喑啞的一角:1920至1940年代中國女性雕塑家行蹤考辨
發(fā)布時間:2018-06-13 11:41
本文選題:王靜遠 + 美術展覽會 ; 參考:《美術觀察》2017年09期
【摘要】:正1925年,在法國巴黎學成歸國的李金發(fā)應邀赴任上海美術?茖W校(以下簡稱"上海美專")雕刻科教授。不料是次招生因沒有學生報名而停辦[1]。這至少說明在1925年前后,西方美術學意義上的雕塑藝術,于國人而言,仍是一件陌生事。到1928年,國立西湖藝術院(1930年更名為國立杭州藝術?茖W校,以下簡稱"杭州藝專")"在杭州孤山羅苑成立,設
[Abstract]:In 1925, Li Jinfa, who had returned to Paris, France, was invited to the Shanghai Academy of Fine Arts (hereinafter referred to as Shanghai American College) as a professor of sculpture. Unexpectedly, the enrollment was suspended because no students had signed up. This, at least, suggests that sculpture in the sense of Western art was still a strange thing to the people of China around 1925. By 1928, the National West Lake Academy of Art (renamed the National Hangzhou Academy of Art in 1930, hereinafter referred to as "Hangzhou Art College") was established in Luoyuan, Gushan, Hangzhou.
【作者單位】: 華南師范大學文學院;
【分類號】:J309.2
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本文編號:2013909
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