“非遺”視角下蘇州玉雕的發(fā)展現狀與傳承研究
發(fā)布時間：2018-07-22 15:55
【摘要】：上個世紀末以來,蘇州玉雕逐漸從仿制古玉的既有程式中擺脫出來,廣大從業(yè)人員不斷提煉傳統玉文化中的優(yōu)良基因,并與時代的藝術審美觀與價值觀相結合,在有限的玉料上追求高雅的立意與深邃的內涵,如今的蘇州玉雕充滿生機與活力,令全國玉雕同行矚目。蘇州玉雕以其獨領風騷的技藝在中國玉雕界的享有較高地位,是存在于自然與社會中的多方面因素共同相生相克的結果,一代代的玉雕藝人演繹著蘇州玉雕文化的傳承與流變,構建著獨特的玉雕風格。中國的玉文化歷史悠久且綿延不斷,可以說世界上沒有任何國家像中國這樣廣泛的使用玉,并將其上升到一種文化的高度,玉文化滲透到中國人社會生活的方方面面,從而對國人的思想意識、文化素養(yǎng)以及生活習慣均產生了廣泛而深遠的影響。"蘇州玉雕"在2008年被列入第二批國家級非物質文化遺產保護名錄。蘇州玉雕極具地域特色和歷史影響力,開始引起社會各界的關注,但對蘇州玉雕的研究與保護及其開發(fā)過程中也存在一些亟需解決的問題。如:研究不夠系統、市場競爭存在盲目性、模仿抄襲嚴重、過于追究經濟利益等。如何解決這些問題,并達到各方利益的均衡是當前蘇州玉雕傳承、發(fā)展及非遺保護中最為緊迫的課題,也是本文所要討論和解決的核心問題。本文選取國家級非物質文化遺產"蘇州玉雕"作為研究對象,蘇州玉雕傳承久遠、地域特色鮮明,是中國傳統工藝中的典型代表,具有較高的研究價值。本文以蘇州玉雕的發(fā)展現狀與非遺傳承為研究對象,對蘇州玉雕歷史傳承和蘇州玉雕行業(yè)的形成原因進行探討;然后實地調研考察聽取玉雕從業(yè)人員、傳承人與專家學者的真實聲音,對制作工藝和傳承現狀進行深入研究、分析整理并通過實地考察、走訪收集第一手的資料,提出蘇州玉雕傳承與保護的新思路。在為傳承與保護蘇州玉雕制作技藝提出對策的同時也為其它地區(qū)類似手工技藝的保護與研究提供一個新的切實可行的參考案例。
[Abstract]:Since the end of the last century, the jade carvings in Suzhou have gradually escaped from the existing procedures of imitation of ancient jade. The vast number of practitioners have continuously refined the fine genes in the traditional jade culture and combined them with the artistic aesthetics and values of the times. The pursuit of elegant ideas and profound connotations in the limited jade materials, today's Suzhou jade carving is full of vitality and vitality, making the national jade carving peers attention. Suzhou Jade carving enjoys a higher status in Chinese jade carving circles with its unique skills. It is the result of the common existence of many factors in nature and society. Generations of jade carvings artists have been deducing the inheritance and evolution of Suzhou jade carving culture. Build a unique style of jade carving. China's jade culture has a long and continuous history. It can be said that no country in the world has so widely used jade as China and raised it to the height of a kind of culture. Jade culture permeates all aspects of Chinese social life. Thus, the people's ideology, cultural literacy and living habits have a broad and far-reaching impact. " Suzhou Jade carving was included in the second batch of national intangible cultural heritage protection list in 2008. The jade carving in Suzhou, with its regional characteristics and historical influence, began to attract the attention of all walks of life. However, there are still some problems to be solved in the research, protection and development of the jade carving in Suzhou. For example, research is not systematic enough, market competition exists blindness, imitating plagiarism is serious, too investigate economic benefit and so on. How to solve these problems and achieve the balance of the interests of all parties is the most urgent issue in the inheritance, development and protection of jade carvings in Suzhou at present, and is also the core problem to be discussed and solved in this paper. This article selects the national intangible cultural heritage "Suzhou Jade carving" as the research object. Suzhou Jade carving is a typical representative of Chinese traditional arts and crafts and has high research value. In this paper, the development of Suzhou jade carving status and non-heritage as the research object, to Suzhou jade carving historical heritage and the formation of Suzhou jade carving industry, and then field investigation and listen to jade carving practitioners, The real voice of the inheritors and experts and scholars deeply studied the production technology and the present situation of inheritance, analyzed and sorted out and collected first-hand information through field investigation, and put forward a new idea of inheritance and protection of Suzhou jade carvings. In order to inherit and protect the Suzhou jade carving technology, it also provides a new practical reference case for the protection and research of similar handicraft techniques in other areas.
【學位授予單位】：安徽大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J314.9
本文編號：2137974
[Abstract]:Since the end of the last century, the jade carvings in Suzhou have gradually escaped from the existing procedures of imitation of ancient jade. The vast number of practitioners have continuously refined the fine genes in the traditional jade culture and combined them with the artistic aesthetics and values of the times. The pursuit of elegant ideas and profound connotations in the limited jade materials, today's Suzhou jade carving is full of vitality and vitality, making the national jade carving peers attention. Suzhou Jade carving enjoys a higher status in Chinese jade carving circles with its unique skills. It is the result of the common existence of many factors in nature and society. Generations of jade carvings artists have been deducing the inheritance and evolution of Suzhou jade carving culture. Build a unique style of jade carving. China's jade culture has a long and continuous history. It can be said that no country in the world has so widely used jade as China and raised it to the height of a kind of culture. Jade culture permeates all aspects of Chinese social life. Thus, the people's ideology, cultural literacy and living habits have a broad and far-reaching impact. " Suzhou Jade carving was included in the second batch of national intangible cultural heritage protection list in 2008. The jade carving in Suzhou, with its regional characteristics and historical influence, began to attract the attention of all walks of life. However, there are still some problems to be solved in the research, protection and development of the jade carving in Suzhou. For example, research is not systematic enough, market competition exists blindness, imitating plagiarism is serious, too investigate economic benefit and so on. How to solve these problems and achieve the balance of the interests of all parties is the most urgent issue in the inheritance, development and protection of jade carvings in Suzhou at present, and is also the core problem to be discussed and solved in this paper. This article selects the national intangible cultural heritage "Suzhou Jade carving" as the research object. Suzhou Jade carving is a typical representative of Chinese traditional arts and crafts and has high research value. In this paper, the development of Suzhou jade carving status and non-heritage as the research object, to Suzhou jade carving historical heritage and the formation of Suzhou jade carving industry, and then field investigation and listen to jade carving practitioners, The real voice of the inheritors and experts and scholars deeply studied the production technology and the present situation of inheritance, analyzed and sorted out and collected first-hand information through field investigation, and put forward a new idea of inheritance and protection of Suzhou jade carvings. In order to inherit and protect the Suzhou jade carving technology, it also provides a new practical reference case for the protection and research of similar handicraft techniques in other areas.
【學位授予單位】：安徽大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J314.9
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