)中國(guó)當(dāng)代雕塑的影響是持續(xù)的,為了查明究竟是什么樣的力量讓超現(xiàn)實(shí)主義的圖像語(yǔ)言具有如此強(qiáng)大的生命力,以及這種力量在中國(guó)當(dāng)代藝術(shù)中起到的作用,特選擇中國(guó)雕塑中具有超現(xiàn)實(shí)主義意味的作品為對(duì)象,進(jìn)行分析和研究,整理超現(xiàn)實(shí)主義語(yǔ)言特征在中國(guó)當(dāng)代雕塑中的表現(xiàn)類型,從而為中國(guó)當(dāng)代雕塑的進(jìn)一步豐富與發(fā)展提供有價(jià)值的參考。
[Abstract]:In China, although surrealism has been introduced for a long time, there has been little research in academic circles on the works of surrealism in contemporary Chinese sculpture. Before the reform and opening up, the Chinese sculpture mainly inherited the realistic mode of the French and Soviet Union, and the way of creation was single and stylized. During the period of "85 New trend", it was impacted by foreign artistic thoughts, and some sculpture works with strong idealistic and subversive character appeared. Among them can't help but see some sculpture works influenced by surrealism. Therefore, this paper discusses the phenomenon of surrealism in some contemporary Chinese sculptures, focusing on the features of surrealism in contemporary sculptors' works and the reasons for the formation of this phenomenon. This paper discusses the spread and evolution of surrealism in contemporary Chinese sculpture. Firstly, the article briefly narrates western surrealism, analyzes the characteristics of surreal sculpture by combining the works of Dali and Giacometti, and then analyzes how Chinese sculptors express themselves with the help of surrealist language according to the background of the times. And then combine the sculptures of the representative artists from the presentation of the flowing state, the abstract organic form, the combination of heterogeneous elements, The variation of form itself is the four main ways to discuss the application of surrealist formal language in Chinese contemporary sculpture. Finally, this paper expounds the inspiration of surrealist formal language to my sculpture creation. In this paper, the features of surrealist language in the works of contemporary sculptors in China are discussed in a comprehensive and systematic way. Combining with the background of the times and the background of culture and education, the author analyzes and induces the characteristics of the formal language in the works of representative artists. Discuss their creative ideas and characteristics. The theory and practice of surrealism have a profound influence on later generations, although no sculptural artist today claims to be surrealist. But we can still see the surrealist formal language in some excellent sculptures. There is no doubt that surrealism provides rich imagination space for Chinese contemporary sculptors. With the help of surrealist expression, they create a visual image which can shock the mind and accord with the characteristics of the times. The influence of surrealism on Chinese contemporary sculpture is continuous. In order to find out what kind of force makes surrealist image language have such a strong vitality, And the role of this force in Chinese contemporary art, especially select the works with surrealism meaning in Chinese sculpture as the object, analyze and study, sort out the expression type of surrealism language characteristic in Chinese contemporary sculpture, Thus providing valuable reference for the further enrichment and development of Chinese contemporary sculpture.
【學(xué)位授予單位】:四川美術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J305
本文編號(hào):2370390
[Abstract]:In China, although surrealism has been introduced for a long time, there has been little research in academic circles on the works of surrealism in contemporary Chinese sculpture. Before the reform and opening up, the Chinese sculpture mainly inherited the realistic mode of the French and Soviet Union, and the way of creation was single and stylized. During the period of "85 New trend", it was impacted by foreign artistic thoughts, and some sculpture works with strong idealistic and subversive character appeared. Among them can't help but see some sculpture works influenced by surrealism. Therefore, this paper discusses the phenomenon of surrealism in some contemporary Chinese sculptures, focusing on the features of surrealism in contemporary sculptors' works and the reasons for the formation of this phenomenon. This paper discusses the spread and evolution of surrealism in contemporary Chinese sculpture. Firstly, the article briefly narrates western surrealism, analyzes the characteristics of surreal sculpture by combining the works of Dali and Giacometti, and then analyzes how Chinese sculptors express themselves with the help of surrealist language according to the background of the times. And then combine the sculptures of the representative artists from the presentation of the flowing state, the abstract organic form, the combination of heterogeneous elements, The variation of form itself is the four main ways to discuss the application of surrealist formal language in Chinese contemporary sculpture. Finally, this paper expounds the inspiration of surrealist formal language to my sculpture creation. In this paper, the features of surrealist language in the works of contemporary sculptors in China are discussed in a comprehensive and systematic way. Combining with the background of the times and the background of culture and education, the author analyzes and induces the characteristics of the formal language in the works of representative artists. Discuss their creative ideas and characteristics. The theory and practice of surrealism have a profound influence on later generations, although no sculptural artist today claims to be surrealist. But we can still see the surrealist formal language in some excellent sculptures. There is no doubt that surrealism provides rich imagination space for Chinese contemporary sculptors. With the help of surrealist expression, they create a visual image which can shock the mind and accord with the characteristics of the times. The influence of surrealism on Chinese contemporary sculpture is continuous. In order to find out what kind of force makes surrealist image language have such a strong vitality, And the role of this force in Chinese contemporary art, especially select the works with surrealism meaning in Chinese sculpture as the object, analyze and study, sort out the expression type of surrealism language characteristic in Chinese contemporary sculpture, Thus providing valuable reference for the further enrichment and development of Chinese contemporary sculpture.
【學(xué)位授予單位】:四川美術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J305
【參考文獻(xiàn)】
相關(guān)期刊論文 前3條
1 王晶;;中國(guó)當(dāng)代藝術(shù)家的超現(xiàn)實(shí)主義情結(jié)[J];楚雄師范學(xué)院學(xué)報(bào);2010年11期
2 曾瑩瑩;;論作品“空間”創(chuàng)作中的象征性繪畫語(yǔ)言[J];武漢工程職業(yè)技術(shù)學(xué)院學(xué)報(bào);2006年03期
3 曾竹韶;簡(jiǎn)評(píng)于凡的雕塑[J];美術(shù)研究;1993年01期
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