發(fā)布時間：2018-01-24 21:58

  本文關(guān)鍵詞： 歷史人物雕塑 當(dāng)代性 雕塑技法　出處：《魯迅美術(shù)學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：歷史人物題材是雕塑領(lǐng)域較為傳統(tǒng)的題材,但是如何能讓這種傳統(tǒng)的內(nèi)容展現(xiàn)出符合當(dāng)下情境的特質(zhì),這是本文提出“當(dāng)代塑造”所要關(guān)注的問題。自八十年代以來,受到后現(xiàn)代主義思潮的影響,許多藝術(shù)家一心求新求變,希望以否定性和顛覆性的姿態(tài)突破傳統(tǒng),以傳統(tǒng)作為對立面來張揚(yáng)自我的價值。但是藝術(shù)的當(dāng)代性其實應(yīng)該包含著過去,傳統(tǒng)往往也蘊(yùn)含著豐富的可供參照的資源,關(guān)鍵在于我們應(yīng)如何平衡傳統(tǒng)與當(dāng)代、東方與西方的關(guān)系。因此在本文筆者希望從自己的藝術(shù)創(chuàng)作中的體會,來作出對“當(dāng)代塑造”問題的自我回應(yīng)。本文分為三個主要章節(jié),圍繞雕塑當(dāng)代塑造這一線索進(jìn)行闡釋。首先是對“當(dāng)代性”進(jìn)行界定和討論,因為談?wù)摗爱?dāng)代塑造”,就需要說清楚“當(dāng)代”指的是什么,具有何種內(nèi)涵和外延,從中闡釋作者對于中國當(dāng)代雕塑的一些思考和看法,從而得出對雕塑“當(dāng)代性”的理解。然后針對自己做泥塑頭像的技法和情感表達(dá)所展現(xiàn)的藝術(shù)思想進(jìn)行分析和闡釋。此外通過對曼祖的《紅衣主教》以及洪濤的《向北?向北!》和《獨(dú)秀》的案例分析,探討歷史人物雕塑是與當(dāng)代性相結(jié)合的可能性以及它所帶來的啟發(fā)。最后一章將結(jié)合本人的畢業(yè)創(chuàng)作——?dú)v史人物肖像題材以及傳統(tǒng)典故題材兩類,分析我的畢業(yè)創(chuàng)作中所融入的關(guān)于歷史人物雕塑的當(dāng)代性塑造的可能性探索。
[Abstract]:The theme of historical figures is a more traditional subject matter in the field of sculpture, but how to make this kind of traditional content show the characteristics in line with the current situation. Since 80s, influenced by the trend of postmodernism, many artists have been seeking for new ideas and changes. I hope to break through the tradition with negative and subversive posture and use tradition as the opposite to promote the value of self. But the contemporary nature of art should include the past. Tradition often contains a wealth of reference resources, the key is how we should balance the traditional and contemporary, the relationship between the East and the West. This paper is divided into three main chapters to explain the clue of contemporary sculpture molding. First of all, it defines and discusses "contemporary nature". Because to talk about "contemporary molding", we need to clarify what "contemporary" refers to, what kind of connotation and extension, from which to explain some of the author's thoughts and views on contemporary Chinese sculpture. Thus, the "contemporary nature" of sculpture can be obtained. And then analyze and explain the artistic ideas of the techniques and emotional expressions of making clay statues. In addition, through the "Cardinal" of Manzu and Hong Tao's "North?"??? North! The case study of "Duxiu" and "Duxiu". This paper discusses the possibility of historical figure sculpture combining with contemporary nature and its inspiration. The last chapter will combine with my graduation creation-historical portrait theme and traditional allusions. This paper analyzes the possibility of contemporary sculpture of historical figures in my graduation creation.
【學(xué)位授予單位】：魯迅美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J305

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 翁劍青;;有關(guān)藝術(shù)賞析的態(tài)度[J];雕塑;2008年01期

2 曹意強(qiáng);藝術(shù)媒介與創(chuàng)作意圖[J];美術(shù)研究;1999年04期

3 孫振華;當(dāng)代雕塑的問題和思考[J];美術(shù)觀察;1997年07期

相關(guān)碩士學(xué)位論文 前2條

1 楊舒涵;中國當(dāng)代雕塑的意象化語言研究[D];西安美術(shù)學(xué)院;2016年

2 常潔;當(dāng)代雕塑材料研究[D];中國藝術(shù)研究院;2008年

，

本文編號：1461132