本文關(guān)鍵詞：中國(guó)民間剪紙藝術(shù)在雕塑創(chuàng)作中的應(yīng)用研究，，由筆耕文化傳播整理發(fā)布。

網(wǎng)友wz_198621近日為您收集整理了關(guān)于中國(guó)民間剪紙藝術(shù)在雕塑創(chuàng)作中的應(yīng)用研究【優(yōu)秀論文】的文檔，希望對(duì)您的工作和學(xué)習(xí)有所幫助。以下是文檔介紹：The Research on the application of Chinese folk paper-cut art inthe sculpture creationbyYANG JingA thesis submitted in partial satisfaction of theRequirements for the degree ofMaster of LiteratureinArt DesignlnCentral South University of Forestry and Technology498 Shaoshan South Road,Tianxin DistrictChangsha Hunan 4 1 0004,P.R.CHINASupervisorProfessor CHEN JieMay,201 1|11111 1 II II 111 11 11 II III—Y1 91 3404中南林業(yè)科技大學(xué)學(xué)位論文原創(chuàng)性聲明本人鄭重聲明:所呈交的論文是本人在導(dǎo)師的指導(dǎo)下獨(dú)立進(jìn)行研究所取得的研究成果。除了文中特別加以標(biāo)注引用的內(nèi)容外,本論文不包含任何其他個(gè)人或集體已經(jīng)發(fā)表或撰寫的成果作品,也不包含為獲得中南林業(yè)科技大學(xué)或其他教育機(jī)構(gòu)的學(xué)位或證書所使用過的材料。對(duì)本文的研究做出重要貢獻(xiàn)的個(gè)人和集體,均已在文中以明確方式表明。本人粒翩到櫛黜擗髁蚌人篙≥名:骺私7∥,,年侈月/,日中南林業(yè)科技大學(xué)學(xué)位論文版權(quán)使用授權(quán)書本學(xué)位論文作者完全了解學(xué)校有關(guān)保留、使用學(xué)位論文的規(guī)定,同意學(xué)校保留并向國(guó)家有關(guān)部門或機(jī)構(gòu)送交論文的復(fù)印件或電子版,允許論文被查閱或借閱。本人授權(quán)中南林業(yè)科技大學(xué)可以將本學(xué)位論文的全部或部分內(nèi)容編入有關(guān)數(shù)據(jù)庫(kù)進(jìn)行檢索,可以采用影印、縮印或掃描等復(fù)制手段保存和匯編本學(xué)位論文。本學(xué)位論文屬于:1、保密口,在年解密后適用本授權(quán)書。2、不保密口。滯篙◆碩卜學(xué)位論文中國(guó)民間剪紙藝=術(shù)4j雕塑創(chuàng)作中的應(yīng)用研究摘要隨著傳統(tǒng)藝術(shù)的回歸,民間剪紙作為獨(dú)特的藝術(shù)資源被藝術(shù)家挖掘和利用,已廣泛應(yīng)用于現(xiàn)代藝術(shù)領(lǐng)域中,創(chuàng)作出很多具有民族特色的優(yōu)秀作品。就目前日益發(fā)展的雕塑藝術(shù)而言,民問剪紙應(yīng)用于雕塑創(chuàng)作的理論還相對(duì)比較落后,尚未形成系統(tǒng)的理論框架。中國(guó)民間剪紙有著獨(dú)特的語(yǔ)言和表現(xiàn)形式,它對(duì)雕塑創(chuàng)作產(chǎn)生了一定的影響。本文運(yùn)用文獻(xiàn)研究、作品分析、實(shí)地調(diào)查等方法對(duì)兩者的關(guān)系進(jìn)行了具體的研究。通過對(duì)我國(guó)民間剪紙審美特征的分析,總結(jié)出中國(guó)民間剪紙具有裝飾性、意象性、多樣性、平面性的美學(xué)意蘊(yùn),指出其在動(dòng)畫、服裝、廣告、陶瓷等具體藝術(shù)領(lǐng)域的合理運(yùn)用;探討了剪紙介入雕塑創(chuàng)作的理論依據(jù)和價(jià)值,并結(jié)合實(shí)踐作品對(duì)民間剪紙應(yīng)用于雕塑創(chuàng)作的具體表現(xiàn)方式進(jìn)行系統(tǒng)地分析。論文以民間剪紙?jiān)诰唧w藝術(shù)領(lǐng)域的表現(xiàn)為切入點(diǎn),通過對(duì)我國(guó)民間剪紙和傳統(tǒng)雕塑的研究,總結(jié)出兩者之間存在一定的共性,有著明顯的內(nèi)在聯(lián)系和傳承關(guān)系,主要表現(xiàn)在題材、造型、創(chuàng)作思維等方面,這為剪紙介入雕塑奠定了基礎(chǔ)。在此基礎(chǔ)上,本文總結(jié)了民間剪紙符號(hào)在雕塑中的具體應(yīng)用法則:利用剪影符號(hào)在雕塑中的表達(dá)方式,為雕塑家探索空間的平面性提供借鑒,使雕塑家不再單純地追求三維性和空間感;對(duì)民間剪紙中的意象造型進(jìn)行解構(gòu)和提煉,用現(xiàn)代雕塑創(chuàng)作理念和表現(xiàn)手法與之融合來豐富雕塑創(chuàng)作的內(nèi)涵;通過對(duì)漢字剪紙形式的分析,進(jìn)一步加強(qiáng)文字雕塑的探索和表現(xiàn);吸收和借鑒中國(guó)民間剪紙的色彩意蘊(yùn),為現(xiàn)代雕塑色彩的運(yùn)用提供參考價(jià)值。關(guān)鍵詞:中國(guó)民間剪紙;雕塑;符號(hào)碩.I:學(xué)位論文中國(guó)民間翦紙藝:術(shù)和:雕湛創(chuàng)作中的心用研究AbstractWith the return of traditional arts,as a unique art resource,folk art of paper—cut hasbeen mined and used by the artists,and widely used in modem art field to create a lotof good works with national characteristics.As the increasing development of thecurrentsculpture art is concemed,the theory of the use of folk paper-cut in sculpture isrelatively backward,not yet forms asystematic theoretical framework.Chinese folk paper-cut has a unique language and forms of expression,and putsforward a certain impact on sculpture.In this paper,the author uses such methods asliterature research,work analysis,field survey to study the relationship between thetwo specific research.Through the analysis of aesthetic characteristics of folk papercutting,the paper concludes that the Chinese folk paper—cut has some aestheticimplications of decorative,imagery,diversity,planarity,etc.And pointing out that itcan be used in animation,fashion,advertising,ceramics,and other specific areas ofrational use of arts.This paper also analyzes the theoretical basis and value of theintervention of paper—cut in sculpture creation.Then the author analyzes the specificperformance of the use of folk paper-cut in the sculpture creation based on creativepractice.The paper selects the performance of folk paper-cut art in specific field as thebreakthrough point,through parison study between the folk paper-cut andtraditional sculpture,concludes that there exist so

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  本文關(guān)鍵詞：中國(guó)民間剪紙藝術(shù)在雕塑創(chuàng)作中的應(yīng)用研究，由筆耕文化傳播整理發(fā)布。