【摘要】：自改革開放以來,伴隨著城市化進程的腳步,國內(nèi)當(dāng)代城市雕塑建設(shè)的步伐明顯加快,雕塑藝術(shù)在構(gòu)建和諧社會中的影響日趨顯著,創(chuàng)作的類別也層出不窮。隨著經(jīng)濟的發(fā)展和社會生活的進步,人們對中華民族文化意識的要求越來越高,一批當(dāng)代雕塑家在借鑒西方國家城市雕塑創(chuàng)作的同時,開始著手于在城雕創(chuàng)作中融入地域文化精神。面對百家爭鳴的雕塑創(chuàng)作現(xiàn)狀,筆者嘗試提出對于城市雕塑建設(shè)自己的幾點思考。同時,如何理解和把握民族精神在城雕領(lǐng)域的傳承與發(fā)展,是雕塑從業(yè)者必須要面對的課題也是擺在大眾面前的話題。 蘇州這座歷史悠久的文化古城,在傳承吳地文化,發(fā)展現(xiàn)代經(jīng)濟等方面在全國名列前茅,將其作為案例分析比較有代表性。筆者以蘇州當(dāng)代城市雕塑的表現(xiàn)性為切入點,從創(chuàng)作技法的角度剖析其構(gòu)成要素。以姑蘇區(qū)為代表的傳統(tǒng)題材城市雕塑藝術(shù)和以工業(yè)園區(qū)為代表的現(xiàn)代題材城市雕塑藝術(shù)的兩個角度入手,對具有代表性的城市雕塑《蘇州之窗》、《園林之窗》、《伍子胥象天法地建設(shè)蘇城》和以《圓融》為代表的工業(yè)園區(qū)現(xiàn)代景觀雕塑為例子,重點分析了蘇州火車站南廣場的典型的城市雕塑作品《范仲淹》、《伍子胥》等在創(chuàng)作理念、表現(xiàn)手法、雕塑語言、材質(zhì)選用上逐一分析,如何將當(dāng)?shù)氐谋就廖拿}—吳文化的精神融于其中,以試對今后的城市雕塑創(chuàng)作提供創(chuàng)作參考。
[Abstract]:Since the reform and opening up, with the pace of urbanization, the pace of domestic contemporary urban sculpture construction is obviously accelerated, sculpture art in the construction of a harmonious society has become increasingly significant, the types of creation also emerge in endlessly. Began to start in the creation of city sculpture into the spirit of regional culture. In the face of the current situation of sculpture creation, the author tries to put forward some thoughts on the construction of urban sculpture. At the same time, how to understand and grasp the inheritance and development of national spirit in the field of urban sculpture is a subject that the sculpture practitioners must face and put before the public. Suzhou, an ancient cultural city with a long history, is one of the leading cities in the country in terms of inheriting Wu culture and developing modern economy. Based on the expressiveness of contemporary urban sculpture in Suzhou, the author analyzes its composing elements from the angle of creative techniques. From two angles, the traditional urban sculpture art represented by the Gusu district and the modern urban sculpture art represented by the industrial park, Examples of typical urban sculptures, such as "window of Suzhou", "window of gardens", "Wu Zixu's construction of Suzhou city with Tianfa" and "Yuanrong", are examples of modern landscape sculpture of industrial park. The typical urban sculptures of South Square of Suzhou Railway Station, such as Fan Zhongyan and Wu Zixu, are analyzed one by one in terms of creative ideas, expression techniques, sculpture language and material selection. How to blend the spirit of local culture-Wu culture in order to provide reference for future urban sculpture creation.
【學(xué)位授予單位】：南京大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J313.2

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相關(guān)期刊論文 前1條

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本文編號：2159206