本文關(guān)鍵詞：云南甲馬造型的原始思維特征研究　出處：《華中師范大學(xué)》2008年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 云南甲馬 造型 原始思維 價值 活態(tài)文化

【摘要】： 云南甲馬是云南宗教信仰里用以消災(zāi)祈福、祭祀神靈的木刻雕版印刷品。甲馬作為云南地方民俗文化的一種象征,呈現(xiàn)了原生態(tài)的文化品質(zhì)和生命活力。在當(dāng)?shù)厝说纳钪袩o論事情大小,凡有求于神的活動,不管祭什么神,都要用甲馬紙同時焚化,作為聯(lián)接人神間的“信使”,祈求神的賜�；蛳麨�(zāi)。甲馬成為了溝通人和神界的重要手段。甲馬既是神性的,又是人性化的。 云南甲馬具有特定的生存范圍,它扎根在鄉(xiāng)村,是屬于勞動人民的藝術(shù),這也是它存在的方式。廣大民眾以口傳身授的形式,使云南甲馬在農(nóng)耕文明的鄉(xiāng)野里被傳承下來,云南甲馬身上蘊藏著農(nóng)耕時代中國民間立體的影像,見證了古老中華民族燦爛的民間文化歷程,在其粗厲、質(zhì)樸的外表下,蘊含著民間對通神驅(qū)邪、求吉納福的原始性、本能性、巫術(shù)性的欲望,可視為自古至今未曾斷絕的民族文化符號,它在方寸之間承載著人們對現(xiàn)實生活和心靈世界的所有期盼。云南甲馬作為地方民族人們情感智慧和創(chuàng)作靈感的結(jié)晶,始終是民族地區(qū)人們生產(chǎn)、生活乃至生命情感中的重要組成部分。 論文以云南甲馬產(chǎn)生時宗教的融合為背景,通過對處在民間信仰中的云南甲馬的淵源、工藝、造型特征的分析,探尋內(nèi)隱的原始思維特征,挖掘云南甲馬造型中潛藏著的原始思維特征:具體性、完整性和情感性;由此分析出原始思維物化的藝術(shù)表現(xiàn)形式。其一,云南甲馬造型中具體性思維的表現(xiàn):象形和類比;其二,完整性的具體表現(xiàn):內(nèi)容情節(jié)化和重疊空間;其三,情感性的具體表現(xiàn):功利性和本主崇拜。進(jìn)而探尋云南甲馬藝術(shù)的價值體現(xiàn),即甲馬造型藝術(shù)的潛質(zhì)表現(xiàn),以及作為甲馬作為民俗活態(tài)文化載體的當(dāng)代意義,希冀為本土文化的繁榮創(chuàng)造和諧自由的空間。
[Abstract]:Yunnan Yunnan is a horse religion to worship the gods of misfortunes praying, wood engraving printing. A horse as a symbol of Yunnan local folk culture, showing the original ecological culture quality and vitality. In the local people's lives no matter how small, all for God, no matter offering what God should use a horse and paper incineration, as the connection between the person God "the messenger", pray for God's blessing or disaster. A horse has become an important means of communication between people and the world. A horse is divine, and humanity.
Yunnan Jia Ma has the specific survival scope, which has its roots in the country belong to the working people of art, this is the way it is. The majority of the people in the oral presentation form, make Yunnan a horse was inherited in the farming civilization of the countryside in Yunnan, a horse who contains farming folk era Chinese stereo the image, witnessed the ancient Chinese splendid folk culture history, in its rough, rustic appearance, contains folk gods of evil, primitive, luck and instinct, this desire can be regarded as not cut since ancient times national cultural symbol, it in the confusion between the bearing people look forward to all the real life and the spiritual world of Yunnan. A horse as a crystallization of local ethnic people emotion wisdom and inspiration, is always people in ethnic minority areas, an important part of life and life feeling.
This thesis takes Yunnan Jiama produced fusion of religion as the background, through the origin, in the folk belief in Yunnan Jia Ma process, analysis of modeling features, explore the original thinking of implicit, original thinking of mining Yunnan Jiama modeling hidden: specific, integrity and emotion; thus analysis of the primitive thought of the art form. A specific thinking Yunnan Jiama modeling performance: pictographic and analogy; second, the integrity of the content: plot and overlap space; third, specific emotional, utilitarian and Benzhu worship. Then to explore Yunnan Ma art embodies the value, namely the potential performance of the Jiama plastic art, and contemporary significance as a horse as a living folk culture carrier, hoping to create a harmonious and free space for the prosperity of local culture.

【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：J306

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 鄭凌;;創(chuàng)意思維下的民間圖形版式——版式設(shè)計課程教學(xué)案例分析[J];美術(shù)向?qū)?2012年01期

相關(guān)碩士學(xué)位論文 前1條

1 余宏剛;大理甲馬藝術(shù)及其在現(xiàn)代設(shè)計中的運用研究[D];云南民族大學(xué);2012年

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本文編號：1388802