本文關鍵詞： 公共 環(huán)境 雕塑 情感性 表達　出處：《中央美術(shù)學院》2010年碩士論文　論文類型：學位論文

【摘要】： 公共環(huán)境中的雕塑不僅有著審美功能和人文精神,更具有藝術(shù)家的情感意識表達。藝術(shù)家的雕塑作品本身就是其對外的溝通媒介是個人與社會對話的平臺之一。藝術(shù)家在某種層面上扮演著一個社會組織者的角色,有能力通過作品,給大眾帶來精神上的援助,把自我意識植入社會集體中。然而,如何體現(xiàn)這種人文關懷?這種對大眾需要的滿足,在形式上,難道僅僅是低等的,原始的,只顧及一般意義上的“喜聞樂見”嗎?絕不是這樣。之所以要強調(diào)公共雕塑的情感表達,意味著“精神性”和“主動性”。公共環(huán)境中雕塑所表達的情感不僅僅在于去“融合”、“折中”或“妥協(xié)”,而是在于尋找世界中的“永恒”與“本質(zhì)”。藝術(shù)家應該運用智慧在公共雕塑作品中注入自我的情感意識,從而使公共藝術(shù)具有引領性,指向性,能夠更為廣泛更為深入的啟發(fā)公眾意識。 本文通過“公共環(huán)境中雕塑所要表達情感的意義”、“環(huán)境因素與雕塑情感的關系”、“公共環(huán)境中雕塑情感與公眾情感的溝通”三部分的論證,達到以下論證目標：任何人的體驗都不可能全部來自親身經(jīng)歷,也離不開自己出生、成長、成熟的那個社會群體環(huán)境,意識的形成與觀念的建立是水乳交融的,而群體的探索和追求構(gòu)成對當今社會、周邊世界的評判與情感表達,這種情感的表達過程總是發(fā)展并且一步步走向與環(huán)境的和諧。
[Abstract]:Sculpture in public environment not only has aesthetic function and humanistic spirit. The artist's sculpture itself is one of the external communication media and one of the platforms for personal and social dialogue. The artist plays the role of a social organizer at a certain level. . Have the ability to bring spiritual assistance to the public through works, and put self-consciousness into the social collective. However, how to embody this humanistic concern? Is this satisfaction for the needs of the masses, in form, merely inferior, primitive, and taking into account only the "like" in the general sense? This is not the case. The reason for emphasizing the emotional expression of public sculpture means "spirituality" and "initiative". The emotion expressed by sculpture in public environment is not just "fusion". "compromise" or "compromise" lies in finding "eternity" and "essence" in the world. Artists should use wisdom to inject their own emotional consciousness into public sculpture works, so that public art can lead. Directionality, can be more extensive and deeper to inspire public awareness. This article through "the public environment sculpture wants to express the emotion significance", "the environment factor and the sculpture emotion relations", "the public environment sculpture emotion and the public emotion communication" three parts argument. To achieve the following objectives: anyone's experience can not come from personal experience, also can not be inseparable from their own birth, growth, maturity of the social group environment, the formation of consciousness and the establishment of ideas is a blend. The exploration and pursuit of the group constitute the judgment and emotional expression of the society and the surrounding world. This process of expression of emotion is always developing and moving towards the harmony with the environment step by step.
【學位授予單位】：中央美術(shù)學院
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J313.2

【引證文獻】

相關期刊論文 前1條

1 陳鈺汀;;淺析影響公共藝術(shù)中城市雕塑發(fā)展的因素——以長沙城市雕塑為例[J];青春歲月;2011年16期

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本文編號：1447547