張楊的尋找之路——《岡仁波齊》《皮繩上的魂》初探
發(fā)布時間：2019-08-19 11:23
【摘要】：正2017年,張楊的兩部作品《岡仁波齊》《皮繩上的魂》,先后在6-8月上映�！秾什R》更是成為話題性電影,票房過億。兩部作品均在西藏拍攝,更有意思的是,兩部作品以分組的方式,先后拍攝(2013年11月-2014年11月)。在同一年的時間里,誕生了兩部風(fēng)格迥異,甚至是兩極化的作品。本文試圖從兩部作品的視聽、敘事以及主題內(nèi)核來尋找一個走在自己電影朝圣之路上的張楊。一、視聽《岡仁波齊》用客觀紀(jì)實的手法,在視覺上強
[Abstract]:In 2017, Zhang Yang's two works, "the Soul on the Leather rope," were released in June and August. "Gang Rinpoqi" has become a thematic film, with a box office of more than 100 million. Both works were shot in Tibet, and more interestingly, the two works were shot in groups (November 2013-November 2014). In the same year, two works with very different styles and even polarization were born. This paper attempts to find Zhang Yang on the road of pilgrimage to his own films from the audio-visual, narrative and theme core of the two works. First, the audio-visual "Gang Rinpoqi" uses the objective documentary technique, which is visually strong.
【作者單位】： 廈門大學(xué)嘉庚學(xué)院人文與傳播學(xué)院;
【分類號】：J905
，
本文編號：2528221
[Abstract]:In 2017, Zhang Yang's two works, "the Soul on the Leather rope," were released in June and August. "Gang Rinpoqi" has become a thematic film, with a box office of more than 100 million. Both works were shot in Tibet, and more interestingly, the two works were shot in groups (November 2013-November 2014). In the same year, two works with very different styles and even polarization were born. This paper attempts to find Zhang Yang on the road of pilgrimage to his own films from the audio-visual, narrative and theme core of the two works. First, the audio-visual "Gang Rinpoqi" uses the objective documentary technique, which is visually strong.
【作者單位】： 廈門大學(xué)嘉庚學(xué)院人文與傳播學(xué)院;
【分類號】：J905
，
本文編號：2528221
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