【摘要】：中國(guó)古代石雕作為民族藝術(shù)的重要組成部分,一直受到學(xué)者的重視,中國(guó)古代石雕藝術(shù)的觀念卻并非一成不變,而是隨著時(shí)代發(fā)展以及不同學(xué)科研究的目的不同而不斷變化。尤其隨著近代"西學(xué)東漸",中國(guó)古代石雕觀念經(jīng)歷了從金石學(xué)著力考據(jù),以古器物學(xué)為過渡,到有藝術(shù)及古物屬性的石雕觀念確立,完成了中國(guó)古代石雕觀念由文字向圖像的轉(zhuǎn)向。
[Abstract]:As an important part of national art, ancient Chinese stone carving has been attached great importance to by scholars, but the concept of ancient Chinese stone carving art is not fixed, but with the development of the times and the different purposes of different disciplines. Especially with the development of "western learning" in modern times, the concept of stone carving in ancient China has experienced the establishment of the concept of stone carving with the attributes of art and antiquities, from the study of stone to the transition from the study of ancient objects to the concept of stone carving with the attributes of art and antiquities. Completed the concept of ancient Chinese stone sculpture from the word to the image of the turn.
【作者單位】： 紐約大學(xué)古代世界文化研究所;
【分類號(hào)】：J314.3
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本文編號(hào)：2290550