本文選題：惠山泥人　切入點：定格動畫　出處：《太原理工大學(xué)》2013年碩士論文

【摘要】：我國的民間藝術(shù)是伴隨著古代社會的發(fā)展而逐步形成的一個龐大、而豐富的藝術(shù)寶庫,凝聚著中國傳統(tǒng)的歷史文化,是農(nóng)耕社會的物質(zhì)載體和象征著農(nóng)業(yè)文明的藝術(shù)表達形態(tài)。農(nóng)業(yè)文明中的民間勞作生產(chǎn)、生活內(nèi)容、宗教信仰、經(jīng)濟文化等社會各個方面都在民間藝術(shù)的形成中占據(jù)一定的作用,民間藝術(shù)的傳承和發(fā)展本身對于鞏固、維護我國文化、傳延?xùn)|方文明有著重要的意義�；萆侥嗳耸俏覈耖g傳統(tǒng)藝術(shù)形式中彩繪藝術(shù)的重要組成部分,在國內(nèi)和國際上享有極高的知名度,是推廣我國民間工藝美術(shù)事業(yè)、也是傳承無錫地區(qū)民間傳統(tǒng)工藝的典型代表作品。惠山泥人所面臨的當(dāng)代生存狀況并不樂觀。傳統(tǒng)的民間美術(shù)土壤已經(jīng)被現(xiàn)代西方文明破壞殆盡。一方面是惠山泥塑等傳統(tǒng)民間美術(shù)生存的環(huán)境缺乏有力的支撐,國家對民族藝術(shù)文化的保護還需要進一步提高,另一方面,大眾對民族傳統(tǒng)藝術(shù)、民間美術(shù)缺乏關(guān)注和興趣,從物質(zhì)到精神都缺乏推動民間藝術(shù)發(fā)展的根本動力。 本文旨以惠山泥塑作為切入點,在系統(tǒng)梳理惠山泥塑起源、發(fā)展及特點的基礎(chǔ)上,分析惠山泥塑與定格動畫結(jié)合的可能性,提出實行方案,發(fā)掘以惠山泥塑為代表的中國傳統(tǒng)民間美術(shù)在當(dāng)代西方文明的傾軋下應(yīng)該如何保持傳承、創(chuàng)新、發(fā)展,提出實踐性較強的方法,通過惠山泥塑與現(xiàn)代動畫技術(shù)相結(jié)合的形式,實現(xiàn)推動惠山泥塑藝術(shù)的傳承及發(fā)展的研究目的,將其發(fā)揚光大。 由于觀念問題,惠山泥塑中最具代表性的泥粗貨瀕臨消失,尤其在臺灣,當(dāng)?shù)氐摹稘h聲》雜志社對中國傳統(tǒng)民間文化非常感興趣,他們對惠山泥塑精品進行了大量的收藏,使得無錫惠山泥塑在發(fā)源地就開始流失,并且我國對于有關(guān)民間藝術(shù)法律保護有很大的缺失,以及與旅游業(yè)等相關(guān)產(chǎn)業(yè)的結(jié)合上也不是很完善,這種種因素都為惠山泥塑的傳承和發(fā)展埋下了隱患。 面對中國傳統(tǒng)文化遺產(chǎn)的沒落和逐漸衰退,非物質(zhì)文化遺產(chǎn)的傳承與發(fā)展,在當(dāng)今這個信息多元化的時代里引發(fā)了人們更多的思考,怎么樣才能使優(yōu)秀的中國傳統(tǒng)文化從沒落中走向強盛,而不至于隨著時間的流逝,使非物質(zhì)文化遺產(chǎn)這個更多精神層面上的傳承無法延續(xù)下去。作為新生力量的我們,肩負(fù)著巨大的責(zé)任,之所以把惠山泥人與定格動畫相結(jié)合,是因為泥塑特有的質(zhì)感和造型可以通過定格動畫這種特殊的影像藝術(shù)加以展現(xiàn),使惠山泥人能夠引起廣大人民群眾的關(guān)注,從而起到推廣與傳承、拓展與創(chuàng)新的目的,讓傳統(tǒng)民間藝術(shù)——惠山泥人能夠走向世界的大舞臺。
[Abstract]:With the development of ancient society, folk art in our country is a huge and abundant treasure trove of art, which embodies the traditional Chinese history and culture. Is the material carrier of agricultural society and symbolizes the artistic expression form of agricultural civilization. The folk labor production, life content, religious belief in agricultural civilization, All aspects of society, such as economy and culture, play a certain role in the formation of folk art. The inheritance and development of folk art itself can consolidate and safeguard our culture. Huishan clay man is an important part of the traditional folk art form of our country, enjoys a high reputation both at home and abroad, and is the promotion of folk arts and crafts in our country. Huishan clay face the contemporary living condition is not optimistic. Traditional folk art soil has been destroyed by modern western civilization. On the one hand, Huishan is Huishan. Clay sculptures and other traditional folk arts exist in an environment that lacks strong support. The protection of national art and culture needs to be further improved. On the other hand, the masses lack attention and interest in traditional national art and folk art, and lack the basic motive force to promote the development of folk art from material to spiritual. This paper aims at taking Huishan clay sculpture as a breakthrough point, on the basis of systematically combing the origin, development and characteristics of Huishan clay sculpture, analyzes the possibility of combining Huishan clay sculpture with fixed animation, and puts forward a practical plan. Explore how the traditional Chinese folk art, represented by Huishan clay sculpture, should be maintained, innovated, developed and put forward a more practical method through the combination of Huishan clay sculpture and modern animation technology under the influence of contemporary Western civilization. To achieve the purpose of promoting the inheritance and development of Huishan clay sculpture art. As a result of conceptual problems, the most representative mud and coarse goods in Huishan clay statues are on the verge of disappearing. Especially in Taiwan, the local magazine "Hansheng" is very interested in Chinese traditional folk culture. They have a large collection of Huishan clay sculptures. As a result, the clay sculptures of Huishan in Wuxi began to run off from their birthplaces, and our country has a great lack of legal protection for folk art, and the combination with related industries such as tourism is not very perfect. All these factors have buried hidden trouble for the inheritance and development of Huishan clay sculpture. In the face of the decline and gradual decline of Chinese traditional cultural heritage, the inheritance and development of intangible cultural heritage has aroused more thinking in the present age of information diversification. How can we make the excellent Chinese traditional culture strong from decline to prosperity, without making the intangible cultural heritage, a more spiritual inheritance, impossible to continue with the passage of time. As a new force, we, Shouldering enormous responsibilities, the reason why Huishan clay people are combined with fixed animation is because the unique texture and shape of clay sculptures can be displayed through the special image art of fixed animation. So that Huishan clay people can attract the attention of the broad masses of the people, so as to promote and inherit, expand and innovate, so that the traditional folk art-Huishan clay people can go to the world stage.
【學(xué)位授予單位】：太原理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J954;J314.7

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