本文關鍵詞： 降魔成道 觸地印如來 成都周邊地區(qū) 唐代　出處：《南京藝術學院學報(美術與設計)》2017年05期 　論文類型：期刊論文

【摘要】：現存初唐-盛唐時期成都地區(qū)周邊佛教造像中,常見"降魔成道"題材。由于隋唐成都大型寺院工巧稿本資料缺乏,學者在考證"降魔成道"范本的來源時,多依據長安文化中心的相關記載,產生了一些誤讀與爭議。本文以成都周邊地區(qū)發(fā)現的"成道"為主題的造像為切入點,探究成都周邊寶冠觸地印如來造像源流及內涵寓意。
[Abstract]:In the Buddhist statues around Chengdu in the early Tang and the prosperous Tang dynasties, the theme of "descending evil spirits into Taoism" is common. Due to the lack of skilled manuscripts of large monasteries in the Sui and Tang dynasties, scholars are studying the source of the model "descending evil spirits into the Tao". According to the relevant records of Changan Cultural Center, some misunderstandings and controversies have arisen. This paper takes the figure of "Chengdao" found in the surrounding area of Chengdu as the breakthrough point, and probes into the origin, stream and connotation of the statue of the statue of touching the ground and touching the ground of the treasure crown around Chengdu.
【作者單位】： 四川大學藝術學院;
【分類號】：J315;K879.3
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本文編號：1555316