本文選題：德王　切入點：一切眾生　出處：《藝術評論》2017年07期 　論文類型：期刊論文

【摘要】：正如果要用"色相"這個詞語顯而易見的意思來形容孟福偉的雕塑,似乎不太合適,但是深究這個佛家用語,指示為物質(zhì)的特征,尤其在《涅盤經(jīng)·德王品四》中寫到:"【菩薩】示現(xiàn)一色,一切眾生各各皆見種種色相。"或許能豁然開朗,最物質(zhì)的表象自有直至其根源的本心,在最寫實的生活場景中又蘊含著藝術的提純和典型性。一、小人物的生活敘事
[Abstract]:It would seem inappropriate to describe Meng Fuwei's sculpture with the obvious meaning of the word "hue". But if we go into this Buddhist language and indicate that it is a material feature, In particular, in the Nirvana Sutra de Wang Pin IV, it is written: "Bodhisattva shows one color, all living beings see all kinds of colors." perhaps it can be suddenly opened up, and the most material appearance has its own original mind to the root of it. In the most realistic life scene, it also contains the art of purification and typicality. First, the life narration of the little man
【作者單位】： 四川美術學院;
【分類號】：J305
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本文編號：1605566