【摘要】：徽州三雕是安徽省的非物質(zhì)文化遺產(chǎn),具有很高的觀賞價(jià)值和實(shí)用價(jià)值,是安徽人民長(zhǎng)期積累的智慧結(jié)晶和精神財(cái)富,是自然與人文的高度結(jié)合。這些流傳下來(lái)的精神財(cái)富,歷經(jīng)千年的文化傳承與智慧積淀,是現(xiàn)代藝術(shù)設(shè)計(jì)學(xué)習(xí)和借鑒的資源,在現(xiàn)代生活中乃至現(xiàn)代室內(nèi)陳設(shè)中仍被人們廣泛運(yùn)用,其與現(xiàn)代室內(nèi)陳設(shè)有著密切的聯(lián)系,如何將徽州三雕藝術(shù)運(yùn)用于現(xiàn)代室內(nèi)陳設(shè)中是我們需要認(rèn)真研究的課題。我國(guó)的傳統(tǒng)三雕藝術(shù)已滲透到當(dāng)代室內(nèi)設(shè)計(jì)領(lǐng)域的很多方面,近年來(lái)受到人們的廣泛關(guān)注。徽州三雕作為徽州傳統(tǒng)建筑文化中的精華,在現(xiàn)代室內(nèi)陳設(shè)中越發(fā)顯得重要,徽州三雕是現(xiàn)代室內(nèi)陳設(shè)藝術(shù)設(shè)計(jì)學(xué)習(xí)與借鑒的資源,只有將徽州三雕運(yùn)用于現(xiàn)代室內(nèi)陳設(shè)中,才能提高它的知名度,擴(kuò)大市場(chǎng)份額,從而使得徽州三雕逐步從全國(guó)各地走向世界各國(guó)。作者通過(guò)對(duì)徽州三雕形式風(fēng)格的分析、研究與探討,揭示其較深層次的文化內(nèi)涵,探究其與現(xiàn)代室內(nèi)陳設(shè)設(shè)計(jì)理念之間的關(guān)系,深入分析了徽州三雕在現(xiàn)代室內(nèi)陳設(shè)中的運(yùn)用方法,并研究了徽州三雕在現(xiàn)代室內(nèi)陳設(shè)中的繼承與發(fā)展。本文作者收集并且閱讀了大量關(guān)于徽州三雕和室內(nèi)陳設(shè)的相關(guān)資料,分析總結(jié)了當(dāng)前徽州三雕藝術(shù)方面和傳統(tǒng)文化在室內(nèi)設(shè)計(jì)領(lǐng)域的應(yīng)用方面的國(guó)內(nèi)外研究現(xiàn)狀。通過(guò)剖析徽州木雕、磚雕和石雕的形式風(fēng)格和內(nèi)涵以及徽州三雕在現(xiàn)代室內(nèi)陳設(shè)中運(yùn)用的必要性以及徽州三雕運(yùn)用于現(xiàn)代室內(nèi)陳設(shè)中的原則,總結(jié)徽州三雕在現(xiàn)代室內(nèi)陳設(shè)中的運(yùn)用方法。通過(guò)分析現(xiàn)代室內(nèi)陳設(shè)設(shè)計(jì)傾向,對(duì)徽州三雕在現(xiàn)代室內(nèi)陳設(shè)中的設(shè)計(jì)與運(yùn)用進(jìn)行了探索。從現(xiàn)代室內(nèi)陳設(shè)的角度探究徽州三雕的傳承與創(chuàng)新,從藝術(shù)形式、材料與技術(shù)、傳統(tǒng)符號(hào)以及功能和裝飾位置的變化等角度探究了如何對(duì)徽州三雕文化進(jìn)行傳承與創(chuàng)新。最后指出人們將會(huì)越來(lái)越重視徽州三雕藝術(shù)及其傳統(tǒng)文化藝術(shù)在現(xiàn)代室內(nèi)陳設(shè)設(shè)計(jì)中的創(chuàng)新應(yīng)用。徽州三雕在室內(nèi)裝飾及陳設(shè)領(lǐng)域中被廣泛使用,徽州三雕的研究工作也會(huì)更加受到重視,同時(shí)期望越來(lái)越多的研究人員和設(shè)計(jì)師能夠積極投入到徽州三雕在室內(nèi)陳設(shè)中的研究和應(yīng)用中,以促進(jìn)其繁榮發(fā)展。
[Abstract]:Huizhou San Diao is the intangible cultural heritage of Anhui Province, which has high ornamental value and practical value. It is the crystallization of wisdom and spiritual wealth accumulated by the people of Anhui for a long time, and the high combination of nature and humanity. These spiritual wealth, which have passed down over a thousand years of cultural heritage and wisdom accumulation, are resources for learning and drawing lessons from modern art and design. They are still widely used in modern life and even in modern indoor furnishings. It is closely related to modern interior furnishings. How to apply Huizhou SanDiao art to modern interior furnishings is a subject that we need to study seriously. The traditional three-carvings art in our country has penetrated into many aspects of contemporary interior design, and has received extensive attention in recent years. As the essence of Huizhou traditional architectural culture, Huizhou SanDiao is becoming more and more important in modern interior furnishings. Huizhou SanDiao is a resource for the study and reference of modern interior furnishings art design. Only Huizhou San Diao can be used in modern interior furnishings. Only by increasing its popularity and expanding its market share can Huizhou's three carvings gradually move from all over the country to the rest of the world. Through the analysis, research and discussion of Huizhou's three sculptures' style, the author reveals its deeper cultural connotation, and probes into the relationship between it and the modern interior furnishings design idea. This paper deeply analyzes the application method of Huizhou San Diao in modern interior furnishings, and studies the inheritance and development of Huizhou three carvings in modern interior furnishings. The author of this paper has collected and read a lot of related materials about Huizhou SanDiao and interior furnishings, and analyzed and summarized the current research status of Huizhou SanDiao art and the application of traditional culture in the field of interior design at home and abroad. By analyzing the formal style and connotation of Huizhou woodcarving, brick carving and stone carving, the necessity of Huizhou three carvings in modern interior furnishings and the principles of Huizhou three carvings applied in modern interior furnishings, This paper summarizes the application of Huizhou San Diao in modern indoor furnishings. By analyzing the design tendency of modern interior furnishings, this paper probes into the design and application of Huizhou San Diao in modern interior furnishings. From the perspective of modern interior furnishings, this paper probes into the inheritance and innovation of Huizhou's three carvings, and probes into how to inherit and innovate Huizhou's SanDiao culture from the angles of artistic form, materials and technology, traditional symbols and changes in functions and decorative positions. Finally, it is pointed out that people will pay more and more attention to the innovative application of Huizhou SanDiao art and its traditional culture and art in modern interior furnishings design. Huizhou Sandiao is widely used in the field of interior decoration and furnishings, and its research work will be paid more attention to. At the same time, it is expected that more and more researchers and designers can actively participate in the research and application of Huizhou SanDiao in interior furnishings in order to promote its prosperity and development.
【學(xué)位授予單位】：安徽建筑大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J525.1;J305

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本文編號(hào)：2334106