【摘要】：粱思成在《中國(guó)雕塑史》中曾說過：“藝術(shù)之始，雕塑為先。”雕塑是人的精神、知識(shí)與藝術(shù)的一種體現(xiàn)方式，同時(shí)也是勞動(dòng)的產(chǎn)物之一。城市景觀雕塑是裝飾和美化城市，豐富城市居民的精神享受，代表了城市精神風(fēng)貌，代表了社會(huì)的經(jīng)濟(jì)、政治、文化、歷史的發(fā)展文脈，是最能體現(xiàn)公共藝術(shù)特點(diǎn)的環(huán)境藝術(shù)。城市景觀雕塑空間的塑造，既美化了環(huán)境、豐富了人的精神生活，，又潛移默化地對(duì)人們起到審美教育的影響。城市景觀雕塑是城市品質(zhì)、城市定位、城市氣質(zhì)的象征，是城市景觀畫龍點(diǎn)睛、濃墨重彩之筆。 南京歷史悠久，文化積淀深厚。六朝古都的歷史地位，為這座城市留下了極為厚重的人文積淀與文化傳統(tǒng)，賦予了這座城市一種古都所特有的傲然氣質(zhì)。而其南北交融的地理位置，則為南京在傲然之外增添了一絲柔媚。剛與柔，相存相濟(jì)。這是南京與其他古都城市相比最大的特色與亮點(diǎn)。與此同時(shí)，也為南京的城市文化添加了更多的內(nèi)容，使其蘊(yùn)含更為豐富。進(jìn)入新時(shí)期，所處的地理位置決定了南京較早地接觸外來文化，是受到外來文化沖擊、影響與波動(dòng)較大的城市之一。而這種文化藝術(shù)間的接觸、沖擊、碰撞，為城市人文精神、藝術(shù)文化注入了新鮮血液，在增添新的內(nèi)涵意義的同時(shí)，對(duì)原有文化傳統(tǒng)、歷史文脈也造成了較大的影響。 本課題歸納總結(jié)了傳統(tǒng)意義上的雕塑手法、雕塑形式、雕塑定義，結(jié)合當(dāng)代城市景觀雕塑的發(fā)展，找到適合在現(xiàn)在形勢(shì)下的城市景觀雕塑的發(fā)展起來的新的形式。新型材料的運(yùn)用、新穎的表現(xiàn)手法、新的內(nèi)涵意義給予了當(dāng)代城市景觀雕塑在當(dāng)今社會(huì)賦予新的藝術(shù)定義和角色定位。我們應(yīng)當(dāng)以傳承和發(fā)揚(yáng)的方式去看待當(dāng)代城市景觀雕塑的不斷壯大。
[Abstract]:Liang Sisheng once said in the History of Chinese Sculpture: "at the beginning of art, sculpture comes first." Sculpture is the embodiment of human spirit, knowledge and art, and also one of the products of labor. Urban landscape sculpture is to decorate and beautify the city, enrich the spiritual enjoyment of urban residents, represent the spirit of the city, represent the social economic, political, cultural and historical development context, is the most able to reflect the characteristics of public art environment art. The creation of urban landscape sculpture space not only beautifies the environment, enriches people's spiritual life, but also exerts a subtle influence on people's aesthetic education. Urban landscape sculpture is the symbol of city quality, city orientation and urban temperament. Nanjing has a long history and profound cultural accumulation. The historical status of the ancient capital of the six dynasties left the city with a very heavy cultural heritage and humanistic accumulation, giving the city a unique proud temperament of the ancient capital. And its north-south blend of geographical location, for Nanjing in addition to the proud added a touch of soft. Just and soft, exist together. This is Nanjing and other ancient capital city compared to the biggest characteristics and highlights. At the same time, it also adds more content to Nanjing's urban culture, making it more abundant. In the new period, the geographical position of Nanjing has decided that it is one of the cities which is affected and fluctuated by foreign culture. This kind of cultural and artistic contact, impact, collision, for the city humanistic spirit, art culture injected fresh blood, while adding new connotative significance, the original cultural tradition, historical context has also caused a greater impact. This subject summarizes the traditional sculpture techniques, sculpture form, sculpture definition, combined with the development of contemporary urban landscape sculpture, to find a new form suitable for the development of urban landscape sculpture under the present situation. The use of new materials, new expression techniques and new connotations have given contemporary urban landscape sculpture a new artistic definition and role orientation in the present society. We should see the growing of contemporary urban landscape sculpture in the way of inheritance and development.
【學(xué)位授予單位】：南京林業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TU984.1

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