發(fā)布時間：2018-02-27 10:00

  本文關鍵詞： 公共空間 城市雕塑 形式特征　出處：《哈爾濱工業(yè)大學》2010年碩士論文　論文類型：學位論文

【摘要】： 當前城市設計最重要的領域之一,即是城市公共空間的規(guī)劃設計,而對城市公共空間的社會人文層面的理解卻多限于表面。通過對城市雕塑的形式特征的深入研究,探尋時代背景下的城市公共空間與公共藝術品共同面臨的社會人文問題,并建立二者之間的文化關聯(lián),從而更好地理解城市設計中的社會與人文問題,使我們的公共空間設計能夠把更好地握時代特征和需求。 城市雕塑的發(fā)展演變經(jīng)歷了為傳統(tǒng)宗教和政治服務的懵懂時期、體現(xiàn)革命性的現(xiàn)代觀念的萌芽時期、由精英藝術走向普通大眾的發(fā)展時期,最終進入當代的成為提升公共環(huán)境品質(zhì)主要元素的成熟時期,而公眾審美經(jīng)驗的形成過程、心理要素及心理特征都制約著城市雕塑的形式特征的形成。城市雕塑的環(huán)境整體性感知、潛在感知及可意象性形成了城市雕塑的感知結(jié)構(gòu),并通過雕塑語言符號傳達給受眾。城市雕塑主要功能體現(xiàn)為增強城市可意象性、彰顯城市公共倫理、營造城市文化生態(tài)及傳達城市美學理念,成為城市公共空間中最具有人文特征的一種公共藝術形式。 解讀城市雕塑的形式語言是分析城市雕塑作品的核心內(nèi)容。從寫實與抽象形式解析,可分為寫實再現(xiàn)形式與抽象非再現(xiàn)形式;從構(gòu)形結(jié)構(gòu)形式解析,可分為框架結(jié)構(gòu)、體量結(jié)構(gòu)、常規(guī)變異、團塊構(gòu)成和空間群化;從空間形式解析,可分為獨立與依附、圍合與覆蓋、凸出與凹入。當代城市雕塑形式的表現(xiàn)手法主要有情感表現(xiàn)、內(nèi)容表現(xiàn)、風格表現(xiàn)、材料表現(xiàn)、環(huán)境表現(xiàn)等幾個方面,而當代城市雕塑形式特征的成因主要受到非理性藝術觀念的介入和當代消費文化的影響,同時,當代信息社會也對城市雕塑形式產(chǎn)生新的要求。 當代城市雕塑的形式特征突出體現(xiàn)六個方面:一是公眾參與的互動性特征,表現(xiàn)在城市雕塑形式的可讀性、與社會生活的共融及與公眾行為的互動;二是文化生態(tài)的融合性特征,表現(xiàn)在與城市環(huán)境的互動、主體與客體之間的對話及與城市空間環(huán)境的共生;三是公共空間的標志性特征,主要表現(xiàn)在區(qū)域識別性和城市標識性;四是消費時代的世俗性特征,表現(xiàn)出多元化傾向、娛樂化傾向及世俗化傾向;五是傳統(tǒng)文脈的符號化特征,表現(xiàn)在傳統(tǒng)象征性符號和隱喻性符號的創(chuàng)建;六是材料技術的多元化特征,表現(xiàn)在材質(zhì)的異化處理、新材料的應用、綜合材料的拼貼及高科技的加工技術。
[Abstract]:At present, one of the most important fields of urban design is the planning and design of urban public space, but the understanding of the social and human aspects of urban public space is mostly limited to the surface. In order to better understand the social and human problems in urban design, this paper explores the social and humanistic problems faced by urban public space and public works of art under the background of the times, and establishes the cultural relationship between the two. So that our public space design can better grasp the characteristics and needs of the times. The development and evolution of urban sculpture experienced the ignorant period of serving traditional religion and politics, the embryonic period of embodying revolutionary modern ideas, and the period of development from elite art to ordinary people. Finally, it enters into the mature period when it becomes the main element of improving the quality of public environment, and the forming process of public aesthetic experience, Psychological elements and psychological characteristics both restrict the formation of the form characteristics of urban sculpture. The perception of environmental integrity, latent perception and imageability of urban sculpture form the perceptual structure of urban sculpture. The main functions of urban sculpture are to enhance the image of the city, to highlight the urban public ethics, to create the urban cultural ecology and to convey the urban aesthetic idea. Become a kind of public art form with the most humanity characteristic in the city public space. Interpreting the formal language of urban sculpture is the core content of analyzing urban sculpture works. It can be divided into realistic reappearance form and abstract non-reappearing form from realistic form and abstract form analysis, and frame structure from configuration structure form. From the space form analysis, it can be divided into independence and attachment, encircle and cover, protrude and concave. The expression technique of contemporary urban sculpture form mainly has the emotion expression, the content expression, Style performance, material performance, environmental performance and so on, while the causes of the form characteristics of contemporary urban sculpture are mainly influenced by the intervention of irrational artistic concepts and contemporary consumer culture, at the same time, Modern information society also has new requirements to the form of urban sculpture. The form characteristics of contemporary urban sculpture embody six aspects: the first is the interactive character of public participation, which is manifested in the readability of urban sculpture form, the integration with social life and the interaction with public behavior; Secondly, the cultural ecology is characterized by interaction with urban environment, dialogue between subject and object, and symbiosis with urban space environment. The fourth is the secular characteristics of the consumption era, showing the tendency of diversification, entertainment and secularization, and the symbolization of the traditional context, which is manifested in the creation of the traditional symbolic symbols and metaphorical symbols. Sixth, the diversity of material technology is manifested in the dissimilation of materials, the application of new materials, the collage of synthetic materials and the processing technology of high technology.
【學位授予單位】：哈爾濱工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：TU984.113

【參考文獻】

相關期刊論文 前7條

1 馬欽忠;公共藝術與城市品牌的塑造[J];雕塑;2004年01期

2 王文娟;邏輯之網(wǎng)難以捕捉的詩思——陳云崗雕塑理念及雕塑作品述評[J];雕塑;2005年02期

3 商頌;;雷宜鋅和他的馬丁·路德·金雕像[J];雕塑;2008年01期

4 ;城市雕塑的公共性與個性、個性與共性[J];雕塑;2008年01期

5 尚榮;;吳為山主持并創(chuàng)作的侵華日軍南京大屠殺遇難同胞紀念館擴建工程大型主題雕塑學術研討會專家發(fā)言摘要[J];雕塑;2008年02期

6 商頌;;具有中國文化品質(zhì)的當代公共藝術[J];雕塑;2008年04期

7 殷小烽;;殷小烽教授澳大利亞訪學之行[J];雕塑;2008年04期

相關碩士學位論文 前1條

1 謝佳音;當代城市雕塑視覺創(chuàng)作特征研究[D];同濟大學;2006年

，

本文編號：1542195