【摘要】：本文以徽州龍川胡氏宗祠木雕的數(shù)字化保護(hù)與傳承為主要研究對象。從胡氏宗祠木雕的現(xiàn)狀、歷史和藝術(shù)特點為研究出發(fā)點，對其進(jìn)行數(shù)字化保護(hù)和傳承進(jìn)行分析歸納，胡氏宗祠木雕文化資源的開發(fā)籌劃，實現(xiàn)由藝術(shù)到實用的轉(zhuǎn)變，既綜合開發(fā)創(chuàng)新旅游紀(jì)念品及木雕工藝品等，從而使胡氏宗祠木雕的保護(hù)與傳承，達(dá)到由靜態(tài)到動態(tài)保護(hù)的嘗試。 研究目標(biāo)是通過對胡氏宗祠木雕實地調(diào)查、收集與歸納，結(jié)合相關(guān)研究的先進(jìn)經(jīng)驗和相關(guān)文獻(xiàn)資料，對其歷史、現(xiàn)狀進(jìn)行總結(jié)與整理，研究的重點是對胡氏宗祠木雕的數(shù)字化保護(hù)、傳承與發(fā)展問題，與此同時，作深入的研究，，并提出具體的措施和合理的解決方案。因此，讓胡氏宗祠木雕藝術(shù)，在新時期得到更有效的傳承和發(fā)展，最主要是通過對木雕藝術(shù)的創(chuàng)新和綜合研發(fā)策劃，解決并完善一些實際問題。 論文采用了調(diào)查研究法、文獻(xiàn)法、個案研究法、比較研究法等研究方法，對胡氏宗祠木雕的現(xiàn)狀及歷史發(fā)展，做了認(rèn)真細(xì)致的調(diào)查總結(jié)搜集了許多實物資料；在此基礎(chǔ)上，較為客觀的整理和詳細(xì)的記錄了，胡氏宗祠木雕的現(xiàn)狀、歷史、藝術(shù)特點；依據(jù)實際條件和需要，深入解析了胡氏宗祠木雕的文化研究價值；在此過程中，做了非常必要的研究嘗試，還通過對實地考察和文獻(xiàn)資料等方式，進(jìn)一步分析研究胡氏宗祠木雕的保護(hù)現(xiàn)狀及發(fā)展?fàn)顩r，有針對性的借鑒和吸收并采用數(shù)字化先進(jìn)的方法和手段，對胡氏宗祠木雕的數(shù)字化保護(hù)、傳承與發(fā)展問題，提出了大量符合實際和詳實的措施及方法。 論文明確指出，要確保非物質(zhì)文化遺產(chǎn)的活態(tài)，最重要的是保護(hù)和激發(fā)其起創(chuàng)新能力，提出了以胡氏宗祠木雕文化為中心，與之相應(yīng)的綜合旅游開發(fā)的發(fā)展方案，并對此方案，做了詳實、可行、相對科學(xué)的籌劃、闡述、論證和研討；并對未來發(fā)展做了積極樂觀的展望。
[Abstract]:This paper focuses on the digital preservation and inheritance of wood carvings in Huizhou Long Chuan ancestral Hall. From the point of view of the present situation, history and artistic characteristics of the wood carving in the Hushi ancestral Hall, the digital protection and inheritance of the wood carving are analyzed and summarized, and the development and planning of the cultural resources of the wood carving in the Hushi ancestral Hall are carried out to realize the transformation from art to practicality. Both comprehensive development and innovation of tourist souvenirs and woodcarving handicrafts, so that the protection and inheritance of wood carving in Hu's ancestral Hall, from static to dynamic protection attempt. The aim of the research is to summarize and arrange the history and present situation of the wood carvings by investigating, collecting and summarizing, combining with the advanced experience and relevant documents of relevant research. The emphasis of the research is the digital protection, inheritance and development of the wood carving of the Hushi ancestral Hall. At the same time, it makes a deep study, and puts forward concrete measures and reasonable solutions. Therefore, let the wood carving art of the Hushi ancestral Temple get more effective inheritance and development in the new period, the most important is to solve and perfect some practical problems through the innovation and comprehensive R & D planning of wood carving art. This paper adopts the methods of investigation, literature, case study, comparative research and so on, and makes a careful investigation on the present situation and historical development of the wood carving in the Hushi ancestral Hall. Summary? Collected a lot of material materials; on this basis, more objective arrangement and detailed records, Hu ancestral Temple wood carving status, history, artistic characteristics; according to the actual conditions and needs, This paper deeply analyzes the cultural research value of wood carving in Hu's ancestral Temple, and in the process, makes a very necessary research attempt, and through field visits and literature, etc., To further analyze and study the status quo and development of the protection of the wood carving of the Hushi ancestral Temple, to draw on and absorb and adopt the advanced digital methods and means to protect, inherit and develop the wood carving of the Hushi ancestral Temple. A large number of practical and detailed measures and methods are put forward. The paper clearly points out that in order to ensure the living state of intangible cultural heritage, the most important thing is to protect and inspire its innovative ability. Detailed, feasible and relatively scientific planning, elaboration, argumentation and discussion, and positive and optimistic outlook for future development.
【學(xué)位授予單位】：重慶師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J314.2

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