本文選題：軟材料雕塑　切入點：材料　出處：《東北師范大學》2016年碩士論文

【摘要】：色彩是軟材料雕塑獨樹一幟的靈魂。在軟材料雕塑獨有的質(zhì)感下,不可改變的色彩對于軟材料雕塑起到至關(guān)重要的作用。雖然硬質(zhì)雕塑同樣可以附有色彩,但是隨著時間、氣候、溫度等各種因素的改變,硬質(zhì)雕塑所被附有的顏色也會隨之改變。而相比之下,由于軟材料雕塑其材質(zhì)柔軟以及運用材料本身所具有的色彩進行創(chuàng)作,加上其特定的室內(nèi)擺放條件,沒有氣候、溫度等外界影響,軟材料雕塑的色彩便不會發(fā)生改變。隨著現(xiàn)代化工藝的不斷進步軟材料也有了各式各樣的色彩。因此,軟材料雕塑中色彩的運用是一個值得研究、解決的問題。軟材料雕塑藝術(shù)是同傳統(tǒng)的纖維藝術(shù)、壁掛藝術(shù)深入發(fā)展之后演變而成的一種近代才逐漸興起的一門藝術(shù)。本文通過分析軟雕塑藝術(shù)的歷史背景以及基于材料本身獨有質(zhì)感的色彩在其中的運用,結(jié)合于藝術(shù)作品,分析軟雕塑藝術(shù)與硬質(zhì)雕塑的本質(zhì)區(qū)別�，F(xiàn)代軟雕塑的出現(xiàn)本身具有劃時代的意義,在繼承傳統(tǒng)纖維藝術(shù)的同時,推動了雕塑藝術(shù)的發(fā)展。傳統(tǒng)的纖維藝術(shù)是以墻壁掛飾、紡織、綢緞等形式展現(xiàn)出來的,傳統(tǒng)雕塑藝術(shù)多運用固體化材質(zhì)來表現(xiàn)空間,之前的兩者合一,取其長處演變成一種現(xiàn)代的自由藝術(shù)方式。色彩更是軟材料雕塑中表現(xiàn)的關(guān)鍵,由于纖維材料柔軟的特點,給人們一種舒適的感覺,軟雕塑自身就具有特殊的紋理�；诓牧媳旧硭哂械纳室蛩�,就更加強了作品的表現(xiàn)力。軟材料雕塑在上世紀中葉開始陸續(xù)涌現(xiàn),但由于當時的歷史背景等原因,軟材料雕塑并沒有被雕塑領域關(guān)注。因此,軟材料雕塑的早期形成及作品形式、色彩,是本論文首先要剖析的問題;接著,論文從色彩的本源出發(fā),結(jié)合實例分析軟材料雕塑中色彩的表現(xiàn)形式,肯定了色彩對軟材料雕塑起到至關(guān)重要的作用;再通過對軟材料雕塑中色彩的運用方法進行事實的分析,加上理論的論證,更進一步證實軟材料雕塑中色彩的重要性。最后結(jié)合軟雕塑藝術(shù)發(fā)展的現(xiàn)狀對雕塑領域進行深入分析,并展望色彩對雕塑領域未來的影響以及運用。
[Abstract]:Color is the unique soul of soft material sculpture. Under the unique texture of soft material sculpture, irrevocable color plays a vital role in soft material sculpture. Although hard sculpture can also be accompanied by color, but over time, Changes in climate, temperature and other factors will change the color attached to hard sculptures. In contrast, due to the softness of the materials of sculptures and the use of the colors of the materials to create them, In addition to its special indoor arrangement conditions, without the influence of the outside world, such as climate and temperature, the color of soft material sculpture will not change. With the continuous progress of modern technology, soft materials have all kinds of colors. The use of color in soft material sculpture is a problem worth studying and solving. The soft material sculpture art is the same as the traditional fiber art. This paper analyzes the historical background of soft sculpture art and the application of color based on the material's unique texture in it, which is combined with the works of art. Analyzing the essential difference between soft sculpture art and hard sculpture. The appearance of modern soft sculpture itself has epoch-making significance, it has promoted the development of sculpture art while inheriting the traditional fiber art. Textile, silk, satin and other forms show that traditional sculpture art mostly uses solid material to express space. Before that, both of them were combined together, and their strengths evolved into a modern free art method. Color is the key to the performance of soft material sculpture. Because of the softness of the fiber material, it gives people a comfortable feeling. The soft sculpture has its own special texture. Based on the color factor of the material itself, It strengthened the expressiveness of the works. Soft material sculpture began to emerge in the middle of the last century, but due to the historical background of the time, the soft material sculpture was not concerned by the sculpture field. The early formation of soft material sculpture and the form and color of its works are the first problems to be analyzed in this paper. Secondly, the paper analyzes the manifestation of color in soft material sculpture from the origin of color, combining with an example. It is affirmed that color plays a vital role in soft material sculpture, and then through the analysis of the facts of the use of color in soft material sculpture, and the theoretical argument, The importance of color in soft material sculpture is further confirmed. Finally, combined with the present situation of the development of soft sculpture art, the author makes a deep analysis of the sculpture field, and looks forward to the influence and application of color on the future of sculpture field.
【學位授予單位】：東北師范大學
【學位級別】：碩士
【學位授予年份】：2016
【分類號】：J305

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本文編號：1663850