本文選題：端硯 + 傳統(tǒng)審美　； 參考：《廣州大學(xué)》2017年碩士論文

【摘要】：端硯是一種文化載體,濃縮著中華傳統(tǒng)文化審美元素,小小的一方硯,承載著千年來的傳統(tǒng)文化內(nèi)涵。如何把握對傳統(tǒng)審美元素借鑒的度,如何把握端硯的發(fā)展方向,如何挖掘端硯的文化價值是當(dāng)代端硯藝人以及文人研究的重點。本論文首先闡述了傳統(tǒng)審美的內(nèi)容,以制硯家族程氏家族的程良所制端硯為例,重點介紹了程良對端硯文化的貢獻(xiàn),分析他在端硯工藝上對傳統(tǒng)審美借鑒和創(chuàng)新,強(qiáng)調(diào)要發(fā)展傳統(tǒng)審美元素在端硯中的運用,必然要順著傳統(tǒng)文化的發(fā)展脈絡(luò),更深入的研究傳統(tǒng)審美元素,由表及里,挖掘端硯的文化價值。
[Abstract]:Duan inkstone is a kind of cultural carrier, which condenses the aesthetic elements of Chinese traditional culture, and carries the connotation of traditional culture for thousands of years. How to grasp the degree of reference to the traditional aesthetic elements, how to grasp the development direction of Duan inkstone, how to excavate the cultural value of Duan Yan is the focus of contemporary Duan Yan artists and literati research. This paper first expounds the content of traditional aesthetics, taking Cheng Liang, who made ink stone in Cheng's family, as an example, mainly introduces Cheng Liang's contribution to Duan Yan culture, and analyzes his reference and innovation to traditional aesthetics in the process of making ink stone. It is emphasized that in order to develop the application of traditional aesthetic elements in Duan inkstone, it is necessary to follow the development vein of traditional culture, to study the traditional aesthetic elements more deeply, from the outside to the inside, and to excavate the cultural value of Duan inkstone.
【學(xué)位授予單位】：廣州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J314.9

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本文編號：2070164